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Author: Anthony Linick
Publisher: AuthorHouse
ISBN: 1438914016
Category : Composers
Languages : en
Pages : 654
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Book Description
He was considered a musician's musician, the most gifted artist in that exciting Southern California world dominated by the great emigré composers, the film industry, the brilliant soloists and the avant-gardists who made Los Angeles a musical capital. Ingolf Dahl (1912-1970) was an accomplished composer, conductor, pianist and a mentor to eminent contemporary figures like Michael Tilson Th omas - yet he never achieved the celebrity which others felt he deserved. He was not the man his public knew, a happily married gentile of Swedish extraction. His thirty-year marriage to Etta, one that seemed the epitome of mutual love and devotion, was beset by insoluble problems of identity - for Dahl was a closeted homosexual. He was also a German whose father was a Jew, and his name was not even Ingolf Dahl. His decision to disguise all of these truths, even from members of his own family, lead to fatal distortions in his creative being and public persona. Although he numbered many famous figures among his friends, from Gracie Fields to Igor Stravinsky and Benny Goodman, Dahl always experienced life as an outsider. When he died he left behind an extensive body of correspondence and 42 years worth of intimate daily journals. Etta Dahl (1905-1970) left many written records as well. These sources, never made public before, and the recollections of many survivors, give us a portrait of an intriguingly complex character, noble and self-absorbed, creative and crankish, passionate and repressed. The Lives of Ingolf Dahl has one other unique source, the author himself. Anthony Linick was the child of this famous marriage, the son whose very existence contributed to the elaborate deformations of fact and persona that so disfi gured Dahl's life. With love and respect - and the historian's devotion to the truth - he can tell their whole story at last.
Author: Anthony Linick
Publisher: AuthorHouse
ISBN: 1438914016
Category : Composers
Languages : en
Pages : 654
Get Book Here
Book Description
He was considered a musician's musician, the most gifted artist in that exciting Southern California world dominated by the great emigré composers, the film industry, the brilliant soloists and the avant-gardists who made Los Angeles a musical capital. Ingolf Dahl (1912-1970) was an accomplished composer, conductor, pianist and a mentor to eminent contemporary figures like Michael Tilson Th omas - yet he never achieved the celebrity which others felt he deserved. He was not the man his public knew, a happily married gentile of Swedish extraction. His thirty-year marriage to Etta, one that seemed the epitome of mutual love and devotion, was beset by insoluble problems of identity - for Dahl was a closeted homosexual. He was also a German whose father was a Jew, and his name was not even Ingolf Dahl. His decision to disguise all of these truths, even from members of his own family, lead to fatal distortions in his creative being and public persona. Although he numbered many famous figures among his friends, from Gracie Fields to Igor Stravinsky and Benny Goodman, Dahl always experienced life as an outsider. When he died he left behind an extensive body of correspondence and 42 years worth of intimate daily journals. Etta Dahl (1905-1970) left many written records as well. These sources, never made public before, and the recollections of many survivors, give us a portrait of an intriguingly complex character, noble and self-absorbed, creative and crankish, passionate and repressed. The Lives of Ingolf Dahl has one other unique source, the author himself. Anthony Linick was the child of this famous marriage, the son whose very existence contributed to the elaborate deformations of fact and persona that so disfi gured Dahl's life. With love and respect - and the historian's devotion to the truth - he can tell their whole story at last.
Author: Susanne Korbel
Publisher: Routledge
ISBN: 100042314X
Category : History
Languages : en
Pages : 278
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Book Description
The book investigates and compares the role of artistic and academic refugees from National Socialism acting as "cultural mediators" or "agents of knowledge" between their origin and host societies. By doing so, it locates itself at the intersection of the recently emerging field of the history of knowledge, transnational history, migration, exile, as well as cultural transfer studies. The case studies provided in this volume are of global scope, focusing on routes of escape and migration to Iceland, Italy, the Near East, Portugal and Shanghai, and South-, Central-, and North America. The chapters examine the hybrid ways refugees envisaged, managed, organized, and subsequently mediated their migrations. It focuses on how they dealt with their escape in their art and science. The chapters ask how the emigrants located themselves––did they associate with ethnic, religious, and/or cultural affiliations, specific social classes, or specific parts of society—and how such identifications were portrayed in their knowledge transfer and cultural translations. Building on such possible avenues for research, this volume aims to offer a global analysis of the multifarious processes not only of cultural translation and knowledge transfer affecting culture, sciences, networks, but also everyday life in different areas of the world.
Author: Dorothy L. Crawford
Publisher: Yale University Press
ISBN: 0300155484
Category : Music
Languages : en
Pages : 335
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Book Description
This book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area. Musicologist Dorothy Lamb Crawford looks closely at the lives, creative work, and influence of sixteen performers, fourteen composers, and one opera stage director, who joined this immense migration beginning in the 1930s. Some in this group were famous when they fled Europe, others would gain recognition in the young musical culture of Los Angeles, and still others struggled to establish themselves in an environment often resistant to musical innovation. Emphasizing individual voices, Crawford presents short portraits of Igor Stravinsky, Arnold Schoenberg, and the other musicians while also considering their influence as a group—in the film industry, in music institutions in and around Los Angeles, and as teachers who trained the next generation. The book reveals a uniquely vibrant era when Southern California became a hub of unprecedented musical talent.
