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Author: Grant Hamilton
Publisher: Routledge
ISBN: 1000390551
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
Étienne Balibar writes that today we are at the end of capitalism. This is not because capitalism has run its course or has met an irresistible force, but because there can be no purer form of capitalism than the one we have today. Taking seriously the idea that this strain of capitalism has not only seized the urban environment but is the urban environment, works by Michael Moorcock, Iain Sinclair, Penelope Lively, Peter Ackroyd, and J.G. Ballard are read as representative of a loosely allied group of London writers who have anticipated, critiqued, and offered up various avenues of resistance to the deleterious effects of this most vigorous strain of capitalism. Writing on the city by charting a politics of reconnection to the real that necessarily unsettles the epistemological and ontological ground upon which both modernity and capitalism sit, this stable of writers makes clear the ways in which the sheer materiality of the urban environment profoundly influences the being and thinking of individuals. In so doing, these writers produce works which when read together give the coordinates of an altermodernity that might just allow capitalism to reach its final conclusion.
Author: Grant Hamilton
Publisher: Routledge
ISBN: 1000390551
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
Étienne Balibar writes that today we are at the end of capitalism. This is not because capitalism has run its course or has met an irresistible force, but because there can be no purer form of capitalism than the one we have today. Taking seriously the idea that this strain of capitalism has not only seized the urban environment but is the urban environment, works by Michael Moorcock, Iain Sinclair, Penelope Lively, Peter Ackroyd, and J.G. Ballard are read as representative of a loosely allied group of London writers who have anticipated, critiqued, and offered up various avenues of resistance to the deleterious effects of this most vigorous strain of capitalism. Writing on the city by charting a politics of reconnection to the real that necessarily unsettles the epistemological and ontological ground upon which both modernity and capitalism sit, this stable of writers makes clear the ways in which the sheer materiality of the urban environment profoundly influences the being and thinking of individuals. In so doing, these writers produce works which when read together give the coordinates of an altermodernity that might just allow capitalism to reach its final conclusion.
Author: Haidy Geismar
Publisher: UCL Press
ISBN: 1787352811
Category : Business & Economics
Languages : en
Pages : 166
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Book Description
Museum Object Lessons for the Digital Age explores the nature of digital objects in museums, asking us to question our assumptions about the material, social and political foundations of digital practices. Through four wide-ranging chapters, each focused on a single object – a box, pen, effigy and cloak – this short, accessible book explores the legacies of earlier museum practices of collection, older forms of media (from dioramas to photography), and theories of how knowledge is produced in museums on a wide range of digital projects. Swooping from Ethnographic to Decorative Arts Collections, from the Google Art Project to bespoke digital experiments, Haidy Geismar explores the object lessons contained in digital form and asks what they can tell us about both the past and the future. Drawing on the author’s extensive experience working with collections across the world, Geismar argues for an understanding of digital media as material, rather than immaterial, and advocates for a more nuanced, ethnographic and historicised view of museum digitisation projects than those usually adopted in the celebratory accounts of new media in museums. By locating the digital as part of a longer history of material engagements, transformations and processes of translation, this book broadens our understanding of the reality effects that digital technologies create, and of how digital media can be mobilised in different parts of the world to very different effects.
Author: Katrina Palmer
Publisher:
ISBN: 9781906012229
Category : Art schools
Languages : en
Pages : 117
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Book Description
Author: David West
Publisher: Microsoft Press
ISBN: 0735637512
Category : Computers
Languages : en
Pages : 363
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Book Description
In OBJECT THINKING, esteemed object technologist David West contends that the mindset makes the programmer—not the tools and techniques. Delving into the history, philosophy, and even politics of object-oriented programming, West reveals how the best programmers rely on analysis and conceptualization—on thinking—rather than formal process and methods. Both provocative and pragmatic, this book gives form to what’s primarily been an oral tradition among the field’s revolutionary thinkers—and it illustrates specific object-behavior practices that you can adopt for true object design and superior results. Gain an in-depth understanding of: Prerequisites and principles of object thinking. Object knowledge implicit in eXtreme Programming (XP) and Agile software development. Object conceptualization and modeling. Metaphors, vocabulary, and design for object development. Learn viable techniques for: Decomposing complex domains in terms of objects. Identifying object relationships, interactions, and constraints. Relating object behavior to internal structure and implementation design. Incorporating object thinking into XP and Agile practice.
