Author: Julia L. Farmer
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
Imperial Tapestries
Author: Julia L. Farmer
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
Publisher: Bucknell University Press
ISBN: 1611487471
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Imperial Tapestries represents a transnational approach to questions of monarchical power and literary form in early modern Europe. In line with Barbara Fuchs’s recent call for considerations of center versus periphery in Old World contexts, it explores the ways in which some of the most significant authors of the early modern era questioned the structures of Spanish Habsburg authority through “imperial texts”—texts that call attention to their organizational process—in order to mirror authors’ perceptions of the structures of Habsburg power. With a contextual basis in Fuchs’ notion of imperium studies, ideas of self-fashioning, and theories of early modern reading, the study explores the ways in which complex narrative forms in the early modern period reflected the concerns with the structures of Habsburg imperial power subtly portrayed within the narratives themselves. A close reading of the various strands that form the tapestries of the texts at issue reveals a deep undercurrent of misgivings toward various manifestations of Spanish Habsburg power on the part of authors who had experienced its effects first-hand. Whether the complex narrative devices in question cast the Habsburg monarchs as monster, misogynist, sorceress, aloof shepherdess, or mad would-be knight errant, they all have one thing in common: the spatialized forms that they create correspond directly with the ways in which the authors in question perceive the more disillusioning aspects of Habsburg hegemony. Authors studied in the volume include Ludovico Ariosto, Garcilaso de la Vega,Jorge de Montemayor, Miguel de Cervantes, and María de Zayas.
The Colonial Andes
Author: Elena Phipps
Publisher: Metropolitan Museum of Art
ISBN: 1588391310
Category : Art, Spanish colonial
Languages : en
Pages : 414
Book Description
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.
Publisher: Metropolitan Museum of Art
ISBN: 1588391310
Category : Art, Spanish colonial
Languages : en
Pages : 414
Book Description
"This unique volume illustrates and discusses in detail more than 160 extraordinary fine and decorative art works of the colonial Andes, including examples of the intricate Inca weavings and metalwork that preceded the colonial era as well as a few of the remarkably inventive forms this art took after independence from Spain. An international array of scholars and experts examines the cultural context, aesthetic preoccupations, and diverse themes of art from the viceregal period, particularly the florid patternings and the fanciful beasts and hybrid creatures that have come to characterize colonial Andean art."--Jacket.
The Imperial Tapestry
Author: Norma Alarcón
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 228
Book Description
The Tapestries of the Vienna Imperial Court
Author: Hermann Schmitz
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 174
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 174
Book Description
The Tapestry Book
Author: Helen Churchill Candee
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
Book Description
Tapestries, Their Origin, History and Renaissance
Author: George Leland Hunter
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 458
Book Description
A Short History of Tapestry
Author: Eloise Samson Vaughan
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
Kalpa Imperial
Author: Angélica Gorodischer
Publisher: Small Beer Press
ISBN: 1618730193
Category : Fiction
Languages : en
Pages : 266
Book Description
Ursula K. Le Guin chose to translate this novel which was on the New York Times Summer Reading list and winner of the Prix Imaginales, Más Allá, Poblet and Sigfrido Radaelli awards. This is the first of Argentinean writer Angélica Gorodischer's award-winning books to be translated into English. In eleven chapters, Kalpa Imperial's multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. Kalpa Imperial is a powerful introduction to the writing of Angélica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.
Publisher: Small Beer Press
ISBN: 1618730193
Category : Fiction
Languages : en
Pages : 266
Book Description
Ursula K. Le Guin chose to translate this novel which was on the New York Times Summer Reading list and winner of the Prix Imaginales, Más Allá, Poblet and Sigfrido Radaelli awards. This is the first of Argentinean writer Angélica Gorodischer's award-winning books to be translated into English. In eleven chapters, Kalpa Imperial's multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. Kalpa Imperial is a powerful introduction to the writing of Angélica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.
