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Author: Yannis Tzioumakis
Publisher: Bloomsbury Publishing USA
ISBN: 1501337904
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Author: Yannis Tzioumakis
Publisher: Bloomsbury Publishing USA
ISBN: 1501337904
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
Author: Diane Jacobs
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 290
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Book Description
Author: Lennard Dominic Lennard
Publisher: Edinburgh University Press
ISBN: 147444265X
Category : Electronic books
Languages : en
Pages : 416
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Book Description
In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing - a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.
Author: Geoff King
Publisher:
ISBN: 9780231127592
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens. Case studies considered include Taxi Driver, Godzilla, and Gladiator, tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century.
Author: Barry Langford
Publisher: Edinburgh University Press
ISBN: 0748643214
Category : Business & Economics
Languages : en
Pages : 320
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Book Description
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "e;Hollywood"e; - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "e;post-classical."e; Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.
Author: Kennedy Ryan
Publisher: Scribechick Medai, LLC
ISBN:
Category : Fiction
Languages : en
Pages : 7
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Book Description
Award-Winning Wall Street Journal bestselling author Kennedy Ryan launches a brand-new series with a Hollywood tale of wild ambition, artistic obsession, and unrelenting love. One moment in the spotlight . . . For months I stood by, an understudy waiting in the wings, preparing for my time to shine. I never imagined he would watch in the audience that night. Canon Holt. Famous film director. Fascinating. Talented. Fine Before I could catch my breath, everything changed. I went from backstage Broadway to center stage Hollywood. From being unknown, to my name, Neevah Saint, on everyone’s lips. Canon casts me in a star-studded Harlem Renaissance biopic, catapulting me into another stratosphere. But stars shine brightest in the dead of night. Forbidden attraction, scandal and circumstances beyond my control jeopardize my dream. Could this one shot—the role of a lifetime, the love of a lifetime—cost me everything?
Author: Kennedy Ryan
Publisher: 1001 Dark Nights Press
ISBN: 1951812735
Category : Fiction
Languages : en
Pages : 123
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Book Description
Set in the dynamic worlds of professional basketball and entertainment, two of Kennedy Ryan’s most critically-acclaimed series—HOOPs and Hollywood Renaissance—collide in this tale of forbidden romance. I met Nazareth Armstrong when I was eighteen years old. From the beginning, my brother warned me to stay away from him. Told Naz to stay away from me. Our hearts didn’t listen. I shared one magical night under the stars with my brother's rival, thinking it was the start of a once-in-a-lifetime something. But one awful moment ended it all. Years later when we meet again, we’ve both pursued our dreams, lived a little, found success…but never found love. What began as a tiny flame when we were young now threatens to consume us. I’m more drawn to Naz than ever, but his complicated history with my brother makes whatever this could be…nearly impossible. But Naz accepts impossible as a dare. Through his clever maneuvering and dogged determination, I find myself on a yacht with him and his friends cruising through the Mediterranean. It’s a whirlwind set ablaze. Away from reality, surrendering to the tender heat of his touch, I forget that everything could burn. *This is the love story of Takira, who first appears in Reel, book 1 of the Hollywood Renaissance series. Characters from the HOOPS series also make appearances, but you do not have to read any of those books to enjoy this one. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.** Reviews for The Close-Up: “Kennedy Ryan’s gorgeous style coupled with her capacity to draw characters that steal hearts makes her a must-read.” ~ Amy, Professor Romance “Full of desire, joy, heat, romance and passion. Descriptives that are tantalizing. Captivating. Intoxicating. Every romance reader needs this in their lives!” ~ Anita Hot Romance Stories “So good, full of passion and emotion. The author's unique style of narration makes you feel and live the scenes with the characters, definitely a must read for all fans of this author. super recommended.” ~ Vanessa, When Vane Reads “For a taste of the Hoops world and a second chance romance with a side of forbidden, dive into The Close Up. You will LOVE each and every character, but you will definitely fall in love with Naz and Takira's journey to their HEA.” ~ ReadingTilTheBreakOfDawn “Fun, humor, sexiness, friendship, family and loyalty, It's a second chance romance with everything I love.” ~ Kara, Two Book Pushers
Author: Robert Arnett
Publisher: Springer Nature
ISBN: 3030436683
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Neo-Noir as Post-Classical Hollywood Cinema suggests the terms “noir” and “neo-noir” have been rendered almost meaningless by overuse. The book seeks to re-establish a purpose for neo-noir films and re-consider the organization of 60 years of neo-noir films. Using the notion of post-classical, the book establishes how neo-noir breaks into many movements, some based on time and others based on thematic similarities. The combined movements then form a mosaic of neo-noir. The time-based movements examine Transitional Noir (1960s-early 1970s), Hollywood Renaissance Noir in the 1970s, Eighties Noir, Nineties Noir, and Digital Noir of the 2000s. The thematic movements explore Nostalgia Noir, Hybrid Noir, and Remake and Homage Noir. Academics as well as film buffs will find this book appealing as it deconstructs popular films and places them within new contexts.
Author: Denise Mann
Publisher: U of Minnesota Press
ISBN: 145291334X
Category :
Languages : en
Pages : 335
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Book Description
'Hollywood Independents' explores the crucial period between 1948 and 1962 when independent film producers first became key components of the modern corporate entertainment industry. Mann examines their impact, the decline of the studios, the rise of television, and the rise of potent talent agencies such as MCA.
Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 0299247937
Category : Performing Arts
Languages : en
Pages : 382
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Book Description
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
