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Author: Francesco Casetti
Publisher: Columbia University Press
ISBN: 0231538871
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
Author: Francesco Casetti
Publisher: Columbia University Press
ISBN: 0231538871
Category : Performing Arts
Languages : en
Pages : 311
Get Book Here
Book Description
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
Author: Elisa Mandelli
Publisher: Edinburgh University Press
ISBN: 1474416802
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.
Author: Ariel Rogers
Publisher: Columbia University Press
ISBN: 0231548036
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.
Author: Hilary Radner
Publisher: Edinburgh University Press
ISBN: 147442290X
Category : Performing Arts
Languages : en
Pages : 222
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Book Description
Istanbul's Ã++emberlitaÅY Hamamı provides a case study for the cultural, social and economic functions of Turkish bathhouses over time.
Author: Alasdair King
Publisher: Springer Nature
ISBN: 3031406540
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.
Author: Dominique Chateau
Publisher: Key Debates - Mutations and Appropriations in European Film Studies
ISBN: 9789463727235
Category :
Languages : en
Pages : 376
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Book Description
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.
Author: Lorne Peterson
Publisher: Insight Editions
ISBN: 9781933784106
Category : Cinematography
Languages : en
Pages : 0
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Book Description
From the producers of the acclaimedDressing a Galaxy: The Costumes of Star Warscomes an inside look at the secrets behind the saga's artful models and sculptures. Lorne Peterson, model and sculpture designer for the entireStar Warssaga, takes us on a journey through the intricate process of crafting and sculpting the models from sketch to screen and the artistry behind the dazzling results. Sculpting a Galaxy: Inside the Star Wars Model Shopfeatures more than 300 full-color photographs and illustrations from the Lucasfilm archives, models from all six films, interviews, images and text with concept sculptors, an overview of the ILM model shop from 1976 through today and numerous gatefolds of the most loved models. ILM virtually redefined visual effects and blazed a trail into the digital realm, follow behind the camera and into the rarely seen workshops and an amazing look at the creation of movie magic.Sculpting a Galaxy: Inside the Star Wars Modelshoptakes readers behind-the-scenes for the first in-depth look at these amazing models and the process behind their creation, punctuated by Lorne Peterson's exuberance and dedication to craft. This unique visual treat is a must-have for anyStar Warsfan. Limited Edition features: a tipped in vellum sheet for number and signature, 5 gatefolds, 4 bound-in postcard sheets, a bound-in 12 page booklet describing the "white" model process, an accordian foldout containing all cut-outs of the ships, a bound-in Model Shop booklet detailing the model shop evolution, and a gatefold of "The Family Tree" of all the modelmakers involved in the 30 year process of creating the Star Wars legacy. Also included in the clamshell box: a "make your own" Millennium Falcon model kit that features as the front of the clamshell, DVD of model shop documentaries, a 32 page book showcasing all of the computer graphics surrounding the models and the special effects of the films, an 8 page booklet that will serve as a guide to all the model pieces included in the limited edition including a certificate of authenticity, AND a Landspeeder Model with detachable rear fin - the reproduction based on the original cast and painting by Peterson - with four seats for figures of Luke Skywalker, R2-D2, C-3PO, and Obi-Wan Kenobi.
Author: Aristi Trendel
Publisher: Rowman & Littlefield
ISBN: 1666956007
Category : Political Science
Languages : en
Pages : 267
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Book Description
Transcultural Perspectives in Literature, Language, Art, and Politics is a contribution to the field of transcultural studies that has been gaining ground since the turn of the twentieth century. Embracing the transcultural lens in the humanities and social sciences, it demonstrates how the relevance, necessity and wide range of this approach can better enhance our understanding of the contemporary world as well as the past. Though all the contributors have a humanities background, they work in different research fields such as literary studies, linguistics, translation studies, cinema, or intellectual history, and use a variety of theoretical frames. A transdisciplinary framework also seems to be the most practical one to meet the challenges that transcultural phenomena and developments present. In sixteen chapters organized in five sections (literature, translation and linguistics, cinema, communication and politics), the volume explores the dynamics of transculturality at a micro and macro level, its benefits and limits. These studies suggest that transculturality is not only used as an intellectual working tool but also as an identity in motion that may represent a glimmer of hope in a world that seems to be in the throes of unreason and on the brink of self-induced destruction.
Author: Amy Ratcliffe
Publisher: Chronicle Books
ISBN: 145216679X
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
They are heroes and villains, Sith and Jedi, senators and scoundrels, mothers, mercenaries, artists, pilots. . . . The women of the Star Wars galaxy drive its stories and saga forward at every level. This beautifully illustrated, fully authorized book profiles 75 fascinating female characters from across films, fiction, comics, animation, and games. Featuring Leia Organa, Rey, Ahsoka Tano, Iden Versio, Jyn Erso, Rose Tico, Maz Kanata, and many more, each character is explored through key story beats, fresh insights, and behind-the-scenes details by author Amy Ratcliffe. Also showcasing more than 100 all-new illustrations by a dynamic range of female and non-binary artists, here is an inspiring celebration of the characters that help create a galaxy far, far away. • INCLUDING CHARACTERS FROM SOLO: A STAR WARS STORY AND STAR WARS: RESISTANCE •INCLUDES CHARACTERS VISUALIZED HERE FOR THE FIRST TIME Amy Ratcliffe is the managing editor of Nerdist and a contributor to StarWars.com, and has written for outlets such as Star Wars Insider and IGN. She's a host at Star Wars Celebration and cohosts the Lattes with Leia podcast. When she's not visiting a galaxy far, far away, she lives in Los Angeles, California. Contributing artists: • Alice X. Zhang • Amy Beth Christenson • Annie Stoll • Annie Wu • Christina Chung • Cryssy Cheung • Eli Baumgartner • Elsa Charretier • Geneva Bowers • Jennifer Aberin Johnson • Jen Bartel • Jenny Parks • Karen Hallion • Little Corvus • Sara Alfageeh • Sara Kipin • Sarah Wilkinson • Viv Tanner © & TM LUCASFILM LTD. Used Under Authorization.
Author: Dan Geva
Publisher: Springer Nature
ISBN: 3030794660
Category : Philosophy
Languages : en
Pages : 393
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Book Description
This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.