Author:
Publisher: Oxford University Press
ISBN: 0190904550
Category : Music
Languages : en
Pages : 977
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Book Description
Schoenberg's Correspondence with American Composers is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers written between 1915 and 1951, in English and English translation and with commentary. In six chronologically organized chapters, the correspondence first casts new light on Schoenberg's contacts with American composers before 1933, including correspondence with students and champions of his music (Israel Amter, James Francis Cooke, Henry Cowell, Edgar Varèse, and Adolph Weiss among others). The letters after 1933 show how Schoenberg gradually built a network of composer colleagues and friends, among them Mark Brunswick, Oscar Levant, Roger Sessions, Nicolas Slonimsky, Gerald Strang, with whom he discussed compositional ideas, specific musical works and writings, performances and the publication of his compositions. These letters also provide insight into his ideas about teaching in private settings, at the Malkin Conservatory and the University of California. The correspondence of his last years illuminates how the reception of Schoenberg's music in the United States was flourishing and how he attracted a growing number of disciples exploring twelve-tone composition. The book also qualifies the concept of and Schoenberg's association with the Second Viennese School. Schoenberg's Correspondence with American Composers not only illuminates a varied and vivid epistolary style, but clearly demonstrates Schoenberg's far-reaching connections in the American music world.
Author: Igor Stravinsky
Publisher: Hamlin Press
ISBN: 1406745561
Category : Music
Languages : en
Pages : 148
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: R. James Tobin
Publisher: Rowman & Littlefield
ISBN: 0810884402
Category : Music
Languages : en
Pages : 301
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Book Description
From the 1920s to the 1950s, neoclassicism was one of the dominant movements in American music. Today this music is largely in eclipse, mostly absent in performance and even from accounts of music history, in spite of—and initially because of—its adherence to an expanded tonality. No previous book has focused on the nature and scope of this musical tradition. Neoclassical Music in America: Voices of Clarity and Restraint makes clear what neoclassicism was, how it emerged in America, and what happened to it. Music reviewer and scholar, R. James Tobin argues that efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. However, neoclassicists as different from one another as the influential Igor Stravinsky and Paul Hindemith did have a classical aesthetic in common, the basic characteristics of which extend to other neoclassicists This study focuses, in particular, on a group of interrelated neoclassical American composers who came to full maturity in the 1940s. These included Harvard professor Walter Piston, who had studied in France in the 1920s; Harold Shapero, the most traditional of the group; Irving Fine and Arthur Berger, his colleagues at Brandeis; Lukas Foss, later an experimentalist composer whose origins lay in neoclassicism of the 1940s; Alexei Haieff, and Ingolf Dahl, both close associates of Stravinsky; and others. Tobin surveys the careers of these figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. Adventurous collectors of recordings, performing musicians, concert and broadcasting programmers, as well as music and cultural historians and those interested in musical aesthetics, will find much of interest here. Dates of composition, approximate duration of individual works, and discographies add to the work’s reference value.
Author: Anthony Linick
Publisher: AuthorHouse
ISBN: 1467023760
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Have I Got Dogs For You! continues its exploration of daily life in Londons Paddington Recreation Ground. The society pictured in this account is a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represent most of the popular breeds and many of the mutt-like mixtures as so do their accompanying humans, who come from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They are united in their love of dogs, and on the central green of the park, on its walkways and at the caf where they gather after exercising their animals, they often let this affection for dogs carry them into friendships that transcend park life and involve many of them in additional social activities. The book is also the story of Fritz the Schnauzer and provides a daily record of his antics and the folkways of the rest of the crew, human and canine. Not only do we have an insight into the relationship of man and beast but a glimpse into London life as it experienced in the first decade of the 21st Century. Such a life, we know, is full of struggles and tensions and these are certainly reflected in this chronicle and so is a lot of good canine fun.
Author: H. Colin Slim
Publisher: Univ of California Press
ISBN: 0520971531
Category : Music
Languages : en
Pages : 481
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Book Description
Stravinsky in the Americas explores the “pre-Craft” period of Igor Stravinsky’s life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period that began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky’s rise to fame—catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim’s lively narrative records the composer’s larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky’s personal and professional life collided in often-dramatic ways.
Author: Bill Alves
Publisher: Indiana University Press
ISBN: 0253026431
Category : Biography & Autobiography
Languages : en
Pages : 603
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Book Description
A biography on the legendary gay American composer of contemporary classical music. American composer Lou Harrison (1917–2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Björk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant-garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called “world music” phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison’s life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives’s Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first “happenings” with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career. “Lou Harrison’s avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell’s new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well.” —Kyle Gann, author of Charles Ives’s Concord: Essays After a Sonata
Author: Anthony Linick
Publisher: AuthorHouse
ISBN: 1456780700
Category : Pets
Languages : en
Pages : 349
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Book Description
With DSI: Dog Scene Invesitgation Anthony Linick reaches the third installment of his multi-volume investigation into the folkways of man and beast among The Dog People of Paddington Rec. For a decade or so he has been recording his observations of the life and times of Fritz the Schnauzer has any dog ever had this much space devoted to his antics? Recorded in journal format, DSI:Dog Scene Investigation provides a unique record of daily life in a London park today, serving not only as an examination of doggy habits but also as an analysis of life as it undertaken in an ever-evolving society of dog owners people who represent a kaleidoscope of nationalities and social roles. Humor is never far from the surface in this keenly observed portrait, a celebration of all things canine and a reflection of behavior all too human.
