The Italian Baroque Stage PDF Download
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Author: Giulio Troili
Publisher: Berkeley : University of California Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Author: Giulio Troili
Publisher: Berkeley : University of California Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 210
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 188
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture, Baroque
Languages : en
Pages : 0
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Book Description
Author: Deborah Gustlin
Publisher: Cognella Academic Publishing
ISBN: 9781516503438
Category :
Languages : en
Pages :
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Book Description
Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Edward Carrick
Publisher: [England] : Bledlow Press
ISBN:
Category : Architecture
Languages : en
Pages : 140
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Book Description
Author: Nathalie Hester
Publisher: Routledge
ISBN: 1351922033
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This first full-length study in English on seventeenth-century Italian travel writing enriches our understanding of an unusually fertile period for Italian contributions to the genre. The intrinsic qualities of this literature can now be grasped in terms of the larger question of cultural identity in Italy. For Hester, the specifically literary characteristics of Italian travel writing”including its humanism or Petrarchism”highlight the classic eminence throughout Europe of a prestigious tradition inherent to Italy, one compensating then for the peninsula's lack of a national political identity. Appeals to the cultural authority of that tradition represent a means of addressing and overcoming anxieties about the Italian subject's diasporic status during the "Golden Age" of European global colonial expansion. Self-funded travelers Francesco Carletti, Pietro Della Valle, Francesco Belli, Francesco Negri, and Giovanni Francesco Gemelli Careri are the major authors studied who journeyed through Europe, the Middle East, Asia, and America.
Author: Eugene J. Johnson
Publisher: Cambridge University Press
ISBN: 1108421741
Category : Architecture
Languages : en
Pages : 349
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Book Description
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
Author: Ellis Kirkham Waterhouse
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 258
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Book Description
Author: Will Daddario
Publisher: Springer
ISBN: 3319495232
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
