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Author: Nancy Lynn Schwartz
Publisher: Backinprint.com
ISBN: 9780595190607
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The story of the battle to form the Screen Writers’ Guild is for the first time told fully and in riveting detail, based on diaries, letters, newspaper clippings, pamphlets, and hundreds of interviews with Hollywood people. Brilliantly recreated is the political turmoil that shattered the Hollywood community through the 1930’s and into the 40’s— leading to House Un-American Activity Committee and the blacklist. “Hollywood of that era has a narcotic fascination for many of us. The book is crammed with compelling movieland figures. The riches Nancy Lynn Schwartz unearthed deserved our attention.” —J. Anthony Lukas, The New York Times Book Review
Author: Nancy Lynn Schwartz
Publisher: Backinprint.com
ISBN: 9780595190607
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
The story of the battle to form the Screen Writers’ Guild is for the first time told fully and in riveting detail, based on diaries, letters, newspaper clippings, pamphlets, and hundreds of interviews with Hollywood people. Brilliantly recreated is the political turmoil that shattered the Hollywood community through the 1930’s and into the 40’s— leading to House Un-American Activity Committee and the blacklist. “Hollywood of that era has a narcotic fascination for many of us. The book is crammed with compelling movieland figures. The riches Nancy Lynn Schwartz unearthed deserved our attention.” —J. Anthony Lukas, The New York Times Book Review
Author: Nancy Lynn Schwartz
Publisher: Alfred A. Knopf
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The story of the battle to form the Screen Writers Guild is here told fully for the first time, based on diaries, letters, newspaper clippings, pamphlets, and hundreds of interviews with Hollywood people. It is told through the voices of the writers, directors, and producers who were there--some of whom were blacklisted, some of whom helped to blacklist, some of whom were never before willing to tell their stories. The political turmoil shattered the Hollywood community through the 1930s and into the 40s, leading to the advent of HUAC and, ultimately, to the blacklist. Throughout, Schwartz makes clear how the larger reverberations of worldwide tumults and shifting balances affected the struggle: the rise of Hitler, the Spanish Civil War, the victory of World War II that brought the Right and Left together in celebration--and the dawn of the Cold War, in which that brief moment of solidarity exploded and the Left-leaning idealism of only a few years before boomeranged into the Red Scare and McCarthyism.--From publisher description.
Author: Cynthia Littleton
Publisher: Syracuse University Press
ISBN: 0815610084
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
TV on Strike examines the upheaval in the entertainment industry by telling the inside story of the hundred-day writers’ strike that crippled Hollywood in late 2007 and early 2008. The television industry’s uneasy transition to the digital age was the driving force behind the most significant labor dispute of the twenty-first century. The strike put a spotlight on how the advent of new-media distribution platforms is reshaping the traditional business models that have governed the television industry for decades. The uncertainty that sent writers out into the streets of Los Angeles and New York with picket signs laid bare the depth of the divide between the media barons who rule the entertainment industry and the writers who are integral as the creators of movies and television shows. With both sides afraid of losing millions in future profits, a critical communication breakdown spurred a fierce battle with repercussions that continue today. The saga of the Writers Guild of America strike is told through the eyes of the key players on both sides of the negotiating table and of the foot soldiers who surprised even themselves with the strength of their resolve to fight for their rights in the face of an ambiguous future. In the years since the strike ended, the rise of digital distribution platforms has changed the business landscape in ways that few could have predicted when Hollywood guilds were feverishly trying to hammer out a contract template for a new era.
