Author: Robert Holland
Publisher: Routledge
ISBN: 1317988647
Category : History
Languages : en
Pages : 242
Book Description
This book explores the phenomenon of Independence Days. These rituals had complex meanings both in the territories concerned and in Britain as the imperial metropole, where they were extensively reported in the press. The text is concerned with the political management, associated rhetoric and iconography of these seminal celebrations. The focus is therefore very much on political culture in a broad sense, and changing perceptions and presentations over time. Highlights of the book include an overview by David Cannadine relating the topic to ornamentalism, invented tradition and transitions in British culture. Although the book is mainly concerned with the British Empire, Martin Shipway – a leading historian and cultural analyst of French decolonization – contributes an acute summary of how the same ‘moment’ was handled differently in the other great European empires. There are detailed and lively studies by noted specialists of the immediate coming of Independence to India/Pakistan, Malaya, Ghana, Zimbabwe, and Guyana. The book includes a thematic focus on the important role of representatives of the British monarchy in legitimating transfers of sovereignty at their point of climax. This book was published as a special issue of The Round Table.
The Iconography of Independence
Author: Robert Holland
Publisher: Routledge
ISBN: 1317988647
Category : History
Languages : en
Pages : 242
Book Description
This book explores the phenomenon of Independence Days. These rituals had complex meanings both in the territories concerned and in Britain as the imperial metropole, where they were extensively reported in the press. The text is concerned with the political management, associated rhetoric and iconography of these seminal celebrations. The focus is therefore very much on political culture in a broad sense, and changing perceptions and presentations over time. Highlights of the book include an overview by David Cannadine relating the topic to ornamentalism, invented tradition and transitions in British culture. Although the book is mainly concerned with the British Empire, Martin Shipway – a leading historian and cultural analyst of French decolonization – contributes an acute summary of how the same ‘moment’ was handled differently in the other great European empires. There are detailed and lively studies by noted specialists of the immediate coming of Independence to India/Pakistan, Malaya, Ghana, Zimbabwe, and Guyana. The book includes a thematic focus on the important role of representatives of the British monarchy in legitimating transfers of sovereignty at their point of climax. This book was published as a special issue of The Round Table.
Publisher: Routledge
ISBN: 1317988647
Category : History
Languages : en
Pages : 242
Book Description
This book explores the phenomenon of Independence Days. These rituals had complex meanings both in the territories concerned and in Britain as the imperial metropole, where they were extensively reported in the press. The text is concerned with the political management, associated rhetoric and iconography of these seminal celebrations. The focus is therefore very much on political culture in a broad sense, and changing perceptions and presentations over time. Highlights of the book include an overview by David Cannadine relating the topic to ornamentalism, invented tradition and transitions in British culture. Although the book is mainly concerned with the British Empire, Martin Shipway – a leading historian and cultural analyst of French decolonization – contributes an acute summary of how the same ‘moment’ was handled differently in the other great European empires. There are detailed and lively studies by noted specialists of the immediate coming of Independence to India/Pakistan, Malaya, Ghana, Zimbabwe, and Guyana. The book includes a thematic focus on the important role of representatives of the British monarchy in legitimating transfers of sovereignty at their point of climax. This book was published as a special issue of The Round Table.
The Art and Making of Independence Day Resurgence
Author: Simon Ward
Publisher: Titan Books
ISBN: 9781785651373
Category : Apocalypse in motion pictures
Languages : en
Pages : 0
Book Description
The Art & Making of Independence Day Resurgence takes readers from the aftermath of the 6 invasion, through the rebuilding of the planet, and the new, terrifying threat about to hit Earth. From sketch to screen, the book delves into the design and creation of the colossal spaceships, aliens, vehicles and fighter planes, weaponry, and the new characters defending the world. This official companion is packed with incredible concept art, costume design, behind-the-scenes photography, and exclusive interviews with cast and crew including Jeff Goldblum and director Roland Emmerich.
Publisher: Titan Books
ISBN: 9781785651373
Category : Apocalypse in motion pictures
Languages : en
Pages : 0
Book Description
The Art & Making of Independence Day Resurgence takes readers from the aftermath of the 6 invasion, through the rebuilding of the planet, and the new, terrifying threat about to hit Earth. From sketch to screen, the book delves into the design and creation of the colossal spaceships, aliens, vehicles and fighter planes, weaponry, and the new characters defending the world. This official companion is packed with incredible concept art, costume design, behind-the-scenes photography, and exclusive interviews with cast and crew including Jeff Goldblum and director Roland Emmerich.
