The Liturgical Function of the Solo Organ in the Italian Roman Catholic Mass from 1500-1700 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Liturgical Function of the Solo Organ in the Italian Roman Catholic Mass from 1500-1700 PDF full book. Access full book title The Liturgical Function of the Solo Organ in the Italian Roman Catholic Mass from 1500-1700 by Linda Lewis Raney. Download full books in PDF and EPUB format.
Author: Linda Lewis Raney
Publisher:
ISBN:
Category : Organ mass
Languages : en
Pages : 412
Get Book Here
Book Description
Author: Linda Lewis Raney
Publisher:
ISBN:
Category : Organ mass
Languages : en
Pages : 412
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 894
Get Book Here
Book Description
Author: Kristin Michelle Holton Prouty
Publisher:
ISBN:
Category : Codex Faenza
Languages : en
Pages : 69
Get Book Here
Book Description
This paper provides a comprehensive study of Italian liturgical organ works from the 15th to 17th centuries. This music was composed for the Catholic Mass, and it demonstrates the development of Italian keyboard style and the incorporation of new genres into the organ Mass, such as a Toccata before the Mass, music for the Offertory, and the Elevation Toccata. This often neglected corpus of music deserves greater scholarly attention.The Italian organ Mass begins with the Faenza Codex of c.1430, which contains the earliest surviving liturgical music for organ. Over a century would pass before Girolamo Cavazzoni published his three organ Masses in 1543: Mass IV (for feasts of apostles), Mass IX (for Marian feasts) and Mass XI (for typical Sundays of the year). The prevalence of publishing in Venice and the flourishing liturgical culture at San Marco led two notable organists, Andrea Gabrieli and Claudio Merulo, to publish their own Masses in 1563 and 1568. Both composers cultivated imitation and figurative lines which were often replete with ornamentation. Frescobaldis Fiori musicali, published in Venice in 1635, represents the pinnacle of the Italian organ Mass. Reflecting the type of music he performed liturgically at San Pietro in Rome, this publication includes several new genres: canzonas after the reading of the Epistle and after Communion; ricercars after the Credo; and toccatas to be played during the Elevation of the Host. Frescobaldis music shows unparalleled mastery of counterpoint and invention of figuration. His liturgical music casts a long shadow over the three composers who published organ Masses in the decade following Fiori musicali: Giovanni Salvatore, Fra Antonio Croci and Giovanni Battista Fasolo.This comprehensive look at Italian organ Masses from the 15th-17th centuries reveals the musical creativity inspired by the Catholic liturgy. Perhaps because of their practical use, these organ works are often neglected, mentioned merely as addenda to the other accomplishments of these composers. Hopefully insight into the contents of each organ Mass, along with the information about their style and aspects of performance practice, will make these musical gems more accessible to contemporary organists.
Author: Edward E. Schaefer
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Sister Agnes Louise Jones
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 105
Get Book Here
Book Description
Author: Edward Dickinson
Publisher:
ISBN: 9789357954198
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
Music in the History of the Western Church; With an Introduction on Religious Music Among Primitive and Ancient Peoples, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Author: William Peter Mahrt
Publisher:
ISBN: 9780984865208
Category : Church music
Languages : en
Pages : 455
Get Book Here
Book Description
"Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover
Author: Alexander Silbiger
Publisher: Psychology Press
ISBN: 0415968917
Category : Music
Languages : en
Pages : 421
Get Book Here
Book Description
This series presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume offers chapters exploring principal composers and their works, as well as contextual essays. Written by eminent music scholars, generously illustrated with musical examples, and furnished with suggested bibliographies, Routledge Studies in Musical Genres provide readable yet informative surveys for music lovers and dedicated musicians alike. Book jacket.
Author: John R. Shannon
Publisher: McFarland
ISBN: 0786488662
Category : Music
Languages : en
Pages : 316
Get Book Here
Book Description
The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 350 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
