The Late Richard Dadd, 1817-1886 PDF Download
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Author: Patricia Allderidge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Includes a catalogue of his works.
Author: Patricia Allderidge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Includes a catalogue of his works.
Author: Patricia Allderidge
Publisher:
ISBN: 9780900874796
Category :
Languages : en
Pages : 0
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Book Description
Author: Nicholas Tromans
Publisher: Tate Publishing (CA)
ISBN: 9781854379597
Category : Art
Languages : en
Pages : 0
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Book Description
A fully illustrated account of Richard Dadd's life and career, this title presents a fascinating exploration of the relationship between art and madness.
Author: Richard Dadd
Publisher:
ISBN: 9781733709866
Category :
Languages : en
Pages :
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Book Description
Author: Harry Eiss
Publisher: Cambridge Scholars Publishing
ISBN: 1443860867
Category : Philosophy
Languages : en
Pages : 770
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Book Description
In his book about the discovery of the structure of DNA, James Watson wrote, “So we had lunch, telling ourselves that a structure this beautiful just had to exist.” Indeed, the quest most often asked by scientists about a scientific theory is “Is it beautiful?” Yes, beauty equals truth. Scientists know, mathematicians know. But the beauties, the truths of mathematics and science were not the truths that inspired the author as a child, and he intuitively knew that the truths he needed come from a different way of knowing, a way of knowing not of the world of logic and reason and explanation (though they have a value), but rather a way of knowing that is of the world expression, a world that enters the truths beyond the grasp of logic. That is what this book is all about. It is an exploration of the greatest minds of human existence struggling to understand the deepest truths of the human condition. This second edition updates the previous one, incorporating new publications on Van Gogh, recent discoveries in neurology, psychology, and the rapid developments in understanding DNA and biotechnology. We’ve come a long way already from that original discovery by Watson and his coauthor Francis Crick.
Author: Julie F. Codell
Publisher: Routledge
ISBN: 0429628072
Category : Art
Languages : en
Pages : 381
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Book Description
This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.
Author: Jonathan Andrews
Publisher: Psychology Press
ISBN: 9780415017732
Category : Psychiatric hospitals
Languages : en
Pages : 772
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Book Description
The History of Bethlem is a scholarly history of this key establishment, looking at Bethlem's role within the caring institutions in the context of the history of Britain, London, hospitals and psychiatry.
Author: Carole G. Silver
Publisher: Oxford University Press
ISBN: 0195349377
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Teeming with creatures, both real and imagined, this encyclopedic study in cultural history illuminates the hidden web of connections between the Victorian fascination with fairies and their lore and the dominant preoccupations of Victorian culture at large. Carole Silver here draws on sources ranging from the anthropological, folkloric, and occult to the legal, historical, and medical. She is the first to anatomize a world peopled by strange beings who have infiltrated both the literary and visual masterpieces and the minor works of the writers and painters of that era. Examining the period of 1798 to 1923, Strange and Secret Peoples focuses not only on such popular literary figures as Charles Dickens and William Butler Yeats, but on writers as diverse as Thomas Carlyle, Arthur Conan Doyle, and Charlotte Mew; on artists as varied as mad Richard Dadd, Aubrey Beardsley, and Sir Joseph Noel Paton; and on artifacts ranging from fossil skulls to photographs and vases. Silver demonstrates how beautiful and monstrous creatures--fairies and swan maidens, goblins and dwarfs, cretins and changelings, elementals and pygmies--simultaneously peopled the Victorian imagination and inhabited nineteenth-century science and belief. Her book reveals the astonishing complexity and fertility of the Victorian consciousness: its modernity and antiquity, its desire to naturalize the supernatural, its pervasive eroticism fused with sexual anxiety, and its drive for racial and imperial dominion.
Author: Charles A. Sarnoff
Publisher: Xlibris Corporation
ISBN: 1462800521
Category : Psychology
Languages : en
Pages : 309
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Book Description
This is the third unit of three devoted to an explication of the structure and function of symbols. The following topics are covered. Ch-1 SYMBOLS AND THE GROWTH OF SOCIETY Ch-2 UNIVERSAL SYMBOLS Ch-3 THE EVOLUTION OF THE SYMBOLS OF RELIGIOUS BELIEFS AND MYTHOLOGY The Life and Death of a Myth Ch-4 SYMBOLIC MORALISM Ch-5 THE INFLUENCE OF MYTH ON THE NATURE OF SYMBOLIC FORMS IN MANIFEST DREAMS Ch-6 THE POWER IN THE SYMBOL Ch-7 THOUGHT DISORDER, SYMBOLS, AND ART De Chirico, Dadd, Tasso, Joyce Ch-8 FEELINGS WORDS AND VISIONS: Symbols and Personality in the Paintings of Thomas Cole
Author: Harry Eiss
Publisher: Cambridge Scholars Publishing
ISBN: 1443844888
Category : History
Languages : en
Pages : 250
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Book Description
Richard Dadd is a trickster, a pre-post-modern enigma wrapped in a Shakespearean Midsummer Night’s Dream; an Elizabethan Puck living in a smothering Victorian insane asylum, foreshadowing and, in brilliant, Mad Hatter conundrums, entering the fragmented shards of today’s nightmarish oxymorons long before the artists currently trying to give them the joker’s ephemeral maps of discourse. The author thinks of Bob Dylan’s “Ballad of a Thin Man,” that cryptic refusal to reduce the warped mirrors of reality to prosaic lies, or, perhaps “All Along the Watchtower” or “Mr Tambourine Man.” Even more than Samuel Beckett’s Waiting for Godot, which curiously enough comes off as overly esoteric, too studied, too conscious, Dadd’s entire existence foreshadows the forbidden entrance into the numinous, the realization of the inexplicable labyrinths of contemporary existence, that wonderfully rich Marcel Duchamp landscape of puns and satiric paradigms, that surrealistic parallax of the brilliant gamester Salvador Dali, that smirking irony of the works of Roy Lichtenstein, Robert Rauschenberg, John Cage, and Robert Indiana; that fragmented, meta-fictional struggle of Kurt Vonnegut’s Slaughterhouse Five. John Lennon certainly sensed it and couldn’t help but push into meta-real worlds in his own lyrics. Think of “Strawberry Fields Forever,” “I Am the Walrus,” and the more self-conscious “Revolution Number 9.” In “Yer Blues,” he even refers to Dylan’s main character, Mr Jones from “Ballad of a Thin Man.” If Lennon’s song is taken seriously, literally, then it is a dark crying out by a suicidal man, “Lord, I’m lonely, wanna die”; or, if taken as a metaphor for a lover’s lost feelings about his unfulfilled love, it falls into the romantic rant of a typical blues or teenage rock-and-roll song. However, even on this level, it has an irony about it, a sense of laughing at itself and at Dylan’s Mr Jones, who knows something is going on but just not what it is, and then, by extension, all of us who have awakened to the fact that the studied Western world doesn’t make sense, all of us who struggle to find meaning in the nonsense images, characters, and happenings in the song, and perhaps, coming to a conclusion that the nonsense is the sense.