The Truth about Empire
Author: Alan Lester
Publisher: Oxford University Press
ISBN: 191172309X
Category : History
Languages : en
Pages : 396
Book Description
The Truth About Empire comes from expert historians who believe that the truth, as far as we can pinpoint it, matters; that our decades of painstaking research make us worth listening to; and that our authority as leading professionals should count for something in today's polarised debates over Britain's imperial past. In the culture wars, the public's understanding of colonial history is continually distorted by wilful caricatures. With their fight to highlight Empire's horrors, communities whose voices once went unheard have alienated many who would prefer a celebratory national history. The backlash, orchestrated by elements of the media, has produced a concerted denial of British imperial racism and violence--a disinformation campaign sharing both tactics and motivations with those around Covid, Brexit and climate change. From Australia and China to India and South Africa, this essay collection is an accessible guide to the British Empire, and a shield against the assault on historical truth. The disturbing stories told in these pages, of Empire's culture, politics and economics, show why professional research matters, when deciding what can and cannot be known about Britain's colonial past.
Publisher: Oxford University Press
ISBN: 191172309X
Category : History
Languages : en
Pages : 396
Book Description
The Truth About Empire comes from expert historians who believe that the truth, as far as we can pinpoint it, matters; that our decades of painstaking research make us worth listening to; and that our authority as leading professionals should count for something in today's polarised debates over Britain's imperial past. In the culture wars, the public's understanding of colonial history is continually distorted by wilful caricatures. With their fight to highlight Empire's horrors, communities whose voices once went unheard have alienated many who would prefer a celebratory national history. The backlash, orchestrated by elements of the media, has produced a concerted denial of British imperial racism and violence--a disinformation campaign sharing both tactics and motivations with those around Covid, Brexit and climate change. From Australia and China to India and South Africa, this essay collection is an accessible guide to the British Empire, and a shield against the assault on historical truth. The disturbing stories told in these pages, of Empire's culture, politics and economics, show why professional research matters, when deciding what can and cannot be known about Britain's colonial past.
Images of Power
Author: Jens Andermann
Publisher: Berghahn Books
ISBN: 9781845452124
Category : Art
Languages : en
Pages : 320
Book Description
In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state. Jens Andermann is a Lecturer in Latin American Studies at Birkbeck College, London, and co-editor of the Journal of Latin American Cultural Studies. Among his publications are Mapas de poder: una arqueología literaria del espacio argentino (Rosario, 2000) and articles for major journals in Argentina, Brazil, Europe and the US. William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book Memory and Modernity: Popular Culture in Latin America (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are Poets of Contemporary Latin America: History and the Inner Life (Oxford, 2000) and Ensayos vallejianos (Berkeley and Lima, 2006).
Publisher: Berghahn Books
ISBN: 9781845452124
Category : Art
Languages : en
Pages : 320
Book Description
In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state. Jens Andermann is a Lecturer in Latin American Studies at Birkbeck College, London, and co-editor of the Journal of Latin American Cultural Studies. Among his publications are Mapas de poder: una arqueología literaria del espacio argentino (Rosario, 2000) and articles for major journals in Argentina, Brazil, Europe and the US. William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book Memory and Modernity: Popular Culture in Latin America (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are Poets of Contemporary Latin America: History and the Inner Life (Oxford, 2000) and Ensayos vallejianos (Berkeley and Lima, 2006).
Jefferson and the Iconography of Romanticism
Author: M. Kelsall
Publisher: Springer
ISBN: 0230378749
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Jefferson and the Iconography of Romanticism is the first full-length study to examine how Jefferson, in the process of inventing the USA as the first new nation of the Romantic era, sought to find an appropriate imagery to represent the people, their homeland and the cultural ideal to which they should aspire. It examines in detail the role of his villa at Monticello in embodying the national ideal, shows how those ideals emerged and how they were subsequently challenged by the reinterpretation of Jefferson's iconography.
Publisher: Springer
ISBN: 0230378749
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Jefferson and the Iconography of Romanticism is the first full-length study to examine how Jefferson, in the process of inventing the USA as the first new nation of the Romantic era, sought to find an appropriate imagery to represent the people, their homeland and the cultural ideal to which they should aspire. It examines in detail the role of his villa at Monticello in embodying the national ideal, shows how those ideals emerged and how they were subsequently challenged by the reinterpretation of Jefferson's iconography.
