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Author: Ned O'Gorman
Publisher: University of Chicago Press
ISBN: 022631023X
Category : History
Languages : en
Pages : 268
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Book Description
Bloody and fiery spectacles in American public life, from the 1960s to the present, have given us moments of catastrophe that easily answer to the question of where-were-you-when, events that shape our ways of seeing the Cold War and after. Three such iconic catastrophes are the John F. Kennedy assassination, the response by Ronald Reagan to the Challenger disaster, and 9/11. Why are these spectacles so packed with meaning? They are images of destruction, raising the questions for us of where their power comes from, what sort of history might they construct, what sort of world do they destroy. O Gorman approaches each one as an icon of iconoclasm, as an exemplar of fiery demise that gives us a distinct way to imagine social existence in American life. Here is his argument: in the 50 years since the Kennedy assassination, a period that witnessed the rise of neoliberalism, the most powerful way for publics to see America was in the destruction of its representative symbols, or icons, because in such catastrophes we grasp the impossibility of any image adequate to representing America. If neoliberalism the emergence of free market economics in social philosophy and public policy is linked with iconoclasm, that is, if neoliberalism promotes and benefits from the destruction of icons, we are led to reconsider events that seem to rupture a given world (catastrophes), or are beyond representation (the economy). Market ideology moves to a transcendent realm of invisible principles that can escape accountability and command sacrifice. The core arguments are challenging (indeed, iconoclastic), but this book will put a whole new kind of spotlight on neoliberalism and on the status of the image (and visual representation) in American political culture. The results are stunning: richly interwoven philosophical, theological, and rhetorical traditions turn out to be a basis for a complex and innovative approach to Cold War America, political theory, and visual culture studies."
Author: Ned O'Gorman
Publisher: University of Chicago Press
ISBN: 022631023X
Category : History
Languages : en
Pages : 268
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Book Description
Bloody and fiery spectacles in American public life, from the 1960s to the present, have given us moments of catastrophe that easily answer to the question of where-were-you-when, events that shape our ways of seeing the Cold War and after. Three such iconic catastrophes are the John F. Kennedy assassination, the response by Ronald Reagan to the Challenger disaster, and 9/11. Why are these spectacles so packed with meaning? They are images of destruction, raising the questions for us of where their power comes from, what sort of history might they construct, what sort of world do they destroy. O Gorman approaches each one as an icon of iconoclasm, as an exemplar of fiery demise that gives us a distinct way to imagine social existence in American life. Here is his argument: in the 50 years since the Kennedy assassination, a period that witnessed the rise of neoliberalism, the most powerful way for publics to see America was in the destruction of its representative symbols, or icons, because in such catastrophes we grasp the impossibility of any image adequate to representing America. If neoliberalism the emergence of free market economics in social philosophy and public policy is linked with iconoclasm, that is, if neoliberalism promotes and benefits from the destruction of icons, we are led to reconsider events that seem to rupture a given world (catastrophes), or are beyond representation (the economy). Market ideology moves to a transcendent realm of invisible principles that can escape accountability and command sacrifice. The core arguments are challenging (indeed, iconoclastic), but this book will put a whole new kind of spotlight on neoliberalism and on the status of the image (and visual representation) in American political culture. The results are stunning: richly interwoven philosophical, theological, and rhetorical traditions turn out to be a basis for a complex and innovative approach to Cold War America, political theory, and visual culture studies."
Author: Gregory Berns
Publisher: Harvard Business Press
ISBN: 1422133303
Category : Business & Economics
Languages : en
Pages : 263
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Book Description
Through vivid accounts of successful innovators ranging from glass artist Dale Chihuly to physicist Richard Feynman to the country/rock trio the Dixie Chicks, Berns reveals the inner workings of the iconoclast’s mind with remarkable clarity. Each engaging chapter goes on to describe practical actions we can each take to understand and unleash our own potential to think differently—such as seeking out new environments, novel experiences, and first-time acquaintances.
Author: Elena N. Boeck
Publisher: Cambridge University Press
ISBN: 1107085810
Category : Art
Languages : en
Pages : 337
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Book Description
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
Author: Leslie Brubaker
Publisher: Routledge
ISBN: 1351953656
Category : History
Languages : en
Pages : 405
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Book Description
Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has long held a firm grip on the historical imagination. Byzantium in the Iconoclast Era is the first book in English to survey the original sources crucial for a modern understanding of this most elusive and fascinating period in medieval history. It is also the first book in any language to cover both the written and the visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors, an art historian and a historian who both specialise in the period, have worked together to provide a comprehensive overview of the visual and the written materials that together help clarify the complex issues of iconoclasm in Byzantium.
