The Mahabharata of Krishna-Dwaipayana Vyasa,: Bhishma parva

The Mahabharata of Krishna-Dwaipayana Vyasa,: Bhishma parva PDF Author:
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Languages : en
Pages : 344

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The Mahabharata of Krishna-Dwaipayana Vyasa,: Bhishma parva

The Mahabharata of Krishna-Dwaipayana Vyasa,: Bhishma parva PDF Author:
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Category :
Languages : en
Pages : 344

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The Mahabharata of Krishna-Dwaipayana Vyasa: Santi parva pt. 1-2

The Mahabharata of Krishna-Dwaipayana Vyasa: Santi parva pt. 1-2 PDF Author:
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Languages : en
Pages :

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The Mahabharata of Krishna-Dwaipayana Vyasa Translated Into English Prose

The Mahabharata of Krishna-Dwaipayana Vyasa Translated Into English Prose PDF Author:
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Category :
Languages : en
Pages : 220

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The Mahabharata of Krishna-Dwaipayana Vyasa Adi Parva

The Mahabharata of Krishna-Dwaipayana Vyasa Adi Parva PDF Author: Kisari Mohan Ganguli
Publisher: Createspace Independent Publishing Platform
ISBN: 9781722737412
Category :
Languages : en
Pages : 540

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The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva by Kisari Mohan Ganguli SECTION I Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years' sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

The Mahabharata of Krishna-Dwaipayana Vyasa: C̜anti parva.(v.1)

The Mahabharata of Krishna-Dwaipayana Vyasa: C̜anti parva.(v.1) PDF Author:
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Languages : en
Pages : 636

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The Mahabharata of Krishna-Dwaipayana Vyasa

The Mahabharata of Krishna-Dwaipayana Vyasa PDF Author:
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Category :
Languages : en
Pages : 208

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The Mahabharata of Krishna-Dwaipayana Vyasa

The Mahabharata of Krishna-Dwaipayana Vyasa PDF Author: Rāya
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Languages : en
Pages : 498

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The Mahabharata of Krishna-Dwaipayana Vyasa (Complete)

The Mahabharata of Krishna-Dwaipayana Vyasa (Complete) PDF Author: Anonymous
Publisher: Library of Alexandria
ISBN: 1465526374
Category : Fiction
Languages : en
Pages : 12302

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Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years’ sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. Having been entertained with due respect by those holy men, he saluted those Munis (sages) with joined palms, even all of them, and inquired about the progress of their asceticism. Then all the ascetics being again seated, the son of Lomaharshana humbly occupied the seat that was assigned to him. Seeing that he was comfortably seated, and recovered from fatigue, one of the Rishis beginning the conversation, asked him, ‘Whence comest thou, O lotus-eyed Sauti, and where hast thou spent the time? Tell me, who ask thee, in detail.’ Accomplished in speech, Sauti, thus questioned, gave in the midst of that big assemblage of contemplative Munis a full and proper answer in words consonant with their mode of life. “Sauti said, ‘Having heard the diverse sacred and wonderful stories which were composed in his Mahabharata by Krishna-Dwaipayana, and which were recited in full by Vaisampayana at the Snake-sacrifice of the high-souled royal sage Janamejaya and in the presence also of that chief of Princes, the son of Parikshit, and having wandered about, visiting many sacred waters and holy shrines, I journeyed to the country venerated by the Dwijas (twice-born) and called Samantapanchaka where formerly was fought the battle between the children of Kuru and Pandu, and all the chiefs of the land ranged on either side. Thence, anxious to see you, I am come into your presence. Ye reverend sages, all of whom are to me as Brahma; ye greatly blessed who shine in this place of sacrifice with the splendour of the solar fire: ye who have concluded the silent meditations and have fed the holy fire; and yet who are sitting—without care, what, O ye Dwijas (twice-born), shall I repeat, shall I recount the sacred stories collected in the Puranas containing precepts of religious duty and of worldly profit, or the acts of illustrious saints and sovereigns of mankind?” “The Rishi replied, ‘The Purana, first promulgated by the great Rishi Dwaipayana, and which after having been heard both by the gods and the Brahmarshis was highly esteemed, being the most eminent narrative that exists, diversified both in diction and division, possessing subtile meanings logically combined, and gleaned from the Vedas, is a sacred work. Composed in elegant language, it includeth the subjects of other books. It is elucidated by other Shastras, and comprehendeth the sense of the four Vedas. We are desirous of hearing that history also called Bharata, the holy composition of the wonderful Vyasa, which dispelleth the fear of evil, just as it was cheerfully recited by the Rishi Vaisampayana, under the direction of Dwaipayana himself, at the snake-sacrifice of Raja Janamejaya?’

Parva

Parva PDF Author: Es. El Bhairappa
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 860

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It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.

The Mahabharata of Krishna-Dwaipayana Vyasa Translated Into English Prose: Drona parva (2nd ed. 1892)

The Mahabharata of Krishna-Dwaipayana Vyasa Translated Into English Prose: Drona parva (2nd ed. 1892) PDF Author:
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Category : Hindu mythology
Languages : en
Pages : 758

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