Author: Colum Hourihane
Publisher: Penn State Press
ISBN: 9780976820239
Category : Art
Languages : en
Pages : 420
Book Description
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilization&—and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivaled visual record for the student and scholar.
Time in the Medieval World
Author: Colum Hourihane
Publisher: Penn State Press
ISBN: 9780976820239
Category : Art
Languages : en
Pages : 420
Book Description
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilization&—and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivaled visual record for the student and scholar.
Publisher: Penn State Press
ISBN: 9780976820239
Category : Art
Languages : en
Pages : 420
Book Description
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilization&—and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivaled visual record for the student and scholar.
Medieval Religion and Technology
Author: Lynn Townsend White
Publisher: Univ of California Press
ISBN: 9780520035669
Category : History
Languages : en
Pages : 440
Book Description
Essays fra 1940-1975, med udgangspunkt i middelalderens teknologiske frembringelser, og videnskabsmænd.
Publisher: Univ of California Press
ISBN: 9780520035669
Category : History
Languages : en
Pages : 440
Book Description
Essays fra 1940-1975, med udgangspunkt i middelalderens teknologiske frembringelser, og videnskabsmænd.
The Haskins Society Journal 22
Author: William North
Publisher: Boydell Press
ISBN: 1843836874
Category : History
Languages : en
Pages : 224
Book Description
The most up-to-date research in the period from the Anglo-Saxons to Angevins. This volume of the Haskins Society Journal continues its tradition of publishing the best historical and interdisciplinary research on the early and central middle ages in the Anglo-Saxon, Anglo-Norman, and Angevin worlds. The topics of the essays range from legal influences on Alfred's Mosaic Prologue, judicial processes in tenth-century Iberia, and the ecclesiology of the Norman Anonymous to the nature and implications of comital authority in the eleventh- and twelfth-century Anglo-Norman realm and conceptions of servitude in legal thinking in thirteenth-century Catalonia. The volume also embraces art history, with contributions on the medieval object as subject; the banquet scene in the Bayeux Tapestry; and there is a synoptic archeological exploration of early medieval Britain. Finally, an edition and translation of the De Abbatibus of Mont Saint-Michel makes available in complete and reliable form an important witness to this Norman monastery's medieval past. Contributors: Thomas Bisson, Charlotte Cartwright, Martin Carver, Kerrith Davies, Wendy Davies, Paul Freedman, James Ginther, Stefan Jurasinski, Elizabeth Carson Pastan.
Publisher: Boydell Press
ISBN: 1843836874
Category : History
Languages : en
Pages : 224
Book Description
The most up-to-date research in the period from the Anglo-Saxons to Angevins. This volume of the Haskins Society Journal continues its tradition of publishing the best historical and interdisciplinary research on the early and central middle ages in the Anglo-Saxon, Anglo-Norman, and Angevin worlds. The topics of the essays range from legal influences on Alfred's Mosaic Prologue, judicial processes in tenth-century Iberia, and the ecclesiology of the Norman Anonymous to the nature and implications of comital authority in the eleventh- and twelfth-century Anglo-Norman realm and conceptions of servitude in legal thinking in thirteenth-century Catalonia. The volume also embraces art history, with contributions on the medieval object as subject; the banquet scene in the Bayeux Tapestry; and there is a synoptic archeological exploration of early medieval Britain. Finally, an edition and translation of the De Abbatibus of Mont Saint-Michel makes available in complete and reliable form an important witness to this Norman monastery's medieval past. Contributors: Thomas Bisson, Charlotte Cartwright, Martin Carver, Kerrith Davies, Wendy Davies, Paul Freedman, James Ginther, Stefan Jurasinski, Elizabeth Carson Pastan.
The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
The Laborer's Two Bodies
Author: K. Robertson
Publisher: Springer
ISBN: 1137067845
Category : Social Science
Languages : en
Pages : 286
Book Description
This is an exploration the intellectual consequences of one of the most fundamental shifts in late medieval English society: the first national labour regulation in the wake of the 1348 plague. Bridging the medieval and early modern periods, this book analyzes a wide range of texts and images produced in this initial period of labour regulation.
Publisher: Springer
ISBN: 1137067845
Category : Social Science
Languages : en
Pages : 286
Book Description
This is an exploration the intellectual consequences of one of the most fundamental shifts in late medieval English society: the first national labour regulation in the wake of the 1348 plague. Bridging the medieval and early modern periods, this book analyzes a wide range of texts and images produced in this initial period of labour regulation.
The Visual Culture of Baptism in the Middle Ages
Author: HarrietM.Sonnede Torrens
Publisher: Routledge
ISBN: 1351539647
Category : Art
Languages : en
Pages : 447
Book Description
Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
Publisher: Routledge
ISBN: 1351539647
Category : Art
Languages : en
Pages : 447
Book Description
Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
An Obscure Portrait
Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571
Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571
Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
The Study of Chivalry
Author: Howell Chickering
Publisher: Medieval Institute Publications
ISBN: 1580445055
Category : History
Languages : en
Pages : 712
Book Description
In a series of essays readers will find information about modern scholarship on the subject of chivalry and various suggestions for ways to teach some familiar and unfamiliar chivalric materials. Short bibliographies are provided for teachers' further use.
Publisher: Medieval Institute Publications
ISBN: 1580445055
Category : History
Languages : en
Pages : 712
Book Description
In a series of essays readers will find information about modern scholarship on the subject of chivalry and various suggestions for ways to teach some familiar and unfamiliar chivalric materials. Short bibliographies are provided for teachers' further use.
Thy Father’s Instruction
Author: Naomi Feuchtwanger-Sarig
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110414198
Category : Religion
Languages : en
Pages : 637
Book Description
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naïve, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110414198
Category : Religion
Languages : en
Pages : 637
Book Description
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naïve, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.
Religion in the History of the Medieval West
Author: John Van Engen
Publisher: Taylor & Francis
ISBN: 1000949966
Category : History
Languages : en
Pages : 332
Book Description
These ten essays by John Van Engen situate religion in the history of medieval Western Europe: as an unavoidable presence in everyday life, as a conceptual framework for social and political life, as a force integral to its historical dynamics. Four of the essays are bibliographical and retrospective in nature, reviewing the field broadly, but also pointing toward a more dialectical approach to understanding the interaction of religion and society in the European middle ages. Other studies deal with large topics usually subsumed under the abstract term 'Christianization'. They grapple with learned sources as well as those associated with 'popular' religion, and show what can be gained from an imaginative use of all that lawyers and theologians said about religion in their society. The essays, finally, look for the quality and dynamic of change, even inventiveness, released by religious action and conviction in medieval European society.
Publisher: Taylor & Francis
ISBN: 1000949966
Category : History
Languages : en
Pages : 332
Book Description
These ten essays by John Van Engen situate religion in the history of medieval Western Europe: as an unavoidable presence in everyday life, as a conceptual framework for social and political life, as a force integral to its historical dynamics. Four of the essays are bibliographical and retrospective in nature, reviewing the field broadly, but also pointing toward a more dialectical approach to understanding the interaction of religion and society in the European middle ages. Other studies deal with large topics usually subsumed under the abstract term 'Christianization'. They grapple with learned sources as well as those associated with 'popular' religion, and show what can be gained from an imaginative use of all that lawyers and theologians said about religion in their society. The essays, finally, look for the quality and dynamic of change, even inventiveness, released by religious action and conviction in medieval European society.