The Interpretation of Paradise Regained in the Light of Seventeenth Century Theology PDF Download
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Author: Lena Louise Qualls
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Author: Lena Louise Qualls
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Author: Leland Ryken
Publisher: Crossway
ISBN: 1433547066
Category : Religion
Languages : en
Pages : 105
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Book Description
Most people are familiar with the classics of Western literature, but few have actually read them. Written to equip readers for a lifetime of learning, this beginner’s guide to reading the classics by renowned literary scholar Leland Ryken answers basic questions readers often have, including “Why read the classics?” and “How do I read a classic?” Offering a list of some of the best works from the last 2,000 years and time-tested tips for effectively engaging with them, this companion to Ryken’s Christian Guides to the Classics series will give readers the tools they need to read, interact with, and enjoy some of history’s greatest literature.
Author: Leland Ryken
Publisher: Crossway
ISBN: 1433541173
Category : Religion
Languages : en
Pages : 226
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Book Description
To truly understand God's Word, we must know both what it says (content) and how it says it (form). This accessible guide features over 250 alphabetically arranged entries explaining common literary forms found in the Bible. Each entry contains a succinct definition, helpful illustrations, and a representative list of passages where that particular literary form is present. More than merely a dictionary, this indispensable resource will help Bible readers better understand the underlying structure of Scripture—giving a clearer shape and deeper meaning to each and every page of God's Word.
Author: Diane Kelsey McColley
Publisher: University of Illinois Press
ISBN: 9780252018282
Category : Art
Languages : en
Pages : 336
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Book Description
This beautifully illustrated multidisciplinary study addresses interpretations of the Genesis creation story in Paradise Lost and other seventeenth-century English poems and in the visual arts from the Middle Ages through the Reformation. It considers poems, visual images, and music concerned with divine and human creativity and interprets these works as salutary examples for the creation of the arts and the preservation of the earth. The central topic is the daily work of body or mind of Adam and Eve in Paradise Lost as primal artists and caretakers of nature before the Fall, developing the arts of language, music, liturgy, and government, discovering the rudiments of a technology harmless to the biosphere, and dressing and keeping a garden that is an epitome of the whole earth. These unfallen arts promote awareness of the complex harmonies of creation and potentially of civilization: an awareness that is not only linear or binary but radiant and multiple; not only monodic but also choral. McColley argues that northern European visual artists and seventeenth-century English poets reimagined Eden in order to re-Edenize the imagination as a source of ethical and ecological healing. The best-known depictions of Adam and Eve in the visual arts, which focus on the drama of the all, depart from a widespread but undervalued tradition that more celebratory and regenerative and less susceptible to misogynous interpretation. This tradition includes the neglected topos of original righteousness and contributes to what we would now call ecological awareness. Poets allied to this view foster Edenic consciousness by creating a Paradisal language that weaves form, sound, image, metaphor, concept, and experience as closely as nature weaves life, and so exercises our sense of connections
Author: Marshall Grossman
Publisher: Cambridge University Press
ISBN: 0521340373
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Grossman examines the narrative form of Paradise Lost to discover Milton's thoroughly modern concept of self. Banished from paradise, the epic poem's protagonists become "authors to themselves in all/Both what they judge and what they choose," left to create their own story in relation to the story already written by God. Grossman believes the resulting structure of the poem must be understood in the context of seventeenth-century historical and theological developments, specifically Bacon's notion of history as progress and Protestant theology's notion of the inner voice. The book draws upon recent works in hermeneutics and analytic history to develop the argument that there is a common structure to the experience of time in action and in narrative. In developing this thesis, Grossman draws on the work Stephen Greenblatt, Ricoeur, Todorov, Genette, Derrida, and Lacan to construct an original reading of Paradise Lost that will fascinate Miltonists, specialists in seventeenth-century literature, and readers concerned with narrative theory.
