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Author: John Chase Soliday
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: John Chase Soliday
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
Get Book Here
Book Description
Author: John Chase Soliday
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author: Charles Harlen Shattuck
Publisher: Associated University Presses
ISBN: 0918016770
Category : Actors
Languages : en
Pages : 360
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Book Description
This set of essays, which surveys major developments in the winding down of nineteenth-century methods of Shakespeare staging, spans the decades from the 1880s to about 1920. The Epilogue describes the American celebration of the Tercentenary of Shakespeare's death.
Author: Terry Alford
Publisher: Liveright Publishing
ISBN: 1631495615
Category : History
Languages : en
Pages : 317
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Book Description
“Here is Lincoln in the Bardo—for real. You couldn’t make it up—necromancers, mad actors, frauds, true believers, and, in the middle, the greatest President.” —Sidney Blumenthal, author of The Political Life of Abraham Lincoln The story of Abraham Lincoln as it has never been told before: through the strange, even otherworldly, points of contact between his family and that of the man who killed him, John Wilkes Booth. In the 1820s, two families, unknown to each other, worked on farms in the American wilderness. It seemed unlikely that the families would ever meet—and yet, they did. The son of one family, the famed actor John Wilkes Booth, killed the son of the other, President Abraham Lincoln, in the most significant assassination in American history. The murder, however, did not come without warning—in fact, it had been foretold. In the Houses of Their Dead is the first book of the many thousands written about Lincoln to focus on the president’s fascination with Spiritualism, and to demonstrate how it linked him, uncannily, to the man who would kill him. Abraham Lincoln is usually seen as a rational, empirically-minded man, yet as acclaimed scholar and biographer Terry Alford reveals, he was also deeply superstitious and drawn to the irrational. Like millions of other Americans, including the Booths, Lincoln and his wife, Mary, suffered repeated personal tragedies, and turned for solace to Spiritualism, a new practice sweeping the nation that held that the dead were nearby and could be contacted by the living. Remarkably, the Lincolns and the Booths even used the same mediums, including Charles Colchester, a specialist in “blood writing” whom Mary first brought to her husband, and who warned the president after listening to the ravings of another of his clients, John Wilkes Booth. Alford’s expansive, richly-textured chronicle follows the two families across the nineteenth century, uncovering new facts and stories about Abraham and Mary while drawing indelible portraits of the Booths—from patriarch Julius, a famous actor in his own right, to brother Edwin, the most talented member of the family and a man who feared peacock feathers, to their confidant Adam Badeau, who would become, strangely, the ghostwriter for President Ulysses S. Grant. At every turn, Alford shows that despite the progress of the age—the glass hypodermic syringe, electromagnetic induction, and much more—death remained ever-present, and thus it was only rational for millions of Americans, from the president on down, to cling to beliefs that seem anything but. A novelistic narrative of two exceptional American families set against the convulsions their times, In the Houses of Their Dead ultimately leads us to consider how ghost stories helped shape the nation.
Author: Felicia Hardison Londré
Publisher: University of Missouri Press
ISBN: 0826265855
Category : Electronic books
Languages : en
Pages : 349
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Book Description
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Author: L Oggel
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Edwin Booth was the foremost Shakespearean actor in late nineteenth-century America, enjoying almost mythic status. This comprehensive analysis and documentation of his career provides an aperture from which to view theatre and society of the period. The scholarly bibliography of over 1,000 annotated entries includes substantive writings about Booth in books, journals, and dissertations covering 130 years during and after his career as well as ephemeral references to Booth in the major journals of his day and a section of specialized reference materials relating to Booth. Among its unique features are a section on Booth's own writings and a section on Booth manuscript materials identified in sixty-four repositories in the United States and England. A biographical sketch analyzes Booth's career in terms of the major periods and upheavals in his life: his early fame, the death of his first wife, the assassination of President Lincoln by his brother, his management of Booth's Theatre, and his national and international tours. Accompanying this is a chronology of major events, a genealogical chart, and reproductions of portraits and playbills. Fully indexed, this volume makes a wealth of material readily available to Booth scholars as well as to others researching related theatre and social history.
Author: William Grange
Publisher: Routledge
ISBN: 1000074714
Category : Performing Arts
Languages : en
Pages : 536
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Book Description
The Business of American Theatre is a research guide to the history of producing theatre in the United States. Covering a wide range of subjects, the book explores how traditions of investment, marketing, labor union contracts, advertising, leasing arrangements, ticket scalping, zoning ordinances, royalties, and numerous other financial transactions have influenced the art of theatre for the past three centuries. Yet the book is not a dry reiteration of hits and flops, bankruptcies and bamboozles. Nor does it cover "everything about it that's appealing, everything the traffic will allow" (as Irving Berlin did in the song "There's No Business Like Show Business"). It is instead a highly readable resource for anyone interested in how money, and how much money, is critical to the art and artists of theatre. Many of those artists make appearances in the book: Richard Rodgers and his keen eye for investment, Jacob Shubert and his construction of "the bridge of thighs" for his showgirls at the Winter Garden, the significance of the Disney Souvenir Shop near the Lyceum Theatre on Broadway, and the difference between a Broadway show losing millions of dollars or making billions in one night. Consider this book a go-to resource for readers, students, and scholars of the theatre business.
Author: James Fisher
Publisher: Scarecrow Press
ISBN: 0810870479
Category : Performing Arts
Languages : en
Pages : 618
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Book Description
The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1482
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Book Description
Author: James Fisher
Publisher: Rowman & Littlefield
ISBN: 1538107864
Category : Performing Arts
Languages : en
Pages : 810
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Book Description
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
