100 All-Time Favorite Hymns PDF Download
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Author: Rollin Smith
Publisher: Courier Corporation
ISBN: 0486261018
Category : Music
Languages : en
Pages : 114
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Book Description
Specially arranged for organ but playable on any keyboard instrument, this collection features such beloved hymns as A Mighty Fortress Is Our God, Amazing Grace, and more. Features lay-flat sewn binding.
Author: Rollin Smith
Publisher: Courier Corporation
ISBN: 0486261018
Category : Music
Languages : en
Pages : 114
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Book Description
Specially arranged for organ but playable on any keyboard instrument, this collection features such beloved hymns as A Mighty Fortress Is Our God, Amazing Grace, and more. Features lay-flat sewn binding.
Author: Charles Sanford Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
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Book Description
Author: Tim Ruffer
Publisher: Canterbury Press Norwich
ISBN: 9781848257030
Category :
Languages : en
Pages : 0
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Book Description
The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 392
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Book Description
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 640
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Book Description
Author: George Orillo Baclay
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1540059618
Category : Music
Languages : en
Pages : 353
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Book Description
(Organ Folio). This one-of-a-kind collection features 50 accessible organ arrangements of must-know songs: Abide with Me * Battle Hymn of the Republic * City of Stars * Eleanor Rigby * Green Onions * Hallelujah Chorus * It's a Small World * Love Me Tender * Memory * On My Own * The Phantom of the Opera * Sunrise, Sunset * Trumpet Voluntary * Wedding Processional * You Raise Me Up * and more.
Author: Neil Harmon
Publisher:
ISBN: 9781639017959
Category :
Languages : en
Pages :
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Book Description
Hymn arrangements for organ geared toward the beginning organist.
Author:
Publisher:
ISBN:
Category : Organ (Musical instrument)
Languages : en
Pages : 282
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Book Description
Author: Anne Leahy
Publisher: Scarecrow Press
ISBN: 0810881829
Category : Music
Languages : en
Pages : 327
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Book Description
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.
