The Late Mannerists in Athenian Vase-painting

The Late Mannerists in Athenian Vase-painting PDF Author: Thomas Mannack
Publisher:
ISBN: 9780199240890
Category : Mannerism (Art)
Languages : en
Pages : 208

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Book Description
The potter and painter Myson founded the Mannerist workshop at the end of the sixth century BC. The Mannerists were his pupils and pupils of his pupils, and specialized in columnkraters, hydriai, and pelikai. The workshop was unusually long-lived and was active through the whole of the fifthcentury and the first decade of the fourth.The style of painting and the choice of some subjects are curiously old-fashioned. A number of pictures show rare themes such as the Death of Prokris, Odysseus and Nausicaa, and Orestes in Delphi. Other paintings give an unusual twist to well-known stories. The Mannerists were influenced bytheatrical productions, extant wall paintings, and the works of other vase-painters.The workshop provides important clues for the chronology of Attic vase-painting, for example drawing reflecting Pheidias' Athena Parthenos, and Aeschylos' plays Sphinx, Eumenides, and Seven against Thebes.

The Late Mannerists in Athenian Vase-painting

The Late Mannerists in Athenian Vase-painting PDF Author: Thomas Mannack
Publisher:
ISBN: 9780199240890
Category : Mannerism (Art)
Languages : en
Pages : 208

Get Book Here

Book Description
The potter and painter Myson founded the Mannerist workshop at the end of the sixth century BC. The Mannerists were his pupils and pupils of his pupils, and specialized in columnkraters, hydriai, and pelikai. The workshop was unusually long-lived and was active through the whole of the fifthcentury and the first decade of the fourth.The style of painting and the choice of some subjects are curiously old-fashioned. A number of pictures show rare themes such as the Death of Prokris, Odysseus and Nausicaa, and Orestes in Delphi. Other paintings give an unusual twist to well-known stories. The Mannerists were influenced bytheatrical productions, extant wall paintings, and the works of other vase-painters.The workshop provides important clues for the chronology of Attic vase-painting, for example drawing reflecting Pheidias' Athena Parthenos, and Aeschylos' plays Sphinx, Eumenides, and Seven against Thebes.

The Colors of Clay

The Colors of Clay PDF Author: Beth Cohen
Publisher: Getty Publications
ISBN: 0892369426
Category : Pottery
Languages : en
Pages : 386

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Book Description
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.

Style and Politics in Athenian Vase-painting

Style and Politics in Athenian Vase-painting PDF Author: Richard T. Neer
Publisher:
ISBN: 9780521791113
Category : Art
Languages : en
Pages : 306

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Book Description
In this study of Athenian vases of the late Archaic period, Neer tracks the design and imagery of the symposium, with its elaborate riddles and poems and the development of "naturalistic" techniques, such as foreshortening and shading. He also traces the birth of self-portraiture at the end of the sixth century and the treatment of overtly political subject-matter in the early democracy. The author thus reexamines basic ideas about Greek art and history, with particular regard to naturalism, realism, allegory, and the relation of ceramics to social life. Neer further demonstrates how formal ambiguity provided vase painters and their audiences with a means of creating new conceptions of civic identity.

The Art of Vase-Painting in Classical Athens

The Art of Vase-Painting in Classical Athens PDF Author: Martin Robertson
Publisher: Cambridge University Press
ISBN: 9780521338813
Category : Art
Languages : en
Pages : 372

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Book Description
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.

Vase Painting, Gender, and Social Identity in Archaic Athens

Vase Painting, Gender, and Social Identity in Archaic Athens PDF Author: Mark Stansbury-O'Donnell
Publisher: Cambridge University Press
ISBN: 110766280X
Category : Art
Languages : en
Pages : 331

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Book Description
This study explores the phenomenon of 'spectators' at the sides of Athenian narrative vase paintings.

Athenian Red Figure Vases

Athenian Red Figure Vases PDF Author: John Boardman
Publisher: Oxford University Press, USA
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 256

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Book Description
"The quality of Greek painting and the intrinsic interest of the figure subjects chosen for depiction were never greater than in Athens in the fifty years following the invention of the `red figure' technique in about 530 BC. This is the period covered by this book, a sequel to Athenian Black Figure Vases also written by John Boardman, Lincoln Professor Emeritus of Classical Archaeology and Art in Oxford."--Back cover.

The Amasis Painter and his World

The Amasis Painter and his World PDF Author: Dietrich von Bothmer
Publisher: Getty Publications
ISBN: 0500234434
Category : Art
Languages : en
Pages : 250

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Book Description
The Amasis Painter was one of ancient Greece's greatest vase painters, yet his own name has not been recorded, and he is known today only by the name of the potter whose works he most often decorated. A true individualist in the history of Athenian painting, he produced work distinguished by its delicacy, precision, and wit. When the Amasis Painter began his artistic career around 560 B.C., Attic black-figure vase-painting was already fully established and about to overtake Corinthian pottery in the competition for the Etruscan market. Toward the end of his extraordinarily long career around 515 or even later-the red-figure technique had been invented and was rapidly supplanting black-figure in fashion. By tracing the Amasis Painter's stylistic development from his earliest vases to his latest, this book offers a survey of Attic black-figure technique at the peak of its perfection.The book was prepared to accompany an exhibition held at the Metropolitan Museum of Art, the Toledo Museum of Art, and the Los Angeles County Museum of Art in 1985-1986. The exhibition is the first ever to be devoted to the work of a single artist from ancient Greece, and twenty-two museums and private collectors have lent the vases on display.

Douris and the Painters of Greek Vases

Douris and the Painters of Greek Vases PDF Author: Edmond Pottier
Publisher:
ISBN:
Category : Vase-painting, Greek
Languages : en
Pages : 178

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Book Description


Athenian Potters and Painters III

Athenian Potters and Painters III PDF Author: John Oakley
Publisher: Oxbow Books
ISBN: 1782976639
Category : History
Languages : en
Pages : 313

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Book Description
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops Ð Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms Ð plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed paintersÕ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers Ð chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.

Polygnotos and Vase Painting in Classical Athens

Polygnotos and Vase Painting in Classical Athens PDF Author: Susan B. Matheson
Publisher: Univ of Wisconsin Press
ISBN: 9780299138707
Category : Art
Languages : en
Pages : 182

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Book Description
Matheson provides the first comprehensive chronology for Polygnotos's own works, and then analyzes the distinctive, evolving Polygnotan style first isolated by Sir John Beazley, comparing this style to that of contemporary Athenian workshops and demonstrating its seminal influence on the later vase painting of southern Italy.