Author: Mauricio Loza
Publisher: Academic Press
ISBN: 9781680531275
Category : Manipulative behavior
Languages : en
Pages : 432
Book Description
Prelude. Diana, the huntsman and the stag -- Eroticism and magic from the ancient world to the Renaissance -- High tide in the Sea of Pneuma. Animal magnetism and hypnosis -- Eros in the era of the multitudes. Le Bon, Trotter, Freud and the libido of the masses -- From the Land of Oz to the Banana Republic -- Wilhelm Reich's Modern Heresy. Pneuma in fascism and the natural sciences -- Economy, neurosis, and spectacle. Capitalism and magic -- Communalism, cybernetics, and the digital economy -- Marketing, war, and demiurgy -- The digital tide. From real to virtual pneuma -- The polymorphous demon. Magic in the post-Soviet era -- Epilogue. Hounds of hunt, hounds of hell.
The Hounds of Actaeon
Author: Mauricio Loza
Publisher: Academic Press
ISBN: 9781680531275
Category : Manipulative behavior
Languages : en
Pages : 432
Book Description
Prelude. Diana, the huntsman and the stag -- Eroticism and magic from the ancient world to the Renaissance -- High tide in the Sea of Pneuma. Animal magnetism and hypnosis -- Eros in the era of the multitudes. Le Bon, Trotter, Freud and the libido of the masses -- From the Land of Oz to the Banana Republic -- Wilhelm Reich's Modern Heresy. Pneuma in fascism and the natural sciences -- Economy, neurosis, and spectacle. Capitalism and magic -- Communalism, cybernetics, and the digital economy -- Marketing, war, and demiurgy -- The digital tide. From real to virtual pneuma -- The polymorphous demon. Magic in the post-Soviet era -- Epilogue. Hounds of hunt, hounds of hell.
Publisher: Academic Press
ISBN: 9781680531275
Category : Manipulative behavior
Languages : en
Pages : 432
Book Description
Prelude. Diana, the huntsman and the stag -- Eroticism and magic from the ancient world to the Renaissance -- High tide in the Sea of Pneuma. Animal magnetism and hypnosis -- Eros in the era of the multitudes. Le Bon, Trotter, Freud and the libido of the masses -- From the Land of Oz to the Banana Republic -- Wilhelm Reich's Modern Heresy. Pneuma in fascism and the natural sciences -- Economy, neurosis, and spectacle. Capitalism and magic -- Communalism, cybernetics, and the digital economy -- Marketing, war, and demiurgy -- The digital tide. From real to virtual pneuma -- The polymorphous demon. Magic in the post-Soviet era -- Epilogue. Hounds of hunt, hounds of hell.
Ysengrimus
Author: Nivardus
Publisher:
ISBN:
Category : Isengrimus abbreviatus
Languages : de
Pages : 638
Book Description
Publisher:
ISBN:
Category : Isengrimus abbreviatus
Languages : de
Pages : 638
Book Description
Eros and Magic in the Renaissance
Author: Ioan P. Culianu
Publisher: University of Chicago Press
ISBN: 0226123162
Category : History
Languages : en
Pages : 286
Book Description
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Publisher: University of Chicago Press
ISBN: 0226123162
Category : History
Languages : en
Pages : 286
Book Description
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Metamorphoses: Books I-VIII
Author: Ovid
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
Book Description
A Book of Emblems
Author: Andrea Alciati
Publisher: McFarland
ISBN: 0786418079
Category : Art
Languages : en
Pages : 269
Book Description
Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems. The editor's introduction explains both the importance and the cultural contexts of Alciati's book, as well as its innumerable artistic applications. For instance, close study of the emblems reveals--to cite only two examples--why statues of lions are traditionally placed before government buildings, and what underlying political message was conveyed by innumerable equestrian portraits during the Baroque era. The collection includes as an appendix the formerly suppressed emblem, "Adversus Naturam Peccantes," accompanied by a translation of the learned commentary applied to it by Johann Thuilius in 1612. An extensive bibliography points the student to scholarly research specifically dealing with artistic applications of Alciati's emblems. Altogether, this new edition of Alciati's seminal work is an essential tool for modern students of the liberal arts.
