Author: Koenraad Claes
Publisher: Edinburgh Critical Studies in
ISBN: 9781474426213
Category : Literary Criticism
Languages : en
Pages : 0

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Abstract: Introduces the full range and depth of the early 20th-century European avant-gardes

Author: Koenraad Claes
Publisher: Edinburgh University Press
ISBN: 1474426239
Category : Literary Criticism
Languages : en
Pages : 278

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Book Description
This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items.

Author: William T. Comstock
Publisher: Courier Corporation
ISBN: 0486156737
Category : Architecture
Languages : en
Pages : 305

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Book Description
This authentic reproduction of plans drawn up by a noted nineteenth-century architectural firm features both residential and public buildings. Hundreds of illustrations include floor plans, perspective views, and elevations as well as designs for staircases, fireplaces, and other interior details. Other drawings depict windows, doors, balconies, and gables. Photographs offer crisp views of exteriors. Victorian architecture buffs will prize this excellent source of authentic period designs. Its 126 plates comprise 87 images of residences; the remaining 39 structures include a field club building, stables, a library, a school, a railroad station, a dry goods store, and a music hall. Captions describe locations, dimensions, costs, and other particulars.

Author: Kirsten MacLeod
Publisher: University of Toronto Press
ISBN: 1442695579
Category : Literary Criticism
Languages : en
Pages : 508

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Book Description
In American Little Magazines of the Fin de Siecle, Kirsten MacLeod examines the rise of a new print media form – the little magazine – and its relationship to the transformation of American cultural life at the turn of the twentieth century. Though the little magazine has long been regarded as the preserve of modernist avant-gardes and elite artistic coteries, for whom it served as a form of resistance to mass media, MacLeod’s detailed study of its origins paints a different picture. Combining cultural, textual, literary, and media studies criticism, MacLeod demonstrates how the little magazine was deeply connected to the artistic, social, political, and cultural interests of a rising professional-managerial class. She offers a richly contextualized analysis of the little magazine’s position in the broader media landscape: namely, its relationship to old and new media, including pre-industrial print forms, newspapers, mass-market magazines, fine press books, and posters. MacLeod’s study challenges conventional understandings of the little magazine as a genre and emphasizes the power of “little” media in a mass-market context.

Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487506732
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.

Author: Kostas Boyiopoulos
Publisher: Edinburgh University Press
ISBN: 0748692169
Category : Literary Collections
Languages : en
Pages : 551

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Book Description
This wide-ranging anthology showcases for the first time the short story as the most attractive genre for British writers who experimented with Decadent themes and styles. The selections represent the important role that magazine culture played in th

Author: Adam McKible
Publisher: Routledge
ISBN: 1351921886
Category : Language Arts & Disciplines
Languages : en
Pages : 426

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Book Description
Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.

Author: Leah Price
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360

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Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

Author: Melissa S. Van Vuuren
Publisher: Scarecrow Press
ISBN: 0810877279
Category : Reference
Languages : en
Pages : 342

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Book Description
This volume discusses traditional and new resources for researching British literature of the Victorian and Edwardian ages and the ways in which those resources can be used in conjunction with one another.

Author: Lise Jaillant
Publisher: Edinburgh University Press
ISBN: 1474440827
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
Publishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world.