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Author: Paul Hills
Publisher:
ISBN: 9780300046984
Category : Art
Languages : en
Pages : 160
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Book Description
This book will appeal not only to all students of Italian Renaissance painting but also to everyone interested in representational painting in general, for it offers a new perspective on the appreciation of works of art.
Author: Paul Hills
Publisher:
ISBN: 9780300046984
Category : Art
Languages : en
Pages : 160
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Book Description
This book will appeal not only to all students of Italian Renaissance painting but also to everyone interested in representational painting in general, for it offers a new perspective on the appreciation of works of art.
Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200
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Book Description
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Author: Hayden B. J. Maginnis
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Philip Conisbee
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Book Description
Author: Richard Offner
Publisher: Penn State Press
ISBN: 9780271017471
Category : Art
Languages : en
Pages : 328
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Book Description
A Discerning Eye is an anthology of some of the finest and most lasting essays by a great critic-historian of Early Italian painting, Richard Offner. Its contents span the Florentine fourteenth century and thus compose a kind of portrait album of some of its most notable painters between the Gothic and Renaissance eras, from the Magdalen Master in the thirteenth century to Masaccio in the early fifteenth. Each essay contains insights that are as incisive, fresh, and evocative today as when they were first written. The essays are illustrated using Offner&’s original photographs supplemented by new or additional photographs when dictated by the material or when the reader might be better helped to see the relationship between Offner&’s analytical prose and a given image. This book reintroduces Offner and places him in the wider context of art-historical writing to reassess his work and underscore what his writings have to offer art historians working today. Three interpretive essays approach Offner from distinct but complementary perspectives: historiographical, philosophical, and biographical. Reassessments of such figures as Erwin Panofsky and Millard Meiss aid the ongoing debate about what art history is and how it ought to be practiced. The reader is asked to reconsider not merely the value but also the philosophical foundation of connoisseurship as a method of investigation and its compatibility with other methods.
Author: Robert Brennan
Publisher: Harvey Miller
ISBN: 9781912554003
Category : Art, Modern
Languages : en
Pages : 366
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Book Description
"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356
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Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author: Edward B. Garrison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
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Book Description
Edward Garrison's work on early Italian panels resulted in the publication in 1949 of the first comprehensive index of Romanesque Italian panel painting, which remains the standard work of reference on the subject. Subsequently, his four-volume Studies in the History of Medieval Italian Painting, published in Florence between 1953 and 1962, represents the most considerable body of research yet published on Italian miniature and panel painting from the eleventh to the thirteenth centuries. These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications.
Author: John Charles Van Dyke
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 80
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Book Description
Author: Alice Van Vechten Brown
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 510
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Book Description
