Author: Anthony J. Lewis
Publisher: University Press of Kentucky
ISBN: 0813184827
Category : Drama
Languages : en
Pages : 422
Book Description
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
The Love Story in Shakespearean Comedy
Author: Anthony J. Lewis
Publisher: University Press of Kentucky
ISBN: 0813184827
Category : Drama
Languages : en
Pages : 422
Book Description
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
Publisher: University Press of Kentucky
ISBN: 0813184827
Category : Drama
Languages : en
Pages : 422
Book Description
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
The Love Story in Shakespearean Comedy
Author: Anthony J. Lewis
Publisher: University Press of Kentucky
ISBN: 0813156432
Category : Drama
Languages : en
Pages : 252
Book Description
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
Publisher: University Press of Kentucky
ISBN: 0813156432
Category : Drama
Languages : en
Pages : 252
Book Description
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
The Cambridge Companion to Shakespearean Comedy
Author: Alexander Leggatt
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
The Comedy of Errors
Author: William Shakespeare
Publisher: Digireads.com Publishing
ISBN: 9781420926231
Category : Drama
Languages : en
Pages : 84
Book Description
"The Comedy of Errors" is the story of two identical twins named Antipholus who are separated following a shipwreck 25 years earlier. Antipholus of Ephesus grows up in Ephesus with his mother, while Antipholus of Syracuse grows up in Syracuse with his father. Despite a ban on travel between the two cities, their father, Egeon, travels from Syracuse to Ephesus to try and find his long lost son and wife.
Publisher: Digireads.com Publishing
ISBN: 9781420926231
Category : Drama
Languages : en
Pages : 84
Book Description
"The Comedy of Errors" is the story of two identical twins named Antipholus who are separated following a shipwreck 25 years earlier. Antipholus of Ephesus grows up in Ephesus with his mother, while Antipholus of Syracuse grows up in Syracuse with his father. Despite a ban on travel between the two cities, their father, Egeon, travels from Syracuse to Ephesus to try and find his long lost son and wife.
The Fool's Girl
Author: Celia Rees
Publisher: A&C Black
ISBN: 0747597340
Category : Juvenile Fiction
Languages : en
Pages : 321
Book Description
Nominated for the Carnegie Medal 2011 Shakespeare in Love meets Twelfth Night - A gripping and evocative historical novel by bestselling Celia Rees
Publisher: A&C Black
ISBN: 0747597340
Category : Juvenile Fiction
Languages : en
Pages : 321
Book Description
Nominated for the Carnegie Medal 2011 Shakespeare in Love meets Twelfth Night - A gripping and evocative historical novel by bestselling Celia Rees
As You Like it
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Book Description
Shakespeare's Comedies of Love
Author: Richard Paul Knowles
Publisher: University of Toronto Press
ISBN: 0802039537
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.
Publisher: University of Toronto Press
ISBN: 0802039537
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.
Two Gentlemen of Verona
Author: William Shakespeare
Publisher:
ISBN:
Category : Exiles
Languages : en
Pages : 160
Book Description
Contains the work "Two gentlemen of Verona" by William Shakespeare along with notes and commentary by Shakespearean authorities.
Publisher:
ISBN:
Category : Exiles
Languages : en
Pages : 160
Book Description
Contains the work "Two gentlemen of Verona" by William Shakespeare along with notes and commentary by Shakespearean authorities.
A Midsummer-night's Dream
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 72
Book Description
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 72
Book Description
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Much Ado about Nothing; a Comedy in Five Acts... as Arranged for the Stage by Henry Irving, and Presented at the Lyceum Theatre on Wednesday, October 11th, 1882
Author: Irving, Henry, Sir
Publisher: London, Chiswick Press
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Publisher: London, Chiswick Press
ISBN:
Category :
Languages : en
Pages : 74
Book Description