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Author: John Manning
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : de
Pages : 382
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Book Description
The publication incorporated selected papers concerning the emblematic books published by the Jesuits during the sixteenth and seventeenth centuries in the Spanish Netherlands where they were more active than anywhere else. Jesuits published more emblematic books than any other group during the sixteenth and seventeenth centuries. And they were probably more active in both the print and material culture in the Spanish Netherlands than anywhere else. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996.
Author: John Manning
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : de
Pages : 382
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Book Description
The publication incorporated selected papers concerning the emblematic books published by the Jesuits during the sixteenth and seventeenth centuries in the Spanish Netherlands where they were more active than anywhere else. Jesuits published more emblematic books than any other group during the sixteenth and seventeenth centuries. And they were probably more active in both the print and material culture in the Spanish Netherlands than anywhere else. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996.
Author: Alison Saunders
Publisher: Librairie Droz
ISBN: 9782600004527
Category : Emblem books, French
Languages : en
Pages : 458
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Book Description
Author: John Manning
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 384
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Book Description
The publication incorporated selected papers concerning the emblematic books published by the Jesuits during the sixteenth and seventeenth centuries in the Spanish Netherlands where they were more active than anywhere else. Jesuits published more emblematic books than any other group during the sixteenth and seventeenth centuries. And they were probably more active in both the print and material culture in the Spanish Netherlands than anywhere else. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996.
Author: John Manning
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 444
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Book Description
Antwerp and Amsterdam were among the most active publishing centres for emblematic forms in Europe during the sixteenth and seventeenth centuries. Nowhere else was the emblematic mode more integrated into the literary and artistic culture than in the Low Countries. The essays are revised versions of papers presented at the Fourth International Emblem Conference held at Leuven in 1996. The table of contents provides an overview of the variety of topics and approaches represented in the volume.
Author: John W. O'Malley
Publisher: University of Toronto Press
ISBN: 9780802042873
Category : Religion
Languages : en
Pages : 804
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Book Description
An astounding history of the accomplishments of the Society of Jesus, from painting and poetry to cartography and physics, from Europe to New France to China.
Author: Alison Adams
Publisher: BRILL
ISBN: 9004451870
Category : History
Languages : en
Pages : 299
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Book Description
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
Author: K. A. E. Enenkel
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 410
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Book Description
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
Author: Ingrid Hoepel
Publisher: Cambridge Scholars Publishing
ISBN: 1527504352
Category : Art
Languages : en
Pages : 650
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Book Description
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
Author: John Manning
Publisher: Reaktion Books
ISBN: 1861895925
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
The emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways.
Author: John Manning
Publisher: Reaktion Books
ISBN: 9781861891983
Category : Art
Languages : en
Pages : 404
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Book Description
John Manning's The Emblem charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and through its various reinventions to the present day.
