This Mad Masquerade PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download This Mad Masquerade PDF full book. Access full book title This Mad Masquerade by Gaylyn Studlar. Download full books in PDF and EPUB format.
Author: Gaylyn Studlar
Publisher:
ISBN: 9780231103213
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
-- American Studies International
Author: Gaylyn Studlar
Publisher:
ISBN: 9780231103213
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
-- American Studies International
Author: Alfred F. Young
Publisher: Vintage
ISBN: 0679761853
Category : History
Languages : en
Pages : 434
Get Book Here
Book Description
In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.
Author: Edward Robert Bulwer Lytton Earl of Lytton
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Get Book Here
Book Description
Author: Nelvin Vos
Publisher: University Press of America
ISBN: 0761844708
Category : Drama
Languages : en
Pages : 196
Get Book Here
Book Description
This book is an exploration of the linguistic, structural, historical, and thematic relationships of religion and drama. It is not an attempt to sacralize drama so that it becomes a substitute for religion, nor will it reduce religion to its aesthetic dimension. What does religion tell us about drama, and what does drama tell us about religion? What have been their inter-actions in our tradition? The conversation between religion and culture, drama and Christianity, needs to be ongoing. This book is a contribution to the dialogue, asking questions, pointing towards possible answers, and encouraging others to join in the conversation.
Author: Brenda Joyce
Publisher: Harlequin
ISBN: 1460301919
Category : Fiction
Languages : en
Pages : 463
Get Book Here
Book Description
On the evening of her first masquerade, shy Elizabeth Anne Fitzgerald is stunned by Tyrell de Warenne’s whispered suggestion of a midnight rendezvous in the gardens. Lizzie has secretly worshipped the unattainable lord for years. When fortune takes a maddening turn, she is prevented from meeting Tyrell, but she cannot foresee that this night is only the beginning…. Tyrell de Warenne is shocked when, two years later, Lizzie arrives on his doorstep with a child she claims is his. He remembers her well—and knows that he could not possibly be the father. What is this game she is playing…and why? Is Elizabeth Anne Fitzgerald a woman of experience, or the gentle innocent she seems? But neither scandal nor deception can thwart a love too passionate to be denied….
Author: John C. Tibbetts
Publisher: McFarland
ISBN: 1476684979
Category : Literary Criticism
Languages : en
Pages : 222
Get Book Here
Book Description
This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
Get Book Here
Book Description
Author: Charles Dill
Publisher: Routledge
ISBN: 1351555723
Category : Music
Languages : en
Pages : 617
Get Book Here
Book Description
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Author: Charles Dill
Publisher: Routledge
ISBN: 1351555731
Category : History
Languages : en
Pages : 530
Get Book Here
Book Description
Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.
Author: Parley Ann Boswell
Publisher: SIU Press
ISBN: 0809387468
Category : Biography & Autobiography
Languages : en
Pages : 245
Get Book Here
Book Description
Edith Wharton (1862–1937), who lived nearly half of her life during the cinema age when she published many of her well-known works, acknowledged that she disliked the movies, characterizing them as an enemy of the imagination. Yet her fiction often referenced film and popular Hollywood culture, and she even sold the rights to several of her novels to Hollywood studios. Edith Wharton on Film explores these seeming contradictions and examines the relationships among Wharton’s writings, the popular culture in which she published them, and the subsequent film adaptations of her work (three from the 1930s and four from the 1990s). Author Parley Ann Boswell examines the texts in which Wharton referenced film and Hollywood culture and evaluates the extant films adapted from Wharton’s fiction. The volume introduces Wharton’s use of cinema culture in her fiction through the 1917 novella Summer, written during the nation’s first wave of feminism, in which the heroine Charity Royall is moviegoer and new American woman, consumer and consumable. Boswell considers the source of this conformity and entrapment, especially for women. She discloses how Wharton struggled to write popular stories and then how she revealed her antipathy toward popular movie culture in two late novels. Boswell describes Wharton’s financial dependence on the American movie industry, which fueled her antagonism toward Hollywood culture, her well-documented disdain for popular culture, and her struggles to publish in women’s magazines. This first full-length study that examines the film adaptations of Wharton’s fiction covers seven films adapted from Wharton’s works between 1930 and 2000 and the fifty-year gap in Wharton film adaptations. The study also analyzes Sophy Viner in The Reef as pre-Hollywood ingénue, characters in Twilight Sleep and The Children and the real Hollywood figures who might have inspired them, and The Sheik and racial stereotypes. Boswell traces the complicated relationship of fiction and narrative film, the adaptations and cinematic metaphors of Wharton’s work in the 1990s, and Wharton’s persona as an outsider. Wharton’s fiction on film corresponds in striking ways to American noir cinema, says Boswell, because contemporary filmmakers recognize and celebrate the subversive qualities of Wharton’s work. Edith Wharton on Film, which includes eleven illustrations, enhances Wharton’s stature as a major American author and provides persuasive evidence that her fiction should be read as American noir literature.