Tapestry in the Baroque
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
The Most Intentional City
Author: George E. Munro
Publisher: Associated University Presse
ISBN: 9780838641460
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
"This book examines a critical phase in the city's history. Founded by Peter the Great a mere sixty years before Catherine II ascended Russia's throne, St. Petersburg became one of the leading economic and political centers of Europe during her reign. Catherine lavished planning on St. Petersburg. Paradoxically, the city's growth, unprecedented in Europe to that date for such a short span of time, stemmed as much from natural factors as from the government's activity, for planning at times ran counter to natural growth. St. Petersburg also presented a challenge to Russia's legal estate order, inadequate for the city's dynamic social and economic nexus. Moscow was proverbially an overgrown village. St. Petersburg was undeniably a city." "Previous books on St. Petersburg have focused on its foundation and earliest years, or on the nineteenth century, when its cultural dominance within Russia was well established, or on the twentieth century, when the city was cradle to revolutions and subsequently lost its role as capital to Moscow. Catherine's reign largely has been overlooked, despite the fact that much of the city's image in Russian culture was established in that epoch. The city assumed its morphological shape primarily during Catherine's reign. Land-use patterns set in that era continue to characterize the city. A city resident of the late eighteenth century would know his or her way around the city today." "The Most Intentional City is based extensively on heretofore unused archival sources from central archives in St. Petersburg and Moscow as well as regional archives and manuscript collections. These are flavored with published accounts by Russians as well as foreign residents and visitors from a number of countries, including Great Britain, France, the Netherlands, Italy, and various German states. The rich secondary literature, especially that produced by Russian and Soviet scholars, adds to the interpretation." "It is said that the first wife of Peter the Great once placed a curse on Peter's new city: "May Petersburg be empty!" The city's detractors over the centuries have enumerated many reasons why the city never should have been established and why it should not have grown. Yet grow it did. No other city in the world situated so far north (almost on the sixtieth parallel) is more than a fifth its size. In Catherine's reign the city assumed the vitality, the social and economic strength, the identity in myth and legend, that assured that the curse pronounced against it would remain unfulfilled. The Most Intentional City reveals just how it all took place."--BOOK JACKET.
Publisher: Associated University Presse
ISBN: 9780838641460
Category : Biography & Autobiography
Languages : en
Pages : 384
Book Description
"This book examines a critical phase in the city's history. Founded by Peter the Great a mere sixty years before Catherine II ascended Russia's throne, St. Petersburg became one of the leading economic and political centers of Europe during her reign. Catherine lavished planning on St. Petersburg. Paradoxically, the city's growth, unprecedented in Europe to that date for such a short span of time, stemmed as much from natural factors as from the government's activity, for planning at times ran counter to natural growth. St. Petersburg also presented a challenge to Russia's legal estate order, inadequate for the city's dynamic social and economic nexus. Moscow was proverbially an overgrown village. St. Petersburg was undeniably a city." "Previous books on St. Petersburg have focused on its foundation and earliest years, or on the nineteenth century, when its cultural dominance within Russia was well established, or on the twentieth century, when the city was cradle to revolutions and subsequently lost its role as capital to Moscow. Catherine's reign largely has been overlooked, despite the fact that much of the city's image in Russian culture was established in that epoch. The city assumed its morphological shape primarily during Catherine's reign. Land-use patterns set in that era continue to characterize the city. A city resident of the late eighteenth century would know his or her way around the city today." "The Most Intentional City is based extensively on heretofore unused archival sources from central archives in St. Petersburg and Moscow as well as regional archives and manuscript collections. These are flavored with published accounts by Russians as well as foreign residents and visitors from a number of countries, including Great Britain, France, the Netherlands, Italy, and various German states. The rich secondary literature, especially that produced by Russian and Soviet scholars, adds to the interpretation." "It is said that the first wife of Peter the Great once placed a curse on Peter's new city: "May Petersburg be empty!" The city's detractors over the centuries have enumerated many reasons why the city never should have been established and why it should not have grown. Yet grow it did. No other city in the world situated so far north (almost on the sixtieth parallel) is more than a fifth its size. In Catherine's reign the city assumed the vitality, the social and economic strength, the identity in myth and legend, that assured that the curse pronounced against it would remain unfulfilled. The Most Intentional City reveals just how it all took place."--BOOK JACKET.