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Author: A.L. Kennedy
Publisher: Bloomsbury Publishing
ISBN: 1838719091
Category : Performing Arts
Languages : en
Pages : 89
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Book Description
Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It's a film about desires repressed in favour of worthless and unsatisfying ideals. And it's a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. 'If he is unaware of his passions, ' she writes of Clive Candy, the film's central figure, 'this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.'. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.
Author: A.L. Kennedy
Publisher: Bloomsbury Publishing
ISBN: 1838719091
Category : Performing Arts
Languages : en
Pages : 89
Get Book Here
Book Description
Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It's a film about desires repressed in favour of worthless and unsatisfying ideals. And it's a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. 'If he is unaware of his passions, ' she writes of Clive Candy, the film's central figure, 'this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.'. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.
Author: A.L. Kennedy
Publisher: British Film Institute
ISBN: 1838719105
Category : Performing Arts
Languages : en
Pages : 89
Get Book Here
Book Description
Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It's a film about desires repressed in favour of worthless and unsatisfying ideals. And it's a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. 'If he is unaware of his passions, ' she writes of Clive Candy, the film's central figure, 'this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.'. This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.
Author: Ian Christie
Publisher:
ISBN: 9780571162710
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
Michael Powell and Emeric Pressburger formed one of the greatest creative partnerships in the history of British cinema - The Archers. Their films were often controversial - Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form amd music. However, in the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters. This book is a comprehensive analysis of their films and is a useful guide to their work.
Author: Andrew Moor
Publisher: Bloomsbury Publishing
ISBN: 0857733443
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
The film-making partnership of Michael Powell and Emeric Pressburger was one of the most remarkable and visionary in cinema. They made an extraordinary range of films, from The Spy in Black and The Life and Death of Colonel Blimp to A Canterbury Tale and The Red Shoes. With champions like Martin Scorsese and Francis Ford Coppola, and revived critical interest worldwide, they now find new generations of admirers. This illuminating new book looks closely at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy. Moor reveals for example how the visual imagery of the films of the Second World War question current cinematic styles and how post war films like The Red Shoes and The Tales of Hoffman are in their highly expressive use of design, music and dance utterly international in character.
Author: Michael Powell
Publisher:
ISBN: 9780571143559
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
The Life and Death of Colonel Blimp traces, in flashback, the intertwined lives of a dashing young officer and his German Counterpart from their first encounter, fighting a duel in Berlin in 1902, to a double defeat - the gallant British officer becomes a crusty old Blimp, and his gallant German counterpart arrives in England as a pathetic refugee from Nazi Germany. The plot is juxtaposed to that of the British officer's thrice lost love - which introduces a disturbing undercurrent of romantic pessimism into what might otherwise seem a nostalgic chronicle. This volume also contains documentary material relevant to Powell and Pressburger's struggle to get the film made in war-torn Britain.
Author: Michael Powell
Publisher: Faber & Faber
ISBN: 9780571204311
Category : Performing Arts
Languages : en
Pages : 723
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Book Description
"Much, much more than the reminiscences of a film director. It's a rich, beautifully detailed history of a time, a place, and a world gone by--the British film industry from the 1920s through the late 1940s, in which every remembrance . . . is filtered through [Powell's] poetic genius . . . as absorbing as any novel".--Martin Scorsese. 30 photos.
Author: Tom Morris
Publisher: Oberon Books
ISBN:
Category : Drama
Languages : en
Pages : 88
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Book Description
A dazzling adaptation of the classic film by Powell Emeric Pressburger.
Author: Emeric Pressburger
Publisher: Faber & Faber
ISBN: 0571371051
Category : Fiction
Languages : en
Pages : 257
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Book Description
For fans of The Passenger, this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss. 'Stunning: incredibly good, thought-provoking and tense.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling.' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd 'One of the best London novels of the 20th century.' Benjamin Myers Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse . 'A haunting, remarkable novel, as startlingly original as any of Pressburger's films.' Nicola Upson 'A dark and harrowing window on the past: the ending will haunt your dreams.' Janice Hallett
Author: Kevin Macdonald
Publisher:
ISBN: 9780571178292
Category : Motion picture producers and directors
Languages : en
Pages : 467
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Book Description
A Hungarian Jew who lived and worked in half a dozen European countries before arriving in Britain in 1935, Pressburger's reputation rests on the series of strikingly original films he made in collaboration with Michael Powell under the banner of The Archers. The Red Shoes, A Matter of Life and Death, Black Narcissus and The Life and Death of Colonel Blimp all bear the unique credit 'Written, Produced and Directed by Michael Powell and Emeric Pressburger'. Frequently controversial, always experimental, The Archers suffered a long period of neglect before being rediscovered by such prominent admirers as Martin Scorsese, Derek Jarman and Francis Ford Coppola. Written by his grandson, and containing extracts from private diaries and correspondence, this biography defends the notion of film as a collaborative art and illuminates the adventurous life and work of the film-maker who brought continental grace, with and style to British cinema.
Author: Owen Hatherley
Publisher: Verso Books
ISBN: 1784780774
Category : History
Languages : en
Pages : 208
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Book Description
In this brilliant polemical rampage, Owen Hatherley shows how our past is being resold in order to defend the indefensible. From the marketing of a "make do and mend" aesthetic to the growing nostalgia for a utopian past that never existed, a cultural distraction scam prevents people grasping the truth of their condition. The Ministry of Nostalgia explodes the creation of a false history: a rewriting of the austerity of the 1940s and 1950s, which saw the development of a welfare state while the nation crawled out of the devastations of war. This period has been recast to explain and offer consolation for the violence of neoliberalism, an ideology dedicated to the privatisation of our common wealth. In coruscating prose-with subjects ranging from Ken Loach's documentaries, Turner Prize-shortlisted video art, London vernacular architecture, and Jamie Oliver's cooking-Hatherley issues a passionate challenge to the injunction to keep calm and carry on.