Decolonisation, Identity and Nation in Rhodesia, 1964-1979
Author: David Kenrick
Publisher: Springer Nature
ISBN: 3030326985
Category : History
Languages : en
Pages : 289
Book Description
This book explores concepts of decolonisation, identity, and nation in the white settler society of Rhodesia (now Zimbabwe) between 1964 and 1979. It considers how white settlers used the past to make claims of authority in the present. It investigates the white Rhodesian state’s attempts to assert its independence from Britain and develop a Rhodesian national identity by changing Rhodesia’s old colonial symbols, and examines how the meaning of these national symbols changed over time. Finally, the book offers insights into the role of race in Rhodesian national identity, showing how portrayals of a ‘timeless’ black population were highly dependent upon circumstance and reflective of white settler anxieties. Using a comparative approach, the book shows parallels between Rhodesia and other settler societies, as well as other post-colonial nation-states and even metropoles, as themes and narratives of decolonisation travelled around the world.
Publisher: Springer Nature
ISBN: 3030326985
Category : History
Languages : en
Pages : 289
Book Description
This book explores concepts of decolonisation, identity, and nation in the white settler society of Rhodesia (now Zimbabwe) between 1964 and 1979. It considers how white settlers used the past to make claims of authority in the present. It investigates the white Rhodesian state’s attempts to assert its independence from Britain and develop a Rhodesian national identity by changing Rhodesia’s old colonial symbols, and examines how the meaning of these national symbols changed over time. Finally, the book offers insights into the role of race in Rhodesian national identity, showing how portrayals of a ‘timeless’ black population were highly dependent upon circumstance and reflective of white settler anxieties. Using a comparative approach, the book shows parallels between Rhodesia and other settler societies, as well as other post-colonial nation-states and even metropoles, as themes and narratives of decolonisation travelled around the world.
Action Speaks Louder
Author: Eric Lichtenfeld
Publisher: Wesleyan University Press
ISBN: 9780819568014
Category : Performing Arts
Languages : en
Pages : 408
Book Description
An authoritative and entertaining history of the action film
Publisher: Wesleyan University Press
ISBN: 9780819568014
Category : Performing Arts
Languages : en
Pages : 408
Book Description
An authoritative and entertaining history of the action film
Patriotic Envelopes of the Civil War
Author: Steven R. Boyd
Publisher: LSU Press
ISBN: 0807137960
Category : Antiques & Collectibles
Languages : en
Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Publisher: LSU Press
ISBN: 0807137960
Category : Antiques & Collectibles
Languages : en
Pages : 169
Book Description
During the Civil War, private printers in both the North and South produced a vast array of envelopes featuring iconography designed to promote each side's war effort. Many of these "covers" featured depictions of soldiers, prominent political leaders, Union or Confederate flags, Miss Liberty, Martha Washington, or even runaway slaves -- at least fifteen thousand pro-Union and two hundred fifty pro-Confederate designs appeared between 1861 and 1865. In Patriotic Envelopes of the Civil War, the first book-length analysis of these covers, Steven R. Boyd explores their imagery to understand what motivated soldiers and civilians to support a war far more protracted and destructive than anyone anticipated in 1861. Northern envelopes, Boyd shows, typically document the centrality of the preservation of the Union as the key issue that, if unsuccessful, would lead to the destruction of United States, its Constitution, and its way of life. Confederate covers, by contrast, usually illustrate a competing vision of an independent republic free of the "tyranny" of the United States. Each side's flags and presidents symbolize these two rival viewpoints. Images of presidents Davis and Lincoln, often portrayed as contestants in a boxing match, personalized the contest and served to rally citizens to the cause of southern independence or national preservation. In the course of depicting the events of the period, printers also revealed the impact of the war on females and African Americans. Some envelopes, for example, featured women on the home front engaging in a variety of patriotic tasks that would have been almost unthinkable before the war. African Americans, on the other hand, became far more visible in American popular culture, especially in the North, where Union printers showed them pursuing their own liberation from southern slavery. With more than 180 full-color illustrations, Patriotic Envelopes of the Civil War is a nuanced and fascinating examination of Civil War iconography that moves a previously overlooked source from the periphery of scholarly awareness into the ongoing analysis of America's greatest tragedy.
Edna O'Brien and the Art of Fiction
Author: Maureen O'Connor
Publisher: Rutgers University Press
ISBN: 1684483352
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Edna O'Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world's best-selling and most prolific contemporary authors. This study considers the pioneering ways O'Brien represents women's experience, family relationships, the natural world, sex, creativity, and death, and her work's long anticipation of movements such as #metoo.
Publisher: Rutgers University Press
ISBN: 1684483352
Category : Literary Criticism
Languages : en
Pages : 181
Book Description
Edna O'Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world's best-selling and most prolific contemporary authors. This study considers the pioneering ways O'Brien represents women's experience, family relationships, the natural world, sex, creativity, and death, and her work's long anticipation of movements such as #metoo.
How a Revolutionary Art Became Official Culture
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Publisher: Duke University Press
ISBN: 0822350378
Category : Art
Languages : en
Pages : 249
Book Description
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.