The Impact of Art on French Literature PDF Download
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Author: Helen Osterman Borowitz
Publisher: University of Delaware Press
ISBN: 9780874132496
Category : Art and literature
Languages : en
Pages : 260
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Book Description
This book traces a direct line of tradition that unites the French precieux novel, Romantic and Symbolist literature, and Proust's novel cycle.
Author: Helen Osterman Borowitz
Publisher: University of Delaware Press
ISBN: 9780874132496
Category : Art and literature
Languages : en
Pages : 260
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Book Description
This book traces a direct line of tradition that unites the French precieux novel, Romantic and Symbolist literature, and Proust's novel cycle.
Author: Helmut Anthony Hatzfeld
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 276
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Book Description
Author: Emilie Sitzia
Publisher: Cambridge Scholars Publishing
ISBN: 1443835919
Category : Art
Languages : en
Pages : 315
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Book Description
The traditional relationship between painting and literature underwent a profound change in nineteenth-century France. Painting progressively asserted its independence from literature as it liberated itself from narrative obligations whilst interrogating the concept of subject matter itself. Simultaneously the influence of art on the writing styles of authors increased and the character of the artist established itself as a recurring motif in French literature. This book offers a panoramic review of the relationship between art and literature in nineteenth-century France. By means of a series of case studies chosen from key moments throughout the nineteenth century, the aim of this study is to provide a focused analysis of specific examples of this relationship, revealing both its multifaceted nature as well as offering a panorama of the development of this on-going and increasingly complex cultural relationship. From Jacques Louis David’s irreverence for classical texts to Victor Hugo’s graphic works, from Edouard Manet’s illustrations to Vincent Van Gogh’s paintings of books, from Honoré de Balzac’s Unknown Masterpiece to Joris-Karl Huysmans’s A Rebours, this interdisciplinary investigation of the links between literature and art in France throws new light on both fields of creative endeavour during a critical phase of France’s cultural history.
Author: Claire Nettleton
Publisher: Springer
ISBN: 3030193454
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
Author: Michael J. Freeman
Publisher: Oxford University Press
ISBN: 9780198159537
Category : Art, French
Languages : en
Pages : 260
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Book Description
Author: Helmut A. Hatzfeld
Publisher:
ISBN:
Category : Art and literature
Languages : en
Pages : 247
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Book Description
Author: Marie Lathers
Publisher: U of Nebraska Press
ISBN: 9780803229419
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
To the time-honored myth of the artist creating works of genius in isolation, with nothing but inspiration to guide him, art historians have added the mitigating influences of critics, dealers, and the public. Bodies of Art completes the picture by adding the model. This lively look at atelier politics through the lens of literature focuses in particular on the female model, with special attention to her race, ethnicity, and class. The result is a suggestive account of the rise and fall of the female model in nineteenth-century realism, with a final emphasis on the passage of the model into photography at the turn of the century. This history of the model begins in nineteenth-century Paris, where the artist?model dynamic was regularly debated by writers and where the most important categories of models appear to be Jewish, Italian, and Parisian women. Bodies of Art traces an evolution in the representation of this model in realist and naturalist literary works from her "birth" in Balzac to her "death" in Maupassant, in the process revealing how she played a key role in theories of representation advanced by writers. Throughout the book, Marie Lathers connects the artist's work to the social realities and actual bodies that surround and inhabit the atelier. Her work shows how much the status of the model can tell us about artistic practices during the century of the birth of modernity.
Author: Helmut Anthony Hatzfeld
Publisher: Forgotten Books
ISBN: 9780484479752
Category :
Languages : en
Pages : 0
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Book Description
Excerpt from Literature Through Art: A New Approach to French Literature To the literary historian, a history of French literature in which art is used as the key to a better and deeper understanding of literature will be of primary concern. The art historian, on the other hand, will take the 0p posite view wishing to see art elucidated by other forms of expression. To us the paramount problem is the comparative analysis and appreciation of texts and pictures in their details. For this purpose the historian must also be a philologist and a critic, i.e. One who can analyze both texts and pictures with correctness and taste. Therefore philologist and critic must be under stood here in a double sense; first, factually, in regard to interpretation and iconography and second, formally, in regard to stylistics and formal de scription. From a methodological point of view, philology is involved in yet an other sense. It is gratifying to see that the text-bound analytical, and stylistic method in literary history as used here, and as Opposed to the traditionally vague, synthetic, and persuasive method, finds even on the non-compara tive level enthusiastic support from the analysts of literary style. It is they who have called for a change in the way of literary history. The method of explication de textes has been used for some years for historical purposes in the sense that the new literary history in the making is considered to be composed of single layers of interpreted texts as encountered in successive epochs. It is this method that is used here on a comparative basis, the ex plications de textes having been supplemented by the explications de tableaux. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: BRILL
ISBN: 9401200807
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
The French Revolution of 1789 altered the face of power and the institutions it inhabited in France, and the aftershocks of this seismic change rippled throughout the nineteenth century. With power changing hands between monarchy, empires and republics in quick succession, the nature of power, both personal and political, and institutions, both real and metaphorical, was constantly being redefined, argued over and fought for. This volume provides innovative analyses of nineteenth-century power relations in France across a series of interlinked spheres: artistic, literary, cultural, political, scientific and topographical. Its seventeen chapters trace the direct impact of politics and the shifting power of regimes on the creative arts, and explore power relations in a wide range of contexts including novels, sculpture, painting, education, religion, science, museums and exhibitions across a wide geographical area from Paris to the provinces, southern France and the colonies. The contributors, all experts in their fields, assess the evolving relationship between institutions and power in nineteenth-century France, exploring how the nation debates its past, negotiates its present and, as the foundation of the Third Republic ushers in a period of relative stability, sets about creating its common future.
Author: David Coward
Publisher: Ardent Media
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 376
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Book Description
This magnificent volume provides a complete history of the literature of France from its origins to the present day, taking us beyond traditional definitions of 'literature' into the world of the best-seller and, beyond words, to graphic fiction and cinema. Presents a definitive history of the literature of France from its origins to the present day. Incorporates coverage of Francophone writing in Europe, Canada, the West Indies and North and Sub-Saharan Africa. Links the development of literature to the mentalities and social conditions which produced it. Takes us beyond "literature" to study graphic fiction, cinema and the bestseller. Maps the rise of the Intellectual, and in so doing charts a progression from literary doctrine to critical theory.