Author: Patricia Cox Miller
Publisher: University of Pennsylvania Press
ISBN: 0812204689
Category : Religion
Languages : en
Pages : 273
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Book Description
With few exceptions, the scholarship on religion in late antiquity has emphasized its tendencies toward transcendence, abstraction, and spirit at the expense of matter. In The Corporeal Imagination, Patricia Cox Miller argues instead that ancient Christianity took a material turn between the fourth and seventh centuries. During this period, Miller contends, there occurred a major shift in the ways in which the human being was oriented in relation to the divine, a shift that reconfigured the relationship between materiality and meaning in a positive direction. The Corporeal Imagination is a groundbreaking investigation into the theological poetics of material substance in late ancient Christian texts. From hagiographies to literary descriptions of sacred paintings to treatises on relics and theurgy, Miller examines a wide variety of ancient texts to reveal how Christian writers increasingly described the matter of the world as invested with divine power. By appealing to the reader's sensory imagination, Christian texts endowed phenomena like relics, saints' bodies in hagiography, and saints' presence in icons with a visual and tactile presence. The book draws on a variety of contemporary theoretical models to elucidate the significance of all these materials in ancient religious life and imagination.
Author: Douglas Kahn
Publisher: Mit Press
ISBN: 9780262611046
Category : Art
Languages : en
Pages : 452
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Book Description
By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century," including the fantastic acoustic scenarios projected through the writings of Raymond Roussel, the "gap music" of Marcel Duchamp, the varied sonic activities of the early Russian avant-garde and of French Surrealism, the language labyrinths constructed by the producers of New German Horspiel, and the cut-up ventriloquism of William S. Burroughs. Approaches in the essays vary from detailed historical reconstructions to more speculative theory, providing a rich chorus of challenges to the culturally entrenched "regime of the visual." Supporting documents include F.T. Marinetti's explosive manifesto on the aesthetics of Futurist radio and the full text of Antonin Artaud's blistering radio performance, To Have Done with the Judgment of God.
Author: Nico Carpentier
Publisher: Intellect (UK)
ISBN: 9781789384550
Category :
Languages : en
Pages : 144
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Book Description
A visual sociology of statues and commemoration sites in Cyprus. The book combines photography and written text to analyze the role of memorials and commemoration sites in the construction of antagonistic nationalism. Taking Cypriot memorializations as a case study, the book shows how these memorials often support, but sometimes also undermine, the discursive-material assemblage of nationalism.
Author: Roland Betancourt
Publisher: Cambridge University Press
ISBN: 1108667708
Category : History
Languages : en
Pages : 420
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Book Description
Considering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.
Author: Kenneth Holmqvist
Publisher: Cambridge Scholars Publishing
ISBN: 1443803901
Category : Psychology
Languages : en
Pages : 185
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Book Description
The book Infinity in Language is a research monograph on the problem of the sublime in language. The authors use methods from cognitive semantics and poetics in order to thoroughly describe how the sublime is used in language. It is a unique attempt to account for one of the most fascinating problems of the human mind: the concept of infinity, and how the experience of infinity and enthusiasm is expressed in language. The book includes new findings in cognitive semantics relating to rhetorical figures such as hyperbole, gradation and accumulation. Cognitive semantics has focused so far on metaphor. This book fills the gap and gives an account of other rhetorical figures. It contains also a historical review of major theories of the sublime by Pseudo-Longinos, Boileau, Burke, Kant, Schiller, Hegel, Schopenhauer, Nietzsche and others, i.e. it spans a period from the first century AD till twentieth century. The authors answer the question how is it possible to present the unpresentable. It is an attempt to outline and develop a model of the rhetoric of the sublime. The model consists of three elements: antimimetic evocation of the unimaginable, a mimesis of emotions and figures of the discourse of the sublime. The books argues in favour of non-cartesian semantics which takes into account not only reason but also emotions, especially very intensive ones. However, the authors also express reservations regarding omnipresent rhetoric of the sublime. They follow those thinkers in the human history who argued against fanaticism and in favour of tolerance and empathy. The book is an original result of an interdisciplinary and international collaboration, lasting many years, between a cognitive scientist and a linguist and literary scholar.
Author: Charles Athanasopoulos
Publisher: Springer Nature
ISBN: 303166924X
Category :
Languages : en
Pages : 245
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Book Description
