The Jumping-off Place; American Drama in the 1960's PDF Download
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Author: Gerald Clifford Weales
Publisher: [New York] : Macmillan
ISBN:
Category : American drama
Languages : en
Pages : 328
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Book Description
American drama in the 1960's - from Broadway to off-Broadway to Happenings.
Author: Gerald Clifford Weales
Publisher: [New York] : Macmillan
ISBN:
Category : American drama
Languages : en
Pages : 328
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Book Description
American drama in the 1960's - from Broadway to off-Broadway to Happenings.
Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Author: Gerald M. Berkowitz
Publisher: Routledge
ISBN: 131790172X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
In this book Professor Berkowitz studies the diversity of American drama from the stylistic, experimental plays of O'Neill, through verse, tragedy and community theatre, to the theatre of the 1990s. The discussions range through dramatists, plays, genres and themes, with full supporting appendix material. It also examines major dramatists such as Eugene O'Neill, Arthur Miller, Sam Shephard, Tennessee Williams and August Wilson and covers not only the Broadway scene but also off Broadway movements and fringe theatres and such subjects as women's and African-American drama.
Author: Clive Bloom
Publisher: Springer
ISBN: 1349240869
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
An introduction to American drama, aimed at students, academics and serious readers, which is also concerned that the unfamiliar names and forgotten voices of those who made a major contribution to its history, have been unfairly neglected.
Author: Susan C. W. Abbotson
Publisher: Bloomsbury Publishing USA
ISBN: 0313027234
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
American playwrights have made enormous contributions to world drama during the last century, and their works are widely read and performed. This reference conveniently introduces 10 of the most important modern American plays read by students. An introductory essay concisely overviews modern American drama, and each of the chapters that follow examines a particular play. Among the plays discussed are Thornton Wilder's Our Town, Arthur Miller's Death of a Salesman, Lorraine Hansberry's A Raisin in the Sun, and August Wilson's The Piano Lesson. Each chapter includes a biography, a plot summary, an analysis of the play's themes, characters, and dramatic art, and a review of its historical background and reception. Chapters list works for further reading, and the volume closes with a selected, general bibliography.
Author: Jerry Watts
Publisher: NYU Press
ISBN: 0814795137
Category : Social Science
Languages : en
Pages : 592
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Book Description
Amiri Baraka, formerly known as LeRoi Jones, became known as one of the most militant, anti-white black nationalists of the 1960s Black Power movement. An advocate of Black Cultural Nationalism, Baraka supported the rejection of all things white and western. He helped found and direct the influential Black Arts movement which sought to move black writers away from western aesthetic sensibilities and toward a more complete embrace of the black world. Except perhaps for James Baldwin, no single figure has had more of an impact on black intellectual and artistic life during the last forty years. In this groundbreaking and comprehensive study, the first to interweave Baraka's art and political activities, Jerry Watts takes us from his early immersion in the New York scene through the most dynamic period in the life and work of this controversial figure. Watts situates Baraka within the various worlds through which he travelled including Beat Bohemia, Marxist-Leninism, and Black Nationalism. In the process, he convincingly demonstrates how the 25 years between Baraka's emergence in 1960 and his continued influence in the mid-1980s can also be read as a general commentary on the condition of black intellectuals during the same time. Continually using Baraka as the focal point for a broader analysis, Watts illustrates the link between Baraka's life and the lives of other black writers trying to realize their artistic ambitions, and contrasts him with other key political intellectuals of the time. In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past. A work of extraordinary breadth, Amira Baraka is a powerful portrait of one man's lifework and the pivotal time it represents in African-American history. Informed by a wealth of original research, it fills a crucial gap in the lively literature on black thought and history and will continue to be a touchstone work for some time to come.
Author: Julie Adam
Publisher: Springer
ISBN: 1349213632
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Taking as its starting-point the 'death of tragedy' debate, and focusing on the supposed disappearance from the stage of the individual tragic hero, the book views selected plays and writings on the theatre by Miller, Williams, Maxwell Anderson and O'Neill as exemplifying four versions of heroism: idealism, martyrdom, self-reflection and survival. Julie Adam shows that these diverse playwrights share a desire to redefine tragic heroism in individualistic liberal terms.
Author: Travis Bogard
Publisher: Routledge
ISBN: 9780416130904
Category : Drama
Languages : en
Pages : 408
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Book Description
Author: Silima Nanda
Publisher: Mittal Publications
ISBN: 9788183241762
Category :
Languages : en
Pages : 134
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Book Description
Study on female characters in the plays of Arthur Miller, 1915-2005, American playwright.
Author: Leslie Catherine Sanders
Publisher: LSU Press
ISBN: 9780807115824
Category : Drama
Languages : en
Pages : 272
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Book Description
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