Author: Susanne Küchler
Publisher: Routledge
ISBN: 1000185524
Category : Social Science
Languages : en
Pages : 269
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Book Description
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception. A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography, museological practice, the intellectual history of the arts and sciences, material culture studies and intangible heritage, the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory. This text will be of key interest to students and scholars in the social and historical sciences, arts and humanities, and cognitive sciences.
Author: Antony Hudek
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Discussions of the object as a key to understanding central aspects of modern and contemporary art. Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past. Artists surveyed include Georges Adéagbo, Art in Ruins, Iain Baxter, Louise Bourgeois, Pavel Büchler, Lygia Clark, Claude Closky, Brian Collier, Jimmie Durham, Fischli & Weiss, Luca Frei, Meschac Gaba, Isa Genzken, Gruppe Geflecht, Eva Hesse, Mike Kelley, John Latham, Antje Majewski, Gustav Metzger, Cady Noland, Gabriel Orozco, Adrian Piper, Falke Pisano, Eva Rothschild, Aura Satz, Kenneth Snelson, Hito Steyerl, Josef Strau, Alina Szapocznikow, Joëlle Tuerlinckx, Erwin Wurm Writers include Homi K. Bhabha, Jack Burnham, Ewa Lajer-Burcharth, Lynne Cooke, Gillo Dorfles, Jean Fisher, Ferreira Gullar, Charles Harrison, Paulo Herkenhoff, Julia Kristeva, Bruno Latour, Bracha Lichtenberg-Ettinger, Jean-François Lyotard, Lev Manovich, Ursula Meyer, Bruno Munari, Georges Perec, Hans-Jörg Rheinberger, Dieter Roelstraete, Howard Singerman, Nancy Spector, Marcus Steinweg, Anne Wagner, Gérard Wajcman, Slavoj Zizek
Author: T. J. Barringer
Publisher: Psychology Press
ISBN: 9780415157766
Category : Art
Languages : en
Pages : 244
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Book Description
Drawing together intensive case studies from an international group of scholars, the editors explore the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.
Author: Graham Harman
Publisher: Penguin UK
ISBN: 0241269172
Category : Nature
Languages : en
Pages : 255
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Book Description
What is reality, really? Are humans more special or important than the non-human objects we perceive? How does this change the way we understand the world? We humans tend to believe that things are only real in as much as we perceive them, an idea reinforced by modern philosophy, which privileges us as special, radically different in kind from all other objects. But as Graham Harman, one of the theory's leading exponents, shows, Object-Oriented Ontology rejects the idea of human specialness: the world, he states, is clearly not the world as manifest to humans. At the heart of this philosophy is the idea that objects - whether real, fictional, natural, artificial, human or non-human - are mutually autonomous. In this brilliant new introduction, Graham Harman lays out the history, ideas and impact of Object-Oriented Ontology, taking in everything from art and literature, politics and natural science along the way. Graham Harman is Distinguished Professor of Philosophy at SCI-Arc, Los Angeles. A key figure in the contemporary speculative realism movement in philosophy and for his development of the field of object-oriented ontology, he was named by Art Review magazine as one of the 100 most influential figures in international art.
Author: Oliver Hoare
Publisher: Pallas Athene
ISBN: 9781843681076
Category : Archaeology
Languages : en
Pages : 0
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Book Description
This extraordinary and breathtakingly beautiful book celebrates a lifetime of collecting passion. Oliver Hoare, one of London's most distinguished dealers, originally learnt his craft in the company of Bruce Chatwin. His love of the rare, the evocative and the seductive shines out from every stunning object in this collection and the stories that he teases out from them. No one could fail to be drawn into this gorgeous labyrinth. Published to coincide with an exhibition held in the magnificent settings of Fitzroy Square, London, the book includes antiquities from the ancient and classical worlds; superb oriental musical instruments; erotica and fertilica; a section devoted to extinct species, particularly the dodo; objects connected to shamanism, magic, and alchemy; engravings by Durer, Hollar, and Rembrandt; unusual paintings and textiles; curiosities including a Man Ray objet trouve, and the 13th Dalai Lama's double bass--he was passionate about jazz.
Author: London
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
