Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
The Journal of decorative art
Author: The Journal of Decorative Art
Author: Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 718
Book Description
Journal of Decorative and Propaganda Arts
Author: Jonathan MogulPublisher:
ISBN: 9781930776197
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
These 10 essays offer an interdisciplinary approach to objects of remembrance during the modern era. They investigate the roles such items played in individual lives and larger communities, as well as the strategies that artists, designers, and manufacturers used to produce objects that could serve these functions.
Art and Decoration
Author: Oscar WildePublisher:
ISBN:
Category : Art
Languages : en
Pages : 236
Book Description
The Afro-American Tradition in Decorative Arts
Author: John Michael VlachPublisher: University of Georgia Press
ISBN: 0820312339
Category : Art
Languages : en
Pages : 202
Book Description
Included in the examples are works from the Charleston and Old Slave Mart museums and the ironwork of Philip Simmons.
Decorative Arts
Author: Charissa Bremer-DavidPublisher: Getty Publications
ISBN: 0892362219
Category : Design
Languages : en
Pages : 310
Book Description
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
Selections from the Decorative Arts in the J. Paul Getty Museum
Author: Gillian WilsonPublisher: Getty Publications
ISBN: 089236050X
Category : Design
Languages : en
Pages : 118
Book Description
J. Paul Getty began to collect French decorative arts in the 1930s and continued to do so until his death in 1976. The Museum’s collection has continued to grow since then at a rapid pace and contains over three hundred individual pieces at the time this book is published. This volume illustrates fifty of them. The selection represents a cross section of the collection, which covers the period from approximately 1660 to 1800. In the eighteenth century it became fashionable in Parisian society to decorate the interiors of houses with Far Eastern materials such as lacquer and porcelain. This taste was catered to by the marchands-merciers, members of a guild who combined the functions of the modern interior decorator, the antique dealer, and the picture dealer. These men devised highly ingenious settings for Far Eastern porcelains to adapt their exotic character to the French interiors of the period. Information about them and their clientele has been used in cataloguing the Getty Museum’s collection of mounted oriental porcelain, which is large and of high quality. This book is not a catalogue, nor is it a mere picture book or checklist. Each piece has been chosen because it represents a particular aspect of the crafts involved in the production of objects that were made by Parisian craftsmen for the crown, the nobility, and the rich bourgeoisie. The pieces are arranged in chronological order. Translations of the French archival extracts, an index, and a concise bibliography have been provided.
Women Artists and the Decorative Arts 1880-1935
Author: Janice HellandPublisher: Routledge
ISBN: 1351761188
Category : Art
Languages : en
Pages : 234
Book Description
This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.
Sensuous Surfaces
Author: Jonathan HayPublisher: Reaktion Books
ISBN: 1861898460
Category : Art
Languages : en
Pages : 442
Book Description
With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.
The Journal of Decorative and Propaganda Arts
Author: Sibel BozdoğanPublisher:
ISBN: 9781930776203
Category : Decorative arts
Languages : en
Pages : 240
Book Description
This latest volume of the Journal of Decorative and Propaganda Arts explores the role of design and decorative arts in the making of modern Turkey, from the late Ottoman Empire to the middle of the twentieth century. As in many countries outside of western Europe and North America, Turkey's encounter with modernity has largely been the result of an official modernization project "from above." In the absence of the material and social conditions-industrialization, capitalist production, urbanization, and the existence of an autonomous bourgeoisie-that characterized the Western world, elites seeking to modernize Turkey had a strong sense of delayed development and an urgent desire to catch up with the West. This sense of urgency accounts for their reliance on the power of representation, especially visual and material culture, to express modern ideas, institutional reform, national identity, and social progress. The resulting experiments touched virtually every creative field, from architecture, painting, and sculpture to interiors, fashion, textiles, industrial design, photography, and graphic design. Creating a modern national identity for Turkey was a vast undertaking with uneven results. In scrutinizing these efforts through multiple lenses, this vividly illustrated volume presents a particularly compelling example of the belief in the capacity of form to remake content. The contributors include Esra Akcan, Günkut Akın, T. Elvan Altan, Edhem Eldem, Ahmet Ersoy, F. Dilek Himam, Ela Kaçel, Sinan Niyazioğlu, Gülname Turan, and Christopher S. Wilson.