Author: David Ainsworth
Publisher: Routledge
ISBN: 1135896089
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Milton and the Spiritual Reader considers how John Milton’s later works demonstrate the intensive struggle of spiritual reading. Milton presents his own rigorous process of reading in order to instruct his readers how to advance their spiritual knowledge. Recent studies of Milton’s readers neglect this spiritual dimension and focus on politics. Since Milton considers the individual soul at least as important as the body politic, Ainsworth focuses on uncovering the spiritual characteristics of the reader Milton tries to shape through his texts. He also examines Milton’s reading practices without postulating the existence of some ideal or universal reader, and without assuming a gullible or easily manipulated reader. Milton does not simply hope for a fit audience, but writes to nurture fit readers. His works offer models of strenuous and suspicious close reading, subjecting all authors except God to the utmost of scrutiny. Milton presents Biblical interpretation as an interior struggle, a contention not between reader and text, but within that reader’s individual understanding of scripture. Ainsworth’s study rethinks the basic relationship between reading and religion in seventeenth-century England, and concludes that for Milton and his contemporaries, distinguishing divine truths in worldly texts required a spiritually guided form of close reading.
Author: John H. Duff
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647570613
Category : Religion
Languages : en
Pages : 247
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Book Description
In the study of Christian eschatological thought, virtually no attention has been given to past interpretations of the biblical phrase the new heavens and earth. John Duff uncovers the interpretations of this phrase that were extant in seventeenth-century England. These interpretations fall into two basic camps—those that understood the phrase metaphorically and those that understood the phrase literally.Some English divines believed the new heavens and earth referred to the new age of the gospel that commenced in the first century CE. At that time, God flung open the doors of salvation to Gentiles while at the same time bringing judgment to the Jewish nation for its failure to recognize and embrace Jesus as Messiah. This epic transition was fittingly described as a new heavens and earth.A second group of English interpreters believed the phrase stood for a yet future time when the political and religious circumstances of the world would change for the betterment of the church for one thousand years. The new heavens and earth stood for a future millennium in which Christ would establish his reign over the world prior to the day of resurrection and final judgment. Theologians who accepted a literal understanding believed the new heavens and earth described the renovation of the physical creation at the final judgment. Among this group, differences of opinion existed with respect to how much of the world would need cleansing, what creatures would be restored and of what use would a renovated world serve. The idea that the earth, and not heaven, would be the final abode of the saints emerged among a few obscure writers.
Author: Jackson I. Cope
Publisher: JHU Press
ISBN: 1421434741
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Originally published in 1962. The rise of "metaphoric" criticism is a reaction against a previous critical preoccupation with psychology and time. Milton spatialized time, thoroughly mastering a metaphoric technique. The Metaphoric Structure of Paradise Lost, after discussing the influences that shaped Milton's aesthetic, systematically examines the structural components of Paradise Lost—light, darkness, and vertical movement—and finds that they imitate, metaphorically, the overall theme of the epic. To test further the implications of his hypothesis, Professor Cope turns to two unsettled points in Miltonic exegesis: Milton's muse and the dialogue in Heaven.
Author: C. S. Lewis
Publisher: HarperCollins
ISBN: 0063222140
Category : Religion
Languages : en
Pages : 194
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Book Description
C. S. Lewis’s illuminating reflections on Milton’s Paradise Lost, the seminal classic that profoundly influenced Christian thought as well as Lewis’s own. In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom. Lewis explains and defends the literary form known as “Epic,” pondering simple yet perceptive questions such as: What is an Epic? Why, in the seventeenth century, did Milton choose to write his story in this style? In what sense is Paradise Lost similar to the Homeric poems or the Anglo Saxon Beowulf? In what sense did Milton develop Virgil’s legacy? With the clarity of thought and style that are the hallmarks of his writing, Lewis provides answers with a lucidity and lightness that deepens our understanding of this literary form and both illuminates Milton’s immortal epic and its meaning and inspires readers to revisit it. Ultimately, he reminds us why elements including ritual, splendor, and joy deserve to exist and hold a sacred place in human life. One of Lewis’s most revered scholarly works, Preface to Paradise Lost is indispensable for literature, philosophy, and religion scholars and for ardent fans of Lewis’s writings.
