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Author: Karina Daly
Publisher:
ISBN: 9781846829970
Category : Wexford Festival Opera
Languages : en
Pages : 360
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Book Description
In 1951, the first ever Wexford Opera Festival (now known as 'Wexford Festival Opera') took place in a small town in the southeast corner of Ireland. What started out as an informal gathering of friends listening to gramophone music, developed into one of Europe's leading classical music events. T.J. Walsh, a medical doctor by profession and an amateur musician, was the man whose novel idea it was to start an opera festival from such humble beginnings.This book traces the history of the Festival, from its establishment up to the present day. The uneasy shift from amateur status to becoming a more professional body characterised much of the early life of the Festival. The book looks at the spectacular success of what T.J. Walsh had achieved and follows the story through the difficult period in the 1960s when Walsh felt that the Festival was taking a different direction than had been intended from its inception. He never fully reconciled with the new regime and bowed out to leave way for the growing professional outfit. This difficult transition continued throughout the seventies and into an even more difficult financial period in the 1980s. The core focus however remained on producing an impossibly high standard of opera. The next chapter in the Festival's incredible journey saw the replacement of the original Theatre Royal with a purpose built, state-of-the-art opera house, now Ireland's National Opera House.Wexford Festival Opera remains a truly unique cultural event. That it has managed to survive so many significant challenges over 70 years and continued to flourish is a testament to the incredible efforts of those at the helm and the spirit of resilience that is synonymous with the Wexford community. The History of the Wexford Opera Festival, 1951-2021 has been written for those who have enjoyed Wexford Festival Opera over many years, travelling from all over the world because of their love of little-known operas, the standard of Wexford's Festival repertoire and the unique welcome and atmosphere that is synonymous with Wexford at Festival time.
Author: Karina Daly
Publisher:
ISBN: 9781846829970
Category : Wexford Festival Opera
Languages : en
Pages : 360
Get Book Here
Book Description
In 1951, the first ever Wexford Opera Festival (now known as 'Wexford Festival Opera') took place in a small town in the southeast corner of Ireland. What started out as an informal gathering of friends listening to gramophone music, developed into one of Europe's leading classical music events. T.J. Walsh, a medical doctor by profession and an amateur musician, was the man whose novel idea it was to start an opera festival from such humble beginnings.This book traces the history of the Festival, from its establishment up to the present day. The uneasy shift from amateur status to becoming a more professional body characterised much of the early life of the Festival. The book looks at the spectacular success of what T.J. Walsh had achieved and follows the story through the difficult period in the 1960s when Walsh felt that the Festival was taking a different direction than had been intended from its inception. He never fully reconciled with the new regime and bowed out to leave way for the growing professional outfit. This difficult transition continued throughout the seventies and into an even more difficult financial period in the 1980s. The core focus however remained on producing an impossibly high standard of opera. The next chapter in the Festival's incredible journey saw the replacement of the original Theatre Royal with a purpose built, state-of-the-art opera house, now Ireland's National Opera House.Wexford Festival Opera remains a truly unique cultural event. That it has managed to survive so many significant challenges over 70 years and continued to flourish is a testament to the incredible efforts of those at the helm and the spirit of resilience that is synonymous with the Wexford community. The History of the Wexford Opera Festival, 1951-2021 has been written for those who have enjoyed Wexford Festival Opera over many years, travelling from all over the world because of their love of little-known operas, the standard of Wexford's Festival repertoire and the unique welcome and atmosphere that is synonymous with Wexford at Festival time.
Author: Karina Daly
Publisher: Four Courts Press
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
In 1951, the first ever Wexford Opera Festival (now known as 'Wexford Festival Opera') took place in a small town in the southeast corner of Ireland. What started out as an informal gathering of friends listening to gramophone music, developed into one of Europe's leading classical music events. T.J. Walsh, a medical doctor by profession and an amateur musician, was the man whose novel idea it was to start an opera festival from such humble beginnings. This book traces the history of the Festival, from its establishment up to the present day.
Author: David Staples
Publisher: Routledge
ISBN: 1351052160
Category : Architecture
Languages : en
Pages : 972
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Book Description
Modern Theatres 1950–2020 is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950 – 2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This beautifully illustrated book is also a must-read for architects, theater designers, theatre historians, and theatre practitioners.
Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 0520257405
Category : History
Languages : en
Pages : 812
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Book Description
"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Author: Carl Maria von Weber
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 4
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Book Description
Author: David Walsh
Publisher: Pesda Press
ISBN: 9780953195695
Category : Science
Languages : en
Pages : 226
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Book Description
A wealth of information on the wildlife, stories and history of the islands.For those wishing to visit in small boats or kayaks there are details of:? Landings? Camping? Drinking water? Tidal informationOileain is a detailed guide to almost every Irish offshore island. The guide is comprehensive, describing over 300 islands, big and small, far out to sea and close in by the shore, inhabited and uninhabited. Oileain tells it as it is, rock by rock, good and bad, pleasant and otherwise. It concentrates on landings and access generally, then adds information on camping, drinking water, tides, history, climbing, birds, whales, dolphins, legends or anything else of interest.Oileain will, I hope, appeal to all who go to sea in small boats, divers and yachtsmen as well as kayakers. The sheer level of detail contained in Oileain must surely throw new light on places they thought they knew well. It is not a book about kayaking. It so happens that a practical way of getting to islands is by kayak, and that is how the author gets about. Scuba divers and RIBs get in close too. Yachtsmen get about better than most, and they too enjoy exploring intensively from a dinghy. With the increasing availability of ferries, boatless people will also enjoy Oileain. Offshore islands are the last wilderness in Ireland. Hillwaking is now so popular that there are few untrampled mainland hills. Ninety per cent of offshore islands are uninhabited outside of the first fortnight in August, and eighty per cent even then. You won't meet many other people, if any at all, out beyond an Irish surf line. It is a time of change though, and holiday homes are very much the coming thing in some offshore areas. Sea going will never stop being a great adventure. Therefore, offshore islands are still the preserve of the very few. Now is a golden era for exploration.
Author: Billy Colfer
Publisher:
ISBN:
Category : History
Languages : en
Pages : 256
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Book Description
The book details the origins and growth of Wexford town since its establishment by the Vikings in the early tenth century. The influence of the broader environment on the foundation, expansion and economic development of the town is also examined. Periods covered include the Anglo-Norman, the Cromwellian settlement and eighteenth-century expansion. Detailed sections will include medieval churches, town wall and castle, the 1798 Rebellion and nineteenth-century church expansion. As a maritime town, shipping and trade for the different periods will also be examined. The growth of the town down to the present time will be analyzed by using a series of maps and aerial photographs. Wexford town has a long and rich history, a varied archival record, and a powerful personality embedded in its tight streets. The landscape layers that underpin the town are painstakingly built up, period by period, component by component. The focus of this volume is different from a conventional history because the concentration is on helping the reader to understand how the landscape of the town is evolving. To achieve this understanding in this most cosmopolitan of towns, the book ranges far and wide--from the Viking north to the Mediterranean south, from privateers to navy commodores, from croppies to entrepreneurs. The history of the town leaps into vivid life through four hundred illustrations, including fifty new maps, historic prints, photographs and paintings. The result is a comprehensive treatment of the evolution of Wexford town, understood not just as an abstract pattern of bricks and mortar, but as a real place where people lived and loved, shopped and traded, fell and rose, all the time creating through their accumulated efforts a rich communal fabric. Wexford town has its own distinctive setting on its shallow harbor, its own way of doing things, its own accent, its own inheritance of streets, buildings and spaces. Together, they create the town, whose story is so evocatively recorded here.
Author: Eric Whitacre
Publisher: Chester Music
ISBN: 178323122X
Category : Music
Languages : en
Pages : 11
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Book Description
The Seal Lullaby by Eric Whitacre is a delightful, deceptively simple setting in the form of a lullaby for mixed choir and accompaniment of Rudyard Kipling's poem 'The White Seal'. This full SATB (Soprano, Alto, Tenor, Bass) choral arrangement with Piano accompaniment is accurately transcribed and appears in great quality print, with easy part writing throughout, so that singing this emotive song is as easy as possible. When Eric Whitacre was commissioned to write music for an animated feature, he was so struck by the words of Kipling's lovely poem that he immediately sat down to write a calm and subtle yet musically interesting piece. Unfortunately, the song was not used, but was later commissioned by the Towne Singers, and we are pleased to offer you this Seal Lullaby sheet music.
Author: Kevin Lewis
Publisher: Nonsuch Publishing, Limited
ISBN: 9781845885977
Category : Encyclopedias and dictionaries, Azerbaijani
Languages : en
Pages : 256
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Book Description
What the Doctor ordered
Author: David Clare
Publisher: Oxford University Press
ISBN: 1800859465
Category : History
Languages : en
Pages : 344
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Book Description
This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume One looks at the period from 1716 to 1992, exploring such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.
