The Lismore Papers of Richard Boyle, First and "Great" Earl of Cork PDF Download
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Author: Richard Boyle Earl of Cork
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 310
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Book Description
Author: Richard Boyle Earl of Cork
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 310
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Book Description
Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 604
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Book Description
Author: George Justice
Publisher: Cambridge University Press
ISBN: 9780521808569
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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Book Description
This book examines the writing and manuscript publication of key authors from 1550 to 1800.
Author: Nicholas P. Canny
Publisher: Cambridge University Press
ISBN: 9780521244169
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
This book explains how Richard Boyle became the wealthiest English landowner of his generation.
Author:
Publisher:
ISBN:
Category : Book auctions
Languages : en
Pages : 1594
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
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Book Description
Author: Frank Karslake
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 710
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Book Description
A priced and annotated annual record of international book auctions.
Author: Keith Pluymers
Publisher: University of Pennsylvania Press
ISBN: 0812299558
Category : History
Languages : en
Pages : 321
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Book Description
In early modern England, wood scarcity was a widespread concern. Royal officials, artisans, and common people expressed their fears in laws, petitions, and pamphlets, in which they debated the severity of the problem, speculated on its origins, and proposed solutions to it. No Wood, No Kingdom explores these conflicting attempts to understand the problem of scarcity and demonstrates how these ideas shaped land use, forestry, and the economic vision of England's earliest colonies. Popular accounts have often suggested that deforestation served as a "push" for English colonial expansion. Keith Pluymers shows that wood scarcity in England, rather than a problem of absolute supply and demand, resulted from social conflict over the right to define and regulate resources, difficulties obtaining accurate information, and competing visions for trade, forestry, and the English landscape. Domestic scarcity claims did encourage schemes to develop wood-dependent enterprises in the colonies, but in practice colonies competed with domestic enterprises rather than supplanting them. Moreover, close studies of colonial governments and the actions of individual landholders in Ireland, Virginia, Bermuda, and Barbados demonstrate that colonists experimented with different, often competing approaches to colonial woods and trees, including efforts to manage them as long-term resources, albeit ones that nonetheless brought significant transformations to the land. No Wood, No Kingdom explores the efforts to knot together woods around the Atlantic basin as resources for an English empire and the deep underlying conflicts and confusion that largely frustrated those plans. It speaks to historians of early modern Europe, early America, and the Atlantic World but also offers key insights on early modern resource politics, forest management, and political ecology of interest to readers in the environmental humanities and social sciences as well as those interested in colonialism or economic history.
Author: Liam Harte
Publisher: Cambridge University Press
ISBN: 1108547354
Category : Literary Criticism
Languages : en
Pages : 719
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Book Description
A History of Irish Autobiography is the first ever critical survey of autobiographical self-representation in Ireland from its recoverable beginnings to the twenty-first century. The book draws on a wealth of original scholarship by leading experts to provide an authoritative examination of autobiographical writing in the English and Irish languages. Beginning with a comprehensive overview of autobiography theory and criticism in Ireland, the History guides the reader through seventeen centuries of Irish achievement in autobiography, a category that incorporates diverse literary forms, from religious tracts and travelogues to letters, diaries, and online journals. This ambitious book is rich in insight. Chapters are structured around key subgenres, themes, texts, and practitioners, each featuring a guide to recommended further reading. The volume's extensive coverage is complemented by a detailed chronology of Irish autobiography from the fifth century to the contemporary era, the first of its kind to be published.
Author: Alan John Fletcher
Publisher: Boydell & Brewer
ISBN: 9780859915731
Category : Literary Criticism
Languages : en
Pages : 648
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Book Description
The Irish contribution to world theatre is famous, but today awareness of Irish theatrical activity is chiefly confined to the modern period. This book corrects that imbalance with an unparalleled study of the early history of drama and performance in Ireland, from the seventh century through the sixteenth and seventeenth centuries, and ending on the eve of the arrival of Oliver Cromwell. The work of professional entertainers is discussed, as is that of amateurs, in theatricals sponsored by churches, guilds, civic authorities, and aristocratic patrons. Drawing on a wide variety of sources, many unpublished, Alan Fletcher opens up a vibrant but forgotten Irish landscape in which drama and performance collaborated actively in the mapping and manufacture of social history. Modern Irish drama is acknowledged as having a rich and vibrant tradition. Drama, Performance and Polity in Pre-Cromwellian Ireland helps to show how that vibrant tradition of drama and theatre has a very long history. Dr. Fletcher deals not only with performance traditions outside the Pale in the sixteenth and seventeenth centuries, but for the first time delves into such traditions as can be gleaned about Gaelic Ireland during the preceding millennium. Fletcher surveys the 'native' traditions beyond the Pale; early and sixteenth-century activities within Dublin; Kilkenny drama; provincial centres outside Dublin; and Dublin in the seventeenth century up to the arrival of Oliver Cromwell, when the Irish theatres were closed.
