Author: Thomas Dekker
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
The honest whore. 1604. The second part of the honest whore. 1630
Author: Thomas Dekker
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
The Dramatic Works of Thomas Dekker: The honest whore. 1604. The second part of the honest whore. 1630
Author: Thomas Dekker
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
The Honest Whore
Author: Thomas Dekker
Publisher: Routledge
ISBN: 1135862613
Category : Performing Arts
Languages : en
Pages : 147
Book Description
The two plays included in this volume follow the lives of a princess and a whore. Although set in Italy, this passionate tale of paternal disapproval and sexual deceit savors more of the underworld of Jacobean London with its asylums and prisons, gambling and prostitution.
Publisher: Routledge
ISBN: 1135862613
Category : Performing Arts
Languages : en
Pages : 147
Book Description
The two plays included in this volume follow the lives of a princess and a whore. Although set in Italy, this passionate tale of paternal disapproval and sexual deceit savors more of the underworld of Jacobean London with its asylums and prisons, gambling and prostitution.
The Dramatic Works Of Thomas Dekker: The Honest Whore. 1604. The Second Part Of The Honest Whore. 1630
Author: Thomas Dekker
Publisher: Wentworth Press
ISBN: 9781011495122
Category : Drama
Languages : en
Pages : 406
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9781011495122
Category : Drama
Languages : en
Pages : 406
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
English Drama
Author: Katharine Lee Bates
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 168
Book Description
The Works of Thomas Middleton: Preface
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 432
Book Description
The Works of Thomas Middleton: Preface. Introduction. Blurt, master-constable. The Phœnix. Michaelmas term
Author: Thomas Middleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
The Works of Thomas Middleton
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 436
Book Description
A History of English Dramatic Literature to the Death of Queen Anne
Author: Ward
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
Book Description
The Disguised Ruler in Shakespeare and his Contemporaries
Author: Kevin A. Quarmby
Publisher: Routledge
ISBN: 1317035550
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
Publisher: Routledge
ISBN: 1317035550
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.