Publisher: McFarland
ISBN: 0786418079
Category : Art
Languages : en
Pages : 269
Book Description
Andrea Alciati's Emblematum Liber was an essential work for every writer, artist and scholar in post-medieval Europe. First published in 1531, this illustrated book was a collection of emblems, each consisting of a motto or proverb, a typically enigmatic illustration, and a short explanation. Most of the emblems had symbolic and moral applications. Scholars depended on Alciati's book to interpret contemporary art and literature, while writers and artists turned to it to invest their work with an understood didactic sense. This new edition of the Emblematum Liber includes the original Latin texts, highly readable English translations, and the illustrations belonging to each of the 212 emblems. The editor's introduction explains both the importance and the cultural contexts of Alciati's book, as well as its innumerable artistic applications. For instance, close study of the emblems reveals--to cite only two examples--why statues of lions are traditionally placed before government buildings, and what underlying political message was conveyed by innumerable equestrian portraits during the Baroque era. The collection includes as an appendix the formerly suppressed emblem, "Adversus Naturam Peccantes," accompanied by a translation of the learned commentary applied to it by Johann Thuilius in 1612. An extensive bibliography points the student to scholarly research specifically dealing with artistic applications of Alciati's emblems. Altogether, this new edition of Alciati's seminal work is an essential tool for modern students of the liberal arts.
Hapax
Author: A.E. Stallings
Publisher: Northwestern University Press
ISBN: 0810151715
Category : Poetry
Languages : en
Pages : 104
Book Description
Recipient of the 2008 Poet’s Prize Recipient of the 2008 Benjamin H. Danks Award Hapax is ancient Greek for "once, once only, once and for all," and "onceness" pervades this second book of poems by American expatriate poet A. E. Stallings. Opening with the jolt of "Aftershocks," this book explores what does and does not survive its "gone moment"-childhood ("The Dollhouse"), ancient artifacts ("Implements from the Grave of the Poet"), a marriage's lost moments of happiness ("Lovejoy Street"). The poems also often compare the ancient world with the modern Greece where Stallings has lived for several years. Her musical lyrics cover a range of subjects from love and family to characters and themes derived from classical Greek sources ("Actaeon" and "Sisyphus"). Employing sonnets, couplets, blank verse, haiku, Sapphics, even a sequence of limericks, Stallings displays a seemingly effortless mastery of form. She makes these diverse forms seem new and relevant as modes for expressing intelligent thought as well as charged emotions and a sense of humor. The unique sensibility and linguistic freshness of her work has already marked her as an important, young poet coming into her own.
Publisher: Northwestern University Press
ISBN: 0810151715
Category : Poetry
Languages : en
Pages : 104
Book Description
Recipient of the 2008 Poet’s Prize Recipient of the 2008 Benjamin H. Danks Award Hapax is ancient Greek for "once, once only, once and for all," and "onceness" pervades this second book of poems by American expatriate poet A. E. Stallings. Opening with the jolt of "Aftershocks," this book explores what does and does not survive its "gone moment"-childhood ("The Dollhouse"), ancient artifacts ("Implements from the Grave of the Poet"), a marriage's lost moments of happiness ("Lovejoy Street"). The poems also often compare the ancient world with the modern Greece where Stallings has lived for several years. Her musical lyrics cover a range of subjects from love and family to characters and themes derived from classical Greek sources ("Actaeon" and "Sisyphus"). Employing sonnets, couplets, blank verse, haiku, Sapphics, even a sequence of limericks, Stallings displays a seemingly effortless mastery of form. She makes these diverse forms seem new and relevant as modes for expressing intelligent thought as well as charged emotions and a sense of humor. The unique sensibility and linguistic freshness of her work has already marked her as an important, young poet coming into her own.