Author: Jonathan Handel
Publisher: Jonathan Handel
ISBN: 143823385X
Category : Performing Arts
Languages : en
Pages : 581
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Book Description
It was a Hollywood meltdown ...The Writers Guild went on strike in 2007. The big issue: fees for programs released on new media such as the Internet. The strike was settled one hundred turbulent days later – but then the Screen Actors Guild spiraled out of control, unwilling to accept the same terms but unable to muster a second strike. As the national economy collapsed, idled writers and actors sacrificed millions of dollars in film and TV wages in order to pursue pennies in new media. All told, the turmoil lasted about two years.But why? Analyzing events as they unfolded, Los Angeles entertainment attorney and journalist Jonathan Handel lays bare the contracts, economics and politics swirling behind the paradox of Hollywood labor relations. Handel is a uniquely qualified guide: a former associate counsel at the Writers Guild, his law practice at TroyGould focuses on new media and entertainment. He was described as “one of the most-quoted sources on the strike,” and recently taught a course on entertainment unions and guilds as an adjunct professor at UCLA School of Law. Handel covers entertainment labor as a Contributing Editor for The Hollywood Reporter and his writing also appears on Forbes.com and the Huffington Post. As a commentator, Handel has appeared in the media hundreds of times. The 2007-2009 contracts, so hard fought, brought scant months of labor peace: renegotiations began in 2010, and recur every three years. That makes this book essential reading for anyone who wants to understand Hollywood in the digital age.
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813139325
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title
Author: Miranda J. Banks
Publisher: Rutgers University Press
ISBN: 081357546X
Category : Performing Arts
Languages : en
Pages : 463
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Book Description
Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild. With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.
Author: Clayton R. Koppes
Publisher: Univ of California Press
ISBN: 9780520071612
Category : History
Languages : en
Pages : 404
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Book Description
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Author: Jonathan Rosenbaum
Publisher: Chicago Review Press
ISBN: 1556529937
Category : Social Science
Languages : en
Pages : 242
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Book Description
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Author: Michael Freedland
Publisher: Quarto Publishing Group USA
ISBN: 1781314039
Category : History
Languages : en
Pages : 406
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Book Description
How political paranoia shaped cinema for a decade: “One of the most readable and damning accounts of that period.” —The Guardian This is the story of how the politicians took Tinseltown to task in the late 1940s and 1950s. As the Cold War with the Soviet Union began in earnest, the search for “Reds under the bed,” later led by Senator Joseph McCarthy, was felt most keenly in Hollywood, where the investigations were carried out under the full glare of the spotlights. Painstakingly researched and drawing on numerous exclusive interviews, this book charts the generation of actors who found their livelihood ruined by being blacklisted and the writers forced to hire “fronts” to continue to work; it reveals how Arthur Miller was offered the chance to have his hearing dropped in return for a photo opportunity with Marilyn Monroe; and how Kirk Douglas’s naming of Dalton Trumbo as the writer of Spartacus signaled the end of this extraordinary era. Witch Hunt in Hollywood is the definitive account of how political paranoia shaped cinema for a decade.
Author: Michael Freedland
Publisher: Robson
ISBN:
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
'The irony was that at this time the Communist Party was legal. People were sent to prison for refusing to say if they were communists.' –– Sidney Sheldon It was, in effect, a huge smoke-filled California courtroom, noisy to the point where even the sound of the gavel from the raised desk could barely be heard. It was an unusual courtroom and a very unusual 'defendant'. In the dock was Hollywood itself – placed on trial by the US Congress and, in the summer of 1953, finally coming close to succumbing to a death sentence, a sentence of shame. The UnAmerican Activities Committee finally decided that it had done its job: it had looked for reds under the bed in the film capital and said it had found them. Hollywood was now pronounced 'clean', yet it had never been dirtier. This is the true story of how J. Parnell Thomas, chairman of the Committee (the House of Representatives version of Senator Joseph McCarthy's witchhunts) made a national name for himself by ruining the lives of hundreds of people in the movie industry. Two years later, Thomas would be jailed for embezzling government money but in August 1953 he was riding high. 'Hollywood on Trial' relates the story of the victims of this witchhunt. Through the Committee many of Hollywood's leading lights were denied the right to work. Stars such as Charlie Chaplin and Paul Robeson were denied the passports that would have allowed them to leave America, Oscar-winning writers were forced to give their scripts to noneities to offer in their own names and then shared the proceeds. Humphrey Bogart, Lauren Bacall, Danny Kaye and John Huston went to Washington in defence of the 'Hollywood Ten', the first writers to be blacklisted, yet when Bogart and Bacall were questioned, they too buckled in. The humiliations continued until the end of the Fifties. The scars, however, have remained to this day.
