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Author: Suzanne Guerlac
Publisher: Stanford University Press
ISBN: 9780804717861
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The question of the sublime, which links the idea of aesthetic force with rhetorical impact and moral law, has been an important topic in discussion of eighteenth- and nineteenth-century art and the shift between them. This book argues that the sublime is equally important in understanding the shift from romanticism to modernism later in the century. The author studies the work of three French authors conventionally considered pivotal figures in the trajectory from romanticism to modernism: Hugo, father of romanticism; Baudelaire, precursor of symbolist modernism; and Lautreamont, hero of (post) modernism. She traces this literary-historical as Hugo's Quatre-vingt-treize and L'Homme qui rit, Baudelaire's Spleen de Paris and Petits poemes en prose, and Lautreamont's Chants de Maldoror and Poesies - all seen from a perspective of the aesthetics of the sublime. This perspective is developed through analyses of the treatises on the sublime by Longinus, Boileau, Burke, and Kant.
Author: Suzanne Guerlac
Publisher: Stanford University Press
ISBN: 9780804717861
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
The question of the sublime, which links the idea of aesthetic force with rhetorical impact and moral law, has been an important topic in discussion of eighteenth- and nineteenth-century art and the shift between them. This book argues that the sublime is equally important in understanding the shift from romanticism to modernism later in the century. The author studies the work of three French authors conventionally considered pivotal figures in the trajectory from romanticism to modernism: Hugo, father of romanticism; Baudelaire, precursor of symbolist modernism; and Lautreamont, hero of (post) modernism. She traces this literary-historical as Hugo's Quatre-vingt-treize and L'Homme qui rit, Baudelaire's Spleen de Paris and Petits poemes en prose, and Lautreamont's Chants de Maldoror and Poesies - all seen from a perspective of the aesthetics of the sublime. This perspective is developed through analyses of the treatises on the sublime by Longinus, Boileau, Burke, and Kant.
Author: Gillian B. Pierce
Publisher: Brill
ISBN: 9401208697
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Scapeland: Writing the Landscape from Diderot’s Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot’s eighteenth-century French Salons, through art criticism by Baudelaire and Breton, to Jean-François Lyotard’s postmodern exhibition Les Immatériaux. In the Salons, an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard’s concept of the “postmodern museum” frames the sublime encounter, once again, in terms that expressly evoke Diderot’s verbal rendering of painted spaces as a personal promenade. According to Lyotard, Diderot “ouvre, par écrit, les surfaces des tableaux comme les portes d’une exposition.. . . [il] abolit . . . l’opposition de la nature et de la culture, de la réalité de l’image, du volume et de la surface.” Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects.
Author: Jason Frank
Publisher: Oxford University Press
ISBN: 0190658185
Category : Political Science
Languages : en
Pages : 281
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Book Description
The transition from royal to popular sovereignty during the age of democratic revolutions--from 1776 to 1848--entailed not only the reorganization of institutions of governance and norms of political legitimacy, but also a dramatic transformation in the iconography and symbolism of political power. The personal and external rule of the king, whose body was the physical locus of political authority, was replaced with the impersonal and immanent self-rule of the people, whose power could not be incontestably embodied. This posed representational difficulties that went beyond questions of institutionalization and law, extending into the aesthetic realm of visualization, composition, and form. How to make the people's sovereign will tangible to popular judgment was, and is, a crucial problem of democratic political aesthetics. The Democratic Sublime offers an interdisciplinary exploration of how the revolutionary proliferation of popular assemblies--crowds, demonstrations, gatherings of the "people out of doors"--came to be central to the political aesthetics of democracy during the age of democratic revolutions. Jason Frank argues that popular assemblies allowed the people to manifest as a collective actor capable of enacting dramatic political reforms and change. Moreover, Frank asserts that popular assemblies became privileged sites of democratic representation as they claimed to support the voice of the people while also signaling the material plenitude beyond any single representational claim. Popular assemblies continue to retain this power, in part, because they embody that which escapes representational capture: they disrupt the representational space of appearance and draw their power from the ineffability and resistant materiality of the people's will. Engaging with a wide range of sources, from canonical political theorists (Rousseau, Burke, and Tocqueville) to the novels of Hugo, the visual culture of the barricades, and the memoirs of popular insurgents, The Democratic Sublime demonstrates how making the people's sovereign will tangible to popular judgment became a central dilemma of modern democracy, and how it remains so today.
Author: Kathryn M. Grossman
Publisher: Oxford University Press
ISBN: 0199642958
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This study places the last three novels of Hugo's maturity - Les Travailleurs de la mer (1866), L'Homme qui rit (1869), and Quatrevingt-Treize (1874) - within the context of his artistic development after the success of Les Misérables (1862), thereby illuminating the shift from a poetics of harmony to one of transcendence.