The Casual Perfect
Author: Lavinia Greenlaw
Publisher: Faber & Faber
ISBN: 0571260292
Category : Literary Criticism
Languages : en
Pages : 66
Book Description
If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives. Its title recalls a phrase of Robert Lowell's to describe Elizabeth Bishop -- one of the book's presiding spirits, with her insistence on the provisional, on the moment in which perception is formed, on landscape as action rather than description. The Casual Perfect continues Lavinia Greenlaw's explorations of light and the borders of vision, which include a journey to the four corners of Britain to observe the solstices and equinoxes, and a cycle about the East Anglian landscape which is nine-tenths sky. Questions of travel hover around many of these poems, or questions which need to be 'travelled fully' rather than answered -- and which involve the overheard and the glimpsed, what is gleaned from traces and external signs. The result is a collection that is under-stated, spare but inclusive, which invites our presence as readers.
Publisher: Faber & Faber
ISBN: 0571260292
Category : Literary Criticism
Languages : en
Pages : 66
Book Description
If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives. Its title recalls a phrase of Robert Lowell's to describe Elizabeth Bishop -- one of the book's presiding spirits, with her insistence on the provisional, on the moment in which perception is formed, on landscape as action rather than description. The Casual Perfect continues Lavinia Greenlaw's explorations of light and the borders of vision, which include a journey to the four corners of Britain to observe the solstices and equinoxes, and a cycle about the East Anglian landscape which is nine-tenths sky. Questions of travel hover around many of these poems, or questions which need to be 'travelled fully' rather than answered -- and which involve the overheard and the glimpsed, what is gleaned from traces and external signs. The result is a collection that is under-stated, spare but inclusive, which invites our presence as readers.
Gangrel
Author: Chuck Wendig
Publisher: White Wolf Pub
ISBN: 9781588463531
Category : Games
Languages : en
Pages : 125
Book Description
Publisher: White Wolf Pub
ISBN: 9781588463531
Category : Games
Languages : en
Pages : 125
Book Description
The Hounds of Actaeon
Author: Mauricio Loza
Publisher:
ISBN: 9781680531206
Category : Manipulative behavior
Languages : en
Pages : 430
Book Description
Prelude. Diana, the huntsman and the stag -- Eroticism and magic from the ancient world to the Renaissance -- High tide in the Sea of Pneuma. Animal magnetism and hypnosis -- Eros in the era of the multitudes. Le Bon, Trotter, Freud and the libido of the masses -- From the Land of Oz to the Banana Republic -- Wilhelm Reich's Modern Heresy. Pneuma in fascism and the natural sciences -- Economy, neurosis, and spectacle. Capitalism and magic -- Communalism, cybernetics, and the digital economy -- Marketing, war, and demiurgy -- The digital tide. From real to virtual pneuma -- The polymorphous demon. Magic in the post-Soviet era -- Epilogue. Hounds of hunt, hounds of hell.
Publisher:
ISBN: 9781680531206
Category : Manipulative behavior
Languages : en
Pages : 430
Book Description
Prelude. Diana, the huntsman and the stag -- Eroticism and magic from the ancient world to the Renaissance -- High tide in the Sea of Pneuma. Animal magnetism and hypnosis -- Eros in the era of the multitudes. Le Bon, Trotter, Freud and the libido of the masses -- From the Land of Oz to the Banana Republic -- Wilhelm Reich's Modern Heresy. Pneuma in fascism and the natural sciences -- Economy, neurosis, and spectacle. Capitalism and magic -- Communalism, cybernetics, and the digital economy -- Marketing, war, and demiurgy -- The digital tide. From real to virtual pneuma -- The polymorphous demon. Magic in the post-Soviet era -- Epilogue. Hounds of hunt, hounds of hell.
Ovid, Metamorphoses, 3.511-733
Author: Ingo Zissos Andrew Gildenhard
Publisher:
ISBN: 9781013286513
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Publisher:
ISBN: 9781013286513
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.