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Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: Margaret Topping
Publisher: Peter Lang
ISBN: 9783039101832
Category : Art
Languages : en
Pages : 400
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Book Description
This collection of interdisciplinary essays explores the range of French and francophone encounters with the East from the medieval period to the present day. --book cover.
Author: Fereshteh Daftari
Publisher: Routledge
ISBN: 9780815307150
Category : Art
Languages : en
Pages : 384
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Book Description
The author's doctoral dissertation, published as submitted to Columbia U. in October 1988, is an in-depth study of three great artists establishing the extent of influences and the contribution of Persian art in the development of each artist's style. The time-span of the study is restricted to ear
Author: Roger Benjamin
Publisher: Univ of California Press
ISBN: 0520283651
Category : Art
Languages : en
Pages : 246
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Book Description
Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: ÒColor and I are one,Ó he famously wrote. ÒI am a painter.Ó Kandinsky and Klee in Tunisia sets the scene for KleeÕs breakthrough with a close study of the parallel voyage undertaken in 1904Ð5 by Wassily Kandinsky and Gabriele MŸnter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul KleeÕs 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.
Author: Andrea Lermer
Publisher: BRILL
ISBN: 9004190015
Category : Art
Languages : en
Pages : 453
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Book Description
This book is the first comprehensive study of the path-breaking exhibition "Meisterwerke muhammedanischer Kunst" held in Munich in 1910. It offers new ideas and unpublished material on the exhibition's historical context, organization, display, reception in the West and its later influence on the study of Islamic art.
Author: Catherine C. Bock Weiss
Publisher: Routledge
ISBN: 1317947754
Category : Music
Languages : en
Pages : 796
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Book Description
First published in 1996. The art of the extraordinary French artist, Henri Matisse (1869- 1954), has provided visual pleasures and intellectual challenges to its viewers for the last hundred years. This is collection of gathered, summarized, and evaluated major literature on the artist primarily from France, the United States, Germany, and the Scandinavian countries, where major Matisse collections bear witness to early and intense interest in the artist's work.
Author: Marcus Milwright
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013259
Category : Art
Languages : en
Pages : 445
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Book Description
Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art. Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.
Author: Fatemah Abdullah Alqahtani
Publisher: Austin Macauley Publishers
ISBN: 994875025X
Category : Social Science
Languages : en
Pages : 126
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Book Description
This book investigates the formation of Saudi female artistic identity within the context of religious and social values and customs. It proposes a theory about the uniqueness of this identity in terms of how Saudi female artists push the boundaries of creativity in a conservative culture. The book explores the influence of two main factors: Islamic doctrines and sociocultural norms. It examines how these factors relate to the temporal and spatial limitations placed on artists. From a faith-based perspective, it analyses the ambivalent relationship between some Muslim scholars’ thoughts and the concept of creativity, and how this ambivalence can be overcome. The book also examines the intellectual and cultural factors that have shaped Saudis’ collective mindset about the arts, incorporating significant events in Saudi history and their impact on artistic practice. If you have questions about what factors shape female Saudi artistic identity or how these artists are challenging norms of representation, this book helps uncover the answers.
Author: Catherine Bock-Weiss
Publisher: Penn State Press
ISBN: 0271035129
Category : Art
Languages : en
Pages : 258
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Book Description
"A series of linked essays that considers different aspects of Matisse's life and work, revealing how the artist worked against many of the main tenets of modernism"--Provided by publisher.
Author: Hamid Keshmirshekan
Publisher: Bloomsbury Publishing
ISBN: 0857725386
Category : Art
Languages : en
Pages : 302
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Book Description
How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is 'transferred' to international contexts - and how can it be reclaimed? This timely book tackles ongoing questions about how 'local' perspectives on contemporary art from the Middle East are defined and how these perspectives intersect with global art discourses. Inside, leading figures from the Middle Eastern art world, western art historians, art theorists and museum curators discuss the historical and cultural circumstances which have shaped contemporary art from the Middle East, reflecting on recent exhibitions and curatorial projects and revealing how artists have struggled with the label of 'Middle Eastern Artist'. Chapters reflect on the fundamental methodologies of art history and cultural studies - considering how relevant they are when studying contemporary art from the Middle East - and investigate the ways in which contemporary, so-called 'global', theories impact on the making of art in the region. Drawing on their unique expertise, the book's contributors offer completely new perspectives on the most recent cultural, intellectual and socio-political developments of contemporary art from the Middle East.