Author: Raghu Garud
Publisher: OUP Oxford
ISBN: 0191044032
Category : Business & Economics
Languages : en
Pages : 401
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Book Description
Creativity, innovation and change are vital to the development and sustainability of all organizations. Yet, questions remain about exactly how novelty comes about, and what dynamic processes are involved in its emergence? Ideas of emergence and process, drawn from a variety of different philosophic traditions, have been the focus of increasing attention in management and organization studies. These issues are brought to bear on novelty and innovation in this volume by examining new organizational and product development processes, whether planned or unplanned. The contributions in this volume offer both theoretical insights and empirical studies on, inter alia, innovation, music technology, haute cuisine, pharmaceuticals and theatre improvisation. In doing so, they throw light on the importance of emergence, improvisation and learning in organizations, and how both practitioners and scholars alike can best understand their own assumptions about process. In addition, the volume includes general essays on process perspectives in organization studies.
Author: Kelly Oliver
Publisher: Routledge
ISBN: 1134978324
Category : Philosophy
Languages : en
Pages : 280
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Book Description
A valuable intervention in Kristevan scholarship and a significant and exciting contribution in its own right to post-structuralist discussions of ethical and political agency and practice. Contributors: Judith Butler, Tina Chanter, Marilyn Edelstein, Jean Graybeal, Suzanne Guerlac, Alice Jardine, Lisa Lowe, Noelle McAfee, Norma Claire Moruzzi, Kelly Oliver, Tilottma Rajan, Jacqueline Rose, Allison Weir, Mary Bittner Wiseman, Ewa Ziarek
Author: Bradley Stephens
Publisher: Reaktion Books
ISBN: 1789141117
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Misérables, and its myriad theatrical and cinematic incarnations. This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo’s monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon’s Empire to the rise of France’s Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo’s was a mind as revolutionary as the time in which he lived.
Author: Michael Saffle
Publisher: Routledge
ISBN: 1351243314
Category : Music
Languages : en
Pages : 322
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Book Description
Much of Franz Liszt's musical legacy has often been dismissed as 'trivial’ or 'merely showy,' more or less peripheral contributions to nineteenth-century European culture. But Liszt was a mainstream composer in ways most of his critics have failed to acknowledge; he was also an incessant and often extremely successful innovator. Liszt's mastery of fantasy and sonata traditions, his painstaking settings of texts ranging from erotic verse to portions of the Catholic liturgy, and the remarkable self-awareness he demonstrated even in many of his most 'entertaining' pieces: all these things stamp him not only as a master of Romanticism and an early Impressionist, but as a precursor of Postmodern 'pop.' Liszt's Music places Liszt in historical and cultural focus. At the same time, it examines his principal contributions to musical literature -- from his earliest operatic paraphrases to his final explorations of harmonic and formal possibilities. Liszt's compositional methods, including his penchant for revision, problems associated with early editions of some of his works, and certain aspects of class and gender issues are also discussed. The first book-length assessment of Liszt as composer since Humphrey Searle’s 1956 volume, Liszt's Music is illustrated with well over 100 musical examples.
Author: Brian May
Publisher: University of Missouri Press
ISBN: 9780826210968
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
The past few years have witnessed a resurgence in the study of British literary modernism. With recent publications on modernist American poetry and increasingly appreciative attitudes toward modern British novelists like Joseph Conrad and E. M. Forster, many scholars are experiencing a renewed interest in modernism. In The Modernist as Pragmatist, Brian May investigates modernist works that have been, until recently, regarded largely as mere exercises in stale Victorian liberal ideology. Breaking from one current interpretation of Forster as an innovative and perhaps objectionable representative of modernist fictional audacity, May keenly argues that Forster is neither a traditional liberal nor an imperial modernist stylist. He is, rather, a pragmatic liberal critic of both unreconstructed Victorian liberalism and unreckoning modernist aestheticism. May also looks at the debate between two contemporary progressive pragmatists, Richard Rorty and Cornel West, who have turned to the liberalism of the past as an avenue toward the future. First clarifying the terms of the debate, May then tries to resolve it using the writings of E. M. Forster to discuss some of the major political and philosophical statements of Rorty and West. In turn, the works of these two philosophers are used as tools to gain insight into Forster's literary texts and cultural contexts. By bringing British literary history to American neopragmatist philosophy, May allows the reader to understand both more concretely, historically, and imaginatively. Persuasive new readings of A Passage to India, Howards End, and The Longest Journey are used to illustrate how Rorty and West offer a choice between pragmatisms. May's well-argued study offers an exploration of how literature and philososphy can lead to a fruitful dialogue that can complement formalism as well as traditional types of contextualism. It also persuasively connects Forster to the contemporary debates between liberalism and pragmatism, making this an important contribution to all scholars of modernism.
Author: Maksim Hanukai
Publisher: University of Wisconsin Pres
ISBN: 0299341402
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia’s national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts. Many of Pushkin’s works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin’s work, while also challenging reigning theories about the fate of tragedy in the Romantic period.
