Schnabel's Interpretation of Piano Music PDF Download
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Author: Konrad Wolff
Publisher: W W Norton & Company Incorporated
ISBN: 9780393009293
Category : Music
Languages : en
Pages : 187
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Book Description
In a testimonial to Konrad Wolff, Schnabel himself expressed his admiration for the author and this book: “Konrad Wolff . . . is a remarkable pianist, an excellent theorist, a learned historian, an outstanding teacher, a brilliant thinker and writer. . . . [His book] is a comprehensive elucidation of a complex and subtle problem.
Author: Konrad Wolff
Publisher: W W Norton & Company Incorporated
ISBN: 9780393009293
Category : Music
Languages : en
Pages : 187
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Book Description
In a testimonial to Konrad Wolff, Schnabel himself expressed his admiration for the author and this book: “Konrad Wolff . . . is a remarkable pianist, an excellent theorist, a learned historian, an outstanding teacher, a brilliant thinker and writer. . . . [His book] is a comprehensive elucidation of a complex and subtle problem.
Author: Jan Marisse Huizing
Publisher: Yale University Press
ISBN: 0300251602
Category : Music
Languages : en
Pages : 335
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Book Description
A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven's piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven's pianism as well as his characteristics of notation, form and content, "types of touch," articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.
Author: Sandra P. Rosenblum
Publisher: Indiana University Press
ISBN: 9780253206800
Category : Music
Languages : en
Pages : 0
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Book Description
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times
Author: Deborah Rambo Sinn
Publisher: Oxford University Press, USA
ISBN: 0199859507
Category : Music
Languages : en
Pages : 160
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Book Description
This book demystifies the complex topic of musical interpretation by boiling it down to basic principles in an accessible writing style. The book targets pianists, piano teachers, and piano pedagogy students and incorporates over 200 musical examples from the intermediate and advanced piano repertoire.
Author: Béla Siki
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 358
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Book Description
Offers intermediate students practical advice on playing style and the interpretation of works by Bach, Chopin, Brahms, Liszt, Beethoven, Prokofiev and others.
Author: Boris Berman
Publisher: Yale University Press
ISBN: 0300221525
Category : Music
Languages : en
Pages : 252
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Book Description
Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this volume provides a master class for the performer, instructor, and student alike.
Author: Clarence Grant Hamilton
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 92
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Book Description
Author: Robert S. Hatten
Publisher: Indiana University Press
ISBN: 9780253217110
Category : Music
Languages : en
Pages : 374
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Book Description
Award-winning examination of Beethoven's music.
Author: Peter Coraggio
Publisher:
ISBN: 9780849762154
Category : Piano
Languages : en
Pages : 0
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Book Description
Author: Siglind Bruhn
Publisher: Siglind Bruhn
ISBN: 9789679851809
Category : Piano
Languages : en
Pages : 188
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Book Description
