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Author: Neil Aitken
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 102
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Book Description
Poetry. Winner of the 2007 Philip Levine Prize Prize for Poetry. "It's difficult to believe that Neil Aitken's THE LOST COUNTRY OF SIGHT is a first book, since there is mastery throughout the collection. His ear is finely tuned, and his capacity for lyricism seems almost boundless. What stands out everywhere in the poems is his imagery, which is not only visually precise but is also possessed of a pure depth. The poems never veer off into the sensational; they are built from pensiveness and quietude and an affection for the world. 'Traveling Through the Prairies, I Think of My Father's Voice' strikes me as a perfectly made poem, but poems of similar grace and power are to be found throughout the book. This is a debut to celebrate"--C.G. Hanzlicek, judge.
Author: Neil Aitken
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 102
Get Book Here
Book Description
Poetry. Winner of the 2007 Philip Levine Prize Prize for Poetry. "It's difficult to believe that Neil Aitken's THE LOST COUNTRY OF SIGHT is a first book, since there is mastery throughout the collection. His ear is finely tuned, and his capacity for lyricism seems almost boundless. What stands out everywhere in the poems is his imagery, which is not only visually precise but is also possessed of a pure depth. The poems never veer off into the sensational; they are built from pensiveness and quietude and an affection for the world. 'Traveling Through the Prairies, I Think of My Father's Voice' strikes me as a perfectly made poem, but poems of similar grace and power are to be found throughout the book. This is a debut to celebrate"--C.G. Hanzlicek, judge.
Author: Wayne Kyle Spitzer
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 182
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Book Description
First came the time-storm, which erased half the population. Then came the dinosaur apocalypse. How did it all begin? That depends on where you were and who you ask. In some places it started with the weather—which quickly became unstable and began behaving in impossible ways. In still others it started with the lights in the sky, which shifted and pulsed and could not be explained. Elsewhere it started with the disappearances: one here, a few there, but increasing in occurrence until fully three quarters of the population had vanished. Either way, there is one thing on which everyone agrees—it didn’t take long for the prehistoric flora and fauna to start showing up (often appearing right where someone was standing, in which case the two were fused, spliced, amalgamated). It didn’t take long for the great Time-displacement called the Flashback—which was brief but had aftershocks, like an earthquake—to change the face of the earth. Nor for the stories, some long and others short, some from before the maelstrom (and resulting societal collapse) and others after, to be recorded. Welcome to the world of the Flashback, a world in which man’s cities have become overgrown jungles and extinct animals wander the ruins. You can survive here, if you're lucky, and if you're not in the wrong place at the wrong time--which is everywhere, all the time. But what you'll never do is remain the same, for this is a world whose very purpose is to challenge you, for better or for worse. It is a world where frightened commuters will do battle with murderous bikers even as primordial monsters close in, and others will take refuge in an underground theme park only to find their worst enemy is themselves. Where ordinary people—ne’er-do-wells on a cross-country motorcycle trip, a woman on a redeye flight to Hell, a sensitive boy stricken with visions of what’s to come--will find themselves in extraordinary situations, and a gunslinger and his telekinetic ankylosaurus will embark on a dangerous quest. A world where travelers will be trapped with an unravelling President of the United States and a band of survivors will face roving packs of monsters and men in post-apocalyptic Seattle; where rioting teenagers will face deadly predators (as well as their own demons) while ransacking the nation’s capital; where a Native-American warrior will seek to bury his past--and offer an elegy for all the Earth--in what remains of Las Vegas. In short, it is a world where anything can and will happen. So take a deep dive into these loosely connected tales of the Dinosaur Apocalypse (each of which can be read individually or as a part of the greater saga): tales of wonder and terror, death and survival, blood and beauty. Do it today, before the apocalypse comes.
Author: Steven Heighton
Publisher: Knopf Canada
ISBN: 0307373959
Category : Fiction
Languages : en
Pages : 354
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Book Description
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
Author: Sarah Kendzior
Publisher: Flatiron Books
ISBN: 1250189985
Category : Political Science
Languages : en
Pages : 179
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Book Description
NEW YORK TIMES and MIBA BESTSELLER From the St. Louis–based journalist often credited with first predicting Donald Trump’s presidential victory. "A collection of sharp-edged, humanistic pieces about the American heartland...Passionate pieces that repeatedly assail the inability of many to empathize and to humanize." — Kirkus In 2015, Sarah Kendzior collected the essays she reported for Al Jazeera and published them as The View from Flyover Country, which became an ebook bestseller and garnered praise from readers around the world. Now, The View from Flyover Country is being released in print with an updated introduction and epilogue that reflect on the ways that the Trump presidency was the certain result of the realities first captured in Kendzior’s essays. A clear-eyed account of the realities of life in America’s overlooked heartland, The View from Flyover Country is a piercing critique of the labor exploitation, race relations, gentrification, media bias, and other aspects of the post-employment economy that gave rise to a president who rules like an autocrat. The View from Flyover Country is necessary reading for anyone who believes that the only way for America to fix its problems is to first discuss them with honesty and compassion. “Please put everything aside and try to get ahold of Sarah Kendzior’s collected essays, The View from Flyover Country. I have rarely come across writing that is as urgent and beautifully expressed. What makes Kendzior’s writing so truly important is [that] it . . . documents where the problem lies, by somebody who lives there.”—The Wire “Sarah Kendzior is as harsh and tenacious a critic of the Trump administration as you’ll find. She isn’t some new kid on the political block or a controversy machine. . . .Rather she is a widely published journalist and anthropologist who has spent much of her life studying authoritarianism.” —Columbia Tribune
Author: William Gay
Publisher:
ISBN: 9781945814525
Category : Fiction
Languages : en
Pages : 362
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Book Description
"A wonder of Southern Gothic storytelling." --Southern Living (Best Southern Books of 2018) Southern Independent Booksellers Pick, July 2018 Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the Navy, and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D.L. Harkness, a predator in all the ways there are. Hounded at every turn by scams, vigilantes, grievous loss, and unspeakable violence, Edgewater navigates the long road home, searching for a place that may be nothing but memory. Hailed as "a seemingly effortless storyteller" by the New York Times Book Review and "a writer of striking talent" by the Chicago Tribune, William Gay, with this long-awaited novel, secures his place alongside Faulkner, O'Connor, and McCarthy as one of the greatest novelists in the Southern Gothic tradition.
