The Induction in Elizabethan Drama, By Thelma N. Greenfield PDF Download
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Author: Thelma N. Greenfield
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 173
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Book Description
Author: Thelma N. Greenfield
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 173
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Book Description
Author: Thelma N. Greenfield
Publisher: University of Oregon Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
"The Induction in Elizabethan Drama studies with some sympathy the Elizabethan dramatist's use of a device that often takes particular cognizance of the audience and that, in a modern sense, may violate dramatic illusion. For convenience, Dr. Greenfield has used the Elizabethan term induction to cover the separate dramatic materials sometimes employed to launch the play proper.".
Author: Thelma N. Greenfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Book Description
Author: Thelma N. Greenfield
Publisher:
ISBN: 9780871140531
Category :
Languages : en
Pages :
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Book Description
Author: Bradbrook
Publisher: Foundation Books
ISBN: 9788175963276
Category :
Languages : en
Pages : 284
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Book Description
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1317056442
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.
Author: J. Low
Publisher: Springer
ISBN: 0230118399
Category : Performing Arts
Languages : en
Pages : 400
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Book Description
This essay collection builds on the latest research on the topic of theatre audiences in early modern England. In broad terms, the project answers the question, 'How do we define the relationships between performance and audience?'.
Author: Douglas Bruster
Publisher: Routledge
ISBN: 1134313713
Category : Art
Languages : en
Pages : 181
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Book Description
This remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.
Author: Brian W. Schneider
Publisher: Routledge
ISBN: 1317031350
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. The Framing Text in Early Modern English Drama fills a gap in the literature by examining the origins of these texts, and investigating their growing importance and influence in the theatre of the period. This topic-led discussion of prologues and epilogues deals with the origins of these texts, the difficulty of definition, and the way in which many prologues and epilogues appear to interact on such subjects as the composition of the theatre audience and the perceived place of women in such an audience. Author Brian Schneider also examines the reasons for, and the evidence leading to, the apparently sudden burgeoning of these texts after the Restoration, when prologues and epilogues grace nearly all the dramas of the time and become a virtual cottage industry of their own. The second section-a comprehensive list of prologues and epilogues-details play titles, playwrights, theatres and theatre companies, first performance and the earliest edition in which the framing text(s) appears. It quotes the first line of the prologue and/or epilogue and uses the printer's signature to denote the page on which the texts can be found. Further information is provided in notes appended to the relevant entry. A final section deals with 'free-floating' and 'free-standing' framing texts that appear in verse collections, manuscripts, and other publications and to which no play can be positively ascribed. Combining original analysis with carefully compiled, comprehensive reference data, The Framing Text in Early Modern English Drama provides a genuinely new angle on the drama of early modern England.
Author: Frederick Kiefer
Publisher: Cambridge University Press
ISBN: 9780521827256
Category : Literary Collections
Languages : en
Pages : 378
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Book Description
In this study of Shakespeare's visual culture Frederick Kiefer looks at the personified characters created by Shakespeare in his plays, his walking, talking abstractions. These include Rumour in 2 Henry IV, Time in The Winter's Tale, Spring and Winter in Love's Labour's Lost, Revenge in Titus Andronicus, and the deities in the late plays. All these personae take physical form on the stage: the actors performing the roles wear distinctive attire and carry appropriate props. The book seeks to reconstruct the appearance of Shakespeare's personified characters; to explain the symbolism of their costumes and props; and to assess the significance of these symbolic characters for the plays in which they appear. To accomplish this reconstruction, Kiefer brings together a wealth of visual and literary evidence including engravings, woodcuts, paintings, drawings, tapestries, emblems, civic pageants, masques, poetry and plays. The book contains over forty illustrations of personified characters in Shakespeare's time.
