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Author: Pietro Aretino
Publisher: [Hamden, Conn.] : Archon Books
ISBN:
Category : Authors, Italian
Languages : en
Pages : 376
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Book Description
Author: Pietro Aretino
Publisher: [Hamden, Conn.] : Archon Books
ISBN:
Category : Authors, Italian
Languages : en
Pages : 376
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Book Description
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author: Pietro Aretino
Publisher: Wildside Press LLC
ISBN: 9781434431127
Category : Fiction
Languages : en
Pages : 304
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Book Description
Pietro Aretino (1492-1556) was an influential Italian author, playwright, poet and satirist. He is credited with inventing modern literate pornography.
Author: Pietro Aretino
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Summers (p. 242 and p. 367) mentions two works by Aretino with some homoerotic content: I piacevole ragionamenti (Diverting dialogues) written 1534-1536, and Il Marescalo (The Stablemaster), a comedy. -- dm.
Author: Pietro Aretino
Publisher:
ISBN:
Category : Italian literature
Languages : en
Pages : 312
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Book Description
Author: Ramie Targoff
Publisher:
ISBN: 0374140944
Category : Art
Languages : en
Pages : 353
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Book Description
A biography of Vittoria Colonna, a confidante of Michelangelo, the scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.
![Selected Letters [of] Aretino PDF](https://books.google.com/books/content/images/frontcover/70omAQAAMAAJ?fife=w80-h100)
Author: Pietro Aretino
Publisher: Penguin Classics
ISBN:
Category : Fiction
Languages : en
Pages : 260
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Book Description
Author: Pietro Aretino
Publisher: Editorial Edinumen
ISBN: 9781895537703
Category : Drama
Languages : en
Pages : 164
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Book Description
Author: Edward Hutton
Publisher:
ISBN:
Category : Satirists, Italian
Languages : en
Pages : 302
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Book Description
Author: Raymond B. Waddington
Publisher: University of Toronto Press
ISBN: 9780802088147
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.
