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Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 364
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Book Description
Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 364
Get Book Here
Book Description
Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 404
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Book Description
Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 426
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Book Description
Author: John Williams
Publisher: Harvey Miller
ISBN:
Category : Bible
Languages : en
Pages : 326
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Book Description
The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.
Author: Seiichi Suzuki
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110788179
Category : History
Languages : en
Pages : 726
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Book Description
The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.
Author: John Williams
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.
Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 330
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Book Description
Author: Inés Monteira
Publisher: Taylor & Francis
ISBN: 104022671X
Category : Art
Languages : en
Pages : 243
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Book Description
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Author: John Williams
Publisher: Amsterdam University Press
ISBN: 9048530016
Category : History
Languages : en
Pages : 293
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Book Description
Never before have all twenty-nine illustrated copies of the Beatus Commentaries on the Apocalypse been brought together for comparative analysis in a single volume. John Williams, renowned expert on the Commentaries, offers here his updated considerations on the material, revising and summing up a lifetime of study on these strikingly illuminated manuscripts. Dating from the early to central Middle Ages, the Spanish phenomenon of the Commentary on the Apocalypse responded to differing monastic needs within the shifting context of the Middle Ages. The volume also presents an in-depth study of the recently discovered Geneva Beatus. One of only three Commentaries written outside the Iberian Peninsula, this manuscript closely follows a Spanish model but was written in a Beneventan script and painted in a style dramatically different from the original.
Author:
Publisher: BRILL
ISBN: 9047443195
Category : History
Languages : en
Pages : 340
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Book Description
In scope, this book matches The History of Cartography, vol. 1 (1987) edited by Brian Harley and David Woodward. Now, twenty years after the appearance of that seminal work, classicists and medievalists from Europe and North America highlight, distill and reflect on the remarkably productive progress made since in many different areas of the study of maps. The interaction between experts on antiquity and on the Middle Ages evident in the thirteen contributions offers a guide to the future and illustrates close relationships in the evolving practice of cartography over the first millennium and a half of the Christian era. Contributors are Emily Albu, Raymond Clemens, Lucy Donkin, Evelyn Edson, Tom Elliott, Patrick Gauthier Dalché, Benjamin Kedar, Maja Kominko, Natalia Lozovsky, Yossef Rapoport, Emilie Savage-Smith, Camille Serchuk, Richard Talbert, and Jennifer Trimble.
