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Author: Egon Sendler
Publisher: Oakwood Publications
ISBN: 9781879038073
Category : Art
Languages : en
Pages : 283
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Book Description
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
Author: Egon Sendler
Publisher: Oakwood Publications
ISBN: 9781879038073
Category : Art
Languages : en
Pages : 283
Get Book Here
Book Description
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
Author: Hilda Kleiman
Publisher: Wipf and Stock Publishers
ISBN: 149824033X
Category : Religion
Languages : en
Pages : 142
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Book Description
The Ecumenical Work of the Icon is an invitation to the students and faculties of Catholic seminaries to be a part of the tradition of the icon through the lens of ecumenis. With a view of ecumenism as lived in both the Roman Catholic and Orthodox traditions, the visual theological language of the icon may be engaged more fully and respectfully, thus enriching the theological education and future ministry of those who learn and teach in a Catholic setting. In the third portion of the book, readers are offered multiple practical pedagogical examples of how to integrate teaching and learning about the icon into seminary courses and beyond, including writing assignments, oral presentations, and hands-on activities.
Author: Léonide Ouspensky
Publisher: St Vladimir's Seminary Press
ISBN: 091383677X
Category : Christianity and art
Languages : en
Pages : 236
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Book Description
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
Author: Henri J. M. Nouwen
Publisher: Ave Maria Press
ISBN: 1594715092
Category : Religion
Languages : en
Pages : 136
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Book Description
This twentieth anniversary edition (more than 111,000 copies sold) brings Henri J.M. Nouwen's writings on Eastern Orthodox icons to a new generation and adds to the Nouwen collection published by Ave Maria Press. With a foreword by Br. Robert Lentz, a well-known painter of contemporary icons, this classic Nouwen book invites readers to pray with four Russian icons with their eyes open by emphasizing seeing or gazing, which are at the heart of Eastern spirituality. Nouwen's meditations reveal his viewing of the icons not as decorations, but holy places. The book includes four full-color icons for private contemplation or meditation.
Author: Egon Sendler
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
A comprehensive study of the theology of the Icon and its history, the aesthetics of the Icon and its structures, and the techniques and steps to paint an Icon, this book contains more than 100 color and black-and-white photos and a similar number of drawings which show the technical details and preparations of painting an Icon, from pigment colors to selection of wood.
Author: Marie-José Mondzain
Publisher: Stanford University Press
ISBN: 9780804741019
Category : Art
Languages : en
Pages : 284
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Book Description
This book argues that the extraordinary force of the image in contemporary life?the contemporary imaginary?can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries.
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
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Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Author: Robert S. Nelson
Publisher: Getty Trust Publications: J. P
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Isolated in the remote Egyptian desert, at the base of Mount Sinai, sits the oldest continuously inhabited monastery in the Christian world. The Holy Monastery of Saint Catherine at Sinai holds the most important collection of Byzantine icons remaining today. This catalogue, published in conjuction with the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on view at the J. Paul Getty Museum from November 14, 2006, to March 4, 2007, features forty-three of the monastery's extremely rare--and rarely exhibited--icons and six manuscripts still little-known to the world at large. The exhibition and catalogue bring to life the central role of the icon in Byzantine religious practices. Themes include the icon's status as holy object, the ways in which the icon sanctified the place of worship, and the monks' quest for the holy. The Greek Orthodox monastery at Mount Sinai not only functioned as a major pilgrimage site for centuries but was also a cultural crossroads at the center of the shifting sands of ecclesiastical and secular politics. The accompanying essays explore how the monastery's contact with the outside world, through pilgrimage, resulted in aesthetic exchanges between the monastery and Coptic, Crusader, and Islamic art; and between the Greek Orthodox and Roman Catholic communities in Europe.
Author: Stephanie Rumpza
Publisher: Cambridge University Press
ISBN: 100931789X
Category : Religion
Languages : en
Pages : 313
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Book Description
How can something finite mediate an infinite God? Weaving patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-George Gadamer and Jean-Luc Marion, Stephanie Rumpza proposes a new answer to this paradox by offering a fresh and original approach to the Byzantine icon. She demonstrates the power and relevance of the phenomenological method to integrate hermeneutic aesthetics and divine transcendence, notably how the material and visual dimensions of the icon are illuminated by traditional practices of prayer. Rumpza's study targets a problem that is a major fault line in the continental philosophy of religion – the integrity of finite beings I relation to a God that transcends them. For philosophers, her book demonstrates the relevance of a cherished religious practice of Eastern Christianity. For art historians, she proposes a novel philosophical paradigm for understanding the icon as it is approached in practice.
Author: Anthony Ugolnik
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802847829
Category : Religion
Languages : en
Pages : 308
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Book Description
This is a print on demand book and is therefore non- returnable. "In Christ there is no East or West," claims a familiar hymn. But the truth is that American Christians know little about Russian Orthodox Christians and harbor many misconceptions about them. In this revealing book Anthony Ugolnik shows how the thousand-year-old Russian Orthodox tradition actively shapes the life of contemporary Russian Christians, and he points out how Russian Orthodoxy can inform and enrich American Christianity. Ugolnik speaks from a unique perspective: of Russian descent, he is an American Christian who has a strong and genuine personal bond with Russian Christians. Ugolnik begins his discussion by exploring the alienation between Russians and Americans - a cultural and religious alienation that is still very strong today, despite changing rhetoric and glasnost. Americans tend to picture Russian Christians as "cowed and ragged masses"; on the contrary, says Ugolnik, they are "a stalwart, strong community." American Christians also tend to be suspicious about the role of icons in Russian Orthodox worship. But Ugolnik points out that icons are not idols; rather, they are religious objects that "image forth" the majesty of God. This powerful sense of the holy that pervades Russian Orthodoxy could reinvigorate American Christianity. Indeed, the Russian Orthodox have much to offer American Christians, according to Ugolnik. They place a much greater emphasis on community in their life and worship -- an emphasis that could help transform the individualistic faith of many American Christians. Similarly, the Orthodox emphasis on historical and spiritual continuity -- in contrast to the imagery of restoration and revival in Reformation Christianity -- could strengthen the worship and witness of American Christians. And the Orthodox sense of the beautiful -- born of a complex aesthetics that undergirds Russian faith and culture -- could enrich the foundation as well as the expression of American Christianity. In the end, American and Russian Christians share the common dilemma of how to relate to the secular world around them, and the Russian Orthodox emphasis on dialogue and engagement could vitalize the way American Christians live out their faith. In this multifaceted book Ugolnik weaves personal experiences with richly developed explorations of Russian and American belief and incisive observations that draw on the literature, philosophy, theology, and history of both cultures. With both passion and compassion Ugolnik urges Russian and American Christians to look to "the illuminating icon of our incarnate God" for guidance: "Let that icon draw us deep into the mystery of a shared life in the Spirit."
