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Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Simon McVeigh
Publisher: Cambridge University Press
ISBN: 0521028906
Category : History
Languages : en
Pages : 332
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Book Description
This book is a detailed investigation of a lively and innovative period in London's cultural life.
Author: Robert Marshall
Publisher: Routledge
ISBN: 1135887756
Category : Music
Languages : en
Pages : 431
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jane R. Stevens
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
A historical-stylistic study of the solo keyboard concerto and its changing identity. The author discusses the development of the work of Johann Sebastian Bach and three of his sons (Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Christian) for whom he was an important teacher. Her primary aim is to explore certain issues pertaining to concerto composition in the 18th century, with a focus upon the history of musical practice and imagination rather than the investigation of the relevant musical documents.
Author: Paul Corneilson
Publisher: Routledge
ISBN: 1351561871
Category : Music
Languages : en
Pages : 542
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Book Description
This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach?s career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.
Author: Zarko Cvejić
Publisher: Cambridge Scholars Publishing
ISBN: 1443896829
Category : Music
Languages : en
Pages : 355
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Book Description
This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.
Author: Julie Anne Sadie
Publisher: W. W. Norton & Company
ISBN: 9780393034875
Category : Music
Languages : en
Pages : 604
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Book Description
Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Author: Jennifer M. Pickering
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 444
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Book Description
Author: Nicholas Temperley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 560
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 428
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Book Description
