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Author: Bert Cardullo
Publisher: Peter Lang
ISBN: 9783631613795
Category : Drama
Languages : en
Pages : 244
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Book Description
"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.
Author: Bert Cardullo
Publisher: Peter Lang
ISBN: 9783631613795
Category : Drama
Languages : en
Pages : 244
Get Book Here
Book Description
"This is a collection of ten long essays arranged around the primordial subject of realism and non-realism, or anti-realism, in the drama, as this subject manifests itself in modern Europe and contemporary America from Ibsen to Shaw to the symbolists, expressionists, surrealists, dadaists, futurists, and absurdists. This book treats not only the issue of realism versus anti-realism in theater from a practical as well as a theoretical point of view. It also treats at least two subjects related to this issue: the superfical or bourgeois realism that has long crippled the theater versus the critical and sometimes poetic realism that liberates it; and the avant-garde, the rearguard, and the middle-to-advanced artistic ground in between claimed by Bertolt Brecht and Harold Pinter. Special attention is paid, moreover, to the first thoroughgoing American avant-garde dramatist, Gertrude Stein. In sum, this book treats the subject of realism and non-realism from the point of view of the theater's ability to create not only the illusion of reality onstage, but also the reality of illusion"--Publisher's description, back cover.
Author: Egil Törnqvist
Publisher: Amsterdam University Press
ISBN: 9053564357
Category : Drama
Languages : en
Pages : 270
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Book Description
Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. In this monograph of the play as text and as performance —the first of its kind—Egil Trnqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.
Author: Lise-Lone Marker
Publisher: Cambridge University Press
ISBN: 9780521421218
Category : Drama
Languages : en
Pages : 348
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Book Description
A revised and expanded edition highlights the developments that have occurred in the interim since the first edition with reference to Bergman's triumphant return to the Royal Dramatic Theatre in Stockholm after years of self-imposed exile.
Author: William Chambers
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 840
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Book Description
Author: Egil Törnqvist
Publisher: Amsterdam University Press
ISBN: 9053561374
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between Stage and Screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.
Author: Mrs. Molesworth
Publisher:
ISBN:
Category : Children's stories
Languages : en
Pages : 304
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Book Description
Author: Birgitta Steene
Publisher: Amsterdam University Press
ISBN: 9053564063
Category : Performing Arts
Languages : en
Pages : 1151
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Book Description
Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.
Author: Levi Rawson Taft
Publisher:
ISBN:
Category : Greenhouse management
Languages : en
Pages : 418
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Book Description
Author: Burns Mantle
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 514
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Book Description
Author: Garrison P. Sherwood
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 494
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Book Description
