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Author: Patrick Joseph McCall
Publisher:
ISBN:
Category : Irish ballads and songs (English)
Languages : en
Pages : 170
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Book Description
Author: Patrick Joseph McCall
Publisher:
ISBN:
Category : Irish ballads and songs (English)
Languages : en
Pages : 170
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Book Description
Author: Aloys Fleischman
Publisher: Routledge
ISBN: 1135810257
Category : Music
Languages : en
Pages : 710
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Book Description
First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.
Author:
Publisher:
ISBN:
Category : Folk songs, Scots
Languages : en
Pages : 200
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Book Description
Author: Samuel Clark
Publisher: Univ of Wisconsin Press
ISBN: 9780299093747
Category : History
Languages : en
Pages : 472
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Book Description
"The strength of this volume cannot be conveyed by an itemisation of its contents; for what it provides is an incisive commentary on the newly-recognised landmarks of Irish agrarian history in the modern period. . . . The importance, even indispensability, of this achievement is compounded by exemplary editing."—Roy Foster, London Times Literary Supplement "As a whole, the volume demonstrates the wealth, complexity, and sophistication of Irish rural studies. The book is essential reading for anyone involved in modern Irish history. It will also serve as an excellent introduction to this rich field for scholars of other peasant communities and all interested in problems of economic and political developments."—American Historical Review "A milestone in the evolution of Irish social history. There is a remarkable consistency of style and standard in the essays. . . . This is truly history from the grassroots."—Timothy P. O'Neill, Studia Hibernica
Author: Royal Scottish Country Dance Society
Publisher:
ISBN:
Category : Country dancing
Languages : en
Pages : 288
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Book Description
Author: Dennis Clark
Publisher: DIANE Publishing Inc.
ISBN: 9781422315019
Category : Social Science
Languages : en
Pages : 64
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Book Description
Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1897 edition. Auszug: ...und England nun schon so lange fortging. Marias Anteil an all den Planen, die Reich und Leben der Feindin bedrohten, steht ausser Zweifel. Diejenige Verschworung, auf Grund deren sie gerichtet worden ist, ist freilich zum einen Teile ein Blendwerk Walsinghams gewesen. Die Verschworung bestand; sie fand bei Maria Gehor und Zustimmung; aber der englische Staatssekretar leitete die Dinge durch Geheimagenten, durch Lockspitzel, nach seinen Zwecken und bis zum aussersten hinan. Alles, was die Gefangene in diesen dunklen Planen that und schrieb, that sie zum Vor teil ihres Todfeindes. Man darf es jetzt als sicher bezeichnen, dass Maria in diesem teuflischen Spiele doch keineswegs bloss das Opfer gewesen ist: wie Mendoza, so war sie in die Mordabsicht eingeweiht und hat diese offenbar gebilligt. Menduza feierte jene Absichten hocherfreut als fehr christ Abb, 50. Don spanisch lich, gerecht, unserem heiligen katholischen Glauben sowie dem Dienste Seiner Majestat nutzlich"; er riet, wie man sich der Flotte, der ketzerischen Minister bemachtigen musse Philipp II. stimmte von Herzen zu. Gewiss, Walfinghams Hande waren nichts weniger als rein; aber er that, was die anderen verdienten, er that es im vollen Sinne dieses furchtbaren geheimen Kampfes des Glaubens und der Macht, und die anderen hatten gern ebenso gehandelt wie er. Im August 1586 zog er das Netz zu. Der Prozess der Maria folgte nach, der geheime Rat, die osfentliche Stimme forderten ihn, der Gerichts hos fprach sie schul, big, ihr Leben war verfallen. Und allzu greifbar war es ja, wie ihr Dasein wirkte; so la
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119653061
Category : Literary Criticism
Languages : en
Pages : 911
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Book Description
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author: Wolfgang Gortschacher
Publisher: John Wiley & Sons
ISBN: 1118843207
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
A comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
Author: Maureen E. Ruprecht Fadem
Publisher: Rowman & Littlefield
ISBN: 1793607079
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Silence and Articulacy in the Poetry of Medbh McGuckian is an innovative contribution to the scholarship on Belfast poet, Medbh McGuckian. This book considers the entire oeuvre of this globally respected Irish woman writer, a member of the contemporary avant-garde with now fifteen (U.S. published) volumes and numerous individual publications. The author positions McGuckian’s oeuvre as political and historical poetry and offers a provocative new assessment of its crafted silences. This work argues that it is the muted character of McGuckian’s poems—a consequence of a defamiliarized language, the overwhelming sway of the image, and a profusion of intertextual quoting—that constitutes their agency and force. The silences are read as a response to the precarious positionality of poet and speaker at the site of “disaster” and the limits of articulacy. In line with Rukeyser’s notion of the life of poetry, the life of McGuckian's silences is located, Fadem argues, in the poems’ production, as revealed self-reflexively, and in their prolonged consumption. This oeuvre operates as a formidable counter-discourse by converting poetry's reception into a much protracted task that redistributes the temporal economy of poem and reader and disrupts the given structures of time, place, and the order of things.
Author: Borbála Faragó
Publisher: Bucknell University Press
ISBN: 1611485649
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book offers a wide-ranging analysis of the entire corpus of Medbh McGuckian’s published work. Its objective is to provide both a readable synthesis of existing criticism, in a fashion which will be generally useful to academics and students, and also to offer an original contribution to the field of contemporary Irish literary studies on the basis of new research. The book investigatesa variety of previously neglected themes, in particular McGuckian’s exploration of ideas of creativity and performativity in her poetry. Over the past two decades McGuckian has been recognized by both her fellow poets and by literary critics as one of the most original, daring and important poetic voices in contemporary Ireland. Since 1982 she has published fifteen volumes of poetry, extraordinary not merely for its sustained quality and linguistic and technical virtuosity, but also for its constant evolution and reinvention. This book provides an original perspective on her work both thematically and methodologically. From a thematic perspective, the process of artistic creation is a key preoccupation of McGuckian’s poetry which recurs in every volume of her oeuvre but has previously escaped critical attention. By adapting and refining theories of singularity and creativity, the book allows for a coherent analysis of this central aspect of McGuckian’s work. Methodologically it differs from previous studies in the scope of its approach. Uniquely, it pursues its investigation across the entire breadth of the poet’s published output and emphasizes the thematic unity of individual volumes in the light of the poet’s constant change and development. Throughout the book, the reading of McGuckian’s work concentrates on poems in their entirety, an approach which has not figured to any notable degree in the existing secondary literature on the poet, not least because of the perceived difficulty of her writing. A critical investigation, however, which respects both the integrity of the individual poems and the internal coherence of her various volumes allows for a far deeper understanding both of the poet’s thematic preoccupations and of the evolution of her distinctive poetic voice.