Author: Steven Heighton
Publisher: Vintage Canada
ISBN: 0307397408
Category : Fiction
Languages : en
Pages : 354
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Book Description
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
Author: Wayne Kyle Spitzer
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 154
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Book Description
First came the time-storm, which erased half the population. Then came the dinosaur apocalypse. Welcome to the world of the Flashback, a world in which man’s cities have become overgrown jungles and extinct animals wander the ruins. You can survive here, if you're lucky, and if you're not in the wrong place at the wrong time--which is everywhere and all the time. But what you'll never do is remain the same, for this is a world whose very purpose is to challenge you: for better or for worse. In short, it is a world where anything can and will happen. So take a deep dive into these loosely connected tales of the Dinosaur Apocalypse (each of which can be read individually or as a part of the greater saga): tales of wonder and terror, death and survival, blood and beauty. Do it today, before the apocalypse comes. “Jesus. Just—Jesus,” said Amelia, staring at the decomposing body. “How long do you think it’s been here?” I examined it where it was sprawled on the back porch, facing the ocean, its skin blackened and clinging to the bones—like it had been vacuum sealed—its wispy hair fluttering. "Hard to say. Few weeks. Maybe a month.” I batted away the flies. “Long enough for the organs to liquify.” “How—how do you know?” I studied the holes in its head, a smaller one which was about the size of a dime and a larger, more cavernous one—the exit wound. “Because, otherwise, there’d be brains all over.” I stepped over it and picked up the gun, checked its chamber. “There’s still bullets in it.” She stared at me tentatively as I closed the chamber and gripped the weapon in both hands—neither of us saying anything. At last I nodded to the back door—the screen of which banged back and forth in the wind—and tried to brace myself. “You ready?” She shook her head. “Let’s go,” I said. And then she was holding the screen as I inched forward and gripped the knob—turning it slowly, carefully, easing the door open. Stepping into a room which was dark as pitch; which reeked of cat piss and despair.
Author: Erik Loomis
Publisher: New Press, The
ISBN: 1620970775
Category : Political Science
Languages : en
Pages : 189
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Book Description
A provocative analysis of labor, globalization, and environmental harm by the award-winning historian and author of A History of America in Ten Strikes. In the current state of our globalized economy, corporations have no incentive to protect their workers or the environment. Jobs moves seamlessly across national borders while the laws that protect us from rapacious behavior remain bound by them. As a result, labor exploitation and toxic pollution remain standard practice. In Out of Sight, Erik Loomis—a historian of both the labor and environmental movements—follows a narrative that runs from the 1911 Triangle Shirtwaist Factory fire in New York City to the collapse of the Rana Plaza factory outside of Dhaka, Bangladesh, in 2013. He demonstrates that our modern systems of industrial production are just as dirty and abusive as they were during the Industrial Revolution and the Gilded Age. The only difference is that the ugly side of manufacturing is now hidden in faraway places where workers are most vulnerable. In this Choice Outstanding Academic Title, Loomis shows that the great environmental victories of twentieth-century America—the Clean Water Act, the Clean Air Act, the EPA—were actually union victories. Using this history as a call to action, Out of Sight proposes a path toward regulations that follow corporations wherever they do business, putting the power back in workers’ hands. “The story told here is tragic and important.” —Bill McKibben “Erik Loomis prescribes how activists can take back our country—for workers and those who care about the health of our planet.” —Senator Sherrod Brown (D-OH)
Author: Wayne Kyle Spitzer
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
First came the time-storm, which erased half the population. Then came the Dinosaur Apocalypse … How did it all begin? Well, that depends on where you were and who you ask. In some places it started with the weather—which quickly became unstable and began behaving in impossible ways. In still others it started with the lights in the sky, which shifted and pulsed and could not be explained. Elsewhere it started with the disappearances: one here, a few there, but increasing in occurrence until fully three quarters of the population had vanished. Either way, there is one thing on which everyone agrees—it didn’t take long for the prehistoric flora and fauna to start showing up (often appearing right where someone was standing, in which case the two were fused, spliced, amalgamated). It didn’t take long for the great Time-displacement called the Flashback—which was brief but had aftershocks, like an earthquake—to change the face of the earth. Nor for the stories, some long and others short, some from before the maelstrom (and resulting societal collapse) and others after, to be recorded. Welcome to the Lost Country. From “The Primeval World”: I stood abruptly and raised the back of my hand—but was restrained by Linda, who had inserted herself between us. “That’s enough! Please—Chris. Enough. She’s not going to tell us.” She backed me away from the girl. “But I have an idea … if you want to hear it.” I yanked away from her and began pacing, furious at the stranger but really angry with myself—for losing my cool in front of my crush, whom I’d liked since the moment we’d met (at the Coke machine in the Community Room, about a month before the Flashback). And for sending them—Penny and Fred—to the food mart in the first place, ostensibly to save time but really just so I could be with Linda. “I—I’m sorry. Jesus. It’s just that—” She came to me and put a finger to my lips. “Shhh. Forget it. All right?” I tried to look away but she forced me to look at her. “All right? Listen. We know which direction they went. So … why don’t we just—take Valerie here—and go looking for them?” She turned to face the young woman. “She’ll point us in the right direction—won’t you, Little Miss Sunshine?” She glared at her menacingly. “If she ever wants to see home again.” And she was right, of course; I knew it and the girl knew it. And so I reconfigured her bonds so she could travel and we doused ourselves in rex urine— including Valerie (for who knew how far we’d have to go or how long we’d be exposed to potential predators), and we headed out; walking up South Union Avenue toward the capitol even as Compies watched from the undergrowth and I thought I saw a face: simian yet strangely human, animal, and yet somehow not—peeking at us briefly from between two fronds. Staring at us, passively, almost meditatively, like a great ape behind glass; or a manatee through green, hazy water.
Author: Wayne Kyle Spitzer
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 184
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Book Description
First came the time-storm, which erased half the population. Then came the Dinosaur Apocalypse … How did it all begin? Well, that depends on where you were and who you ask. In some places it started with the weather—which quickly became unstable and began behaving in impossible ways. In still others it started with the lights in the sky, which shifted and pulsed and could not be explained. Elsewhere it started with the disappearances: one here, a few there, but increasing in occurrence until fully three quarters of the population had vanished. Either way, there is one thing on which everyone agrees—it didn’t take long for the prehistoric flora and fauna to start showing up (often appearing right where someone was standing, in which case the two were fused, spliced, amalgamated). It didn’t take long for the great Time-displacement called the Flashback—which was brief but had aftershocks, like an earthquake—to change the face of the earth. Nor for the stories, some long and others short, some from before the maelstrom (and resulting societal collapse) and others after, to be recorded. Welcome to the Lost Country. From “The Dreaming City”: It was at once garish and sublime, hipster and gauche, a burnt-orange relic of a bygone era with a tip of the hat to Frank Lloyd Wright and a debt to Googie architecture—a thing as righteous as it was ridiculous, which sat amongst its desert like an outsider, an intruder, as out of place as the transplanted palms and piped-in water, as artificial as L.A. itself. “They weren’t kidding when they called it the Lost Aztec Temple of Mars,” I said, as Rusty fidgeted and nickered, and shook flies from his ears. “But what’s with all the high fencing and concertina wire—only to leave the entire front-perimeter open? There’s just a hedgerow. No fence at all.” Nigel sat up in his saddle and looked on, the sweat beading along his forehead. “Be damned if I know; it wasn’t like that before.” He looked around the area—skittishly, I thought. “Maybe he had it removed when they took out the road. He was like that, you know. All about the visual.” He pointed at the house itself. “Wouldn’t have been a problem, though, even if it were there—there’s a man door in the fence just beyond that breezeway.” I held out my arm as everyone started to move. “I—hold up. I—ah, I don’t like this.” I scanned the overgrown yard and the cosmetically-placed boulders (some of which were the size of moving vans); looking for traps, looking for threats. “It doesn’t feel right.” Lazaro got off his horse and approached the hedgerow—then turned to face us, splaying his arms. “What? You heard Jamaica; dude was all about the visual. Probably figured there was no need—once the road was taken out. For a front fence, I mean.” He let his arms slap to his sides. “Now are we going to go check it out, or what? Or are you all just going to sit there all day?” And there was a growling noise, a deep-throated snarl, which sounded from behind one of the rocks even as a shadow fell across the knee-high grass—at which a great cat padded out which was easily the size of a pickup, and hissed at us: its huge pallet showing pink and pale, its black lips stretching, its whiskers and curved fangs—which were like tusks—gleaming in the sun. “Lazaro, don’t!” But it was too late; he’d already drawn his pistol and squeezed off a few rounds—which went pop, pop, pop in the late afternoon sun and echoed along the hills; which reverberated across the valley like the sound of a car backfiring …
