The Hidden Order of Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Hidden Order of Art PDF full book. Access full book title The Hidden Order of Art by Anton Ehrenzweig. Download full books in PDF and EPUB format.
Author: Anton Ehrenzweig
Publisher: Univ of California Press
ISBN: 9780520020504
Category : Art
Languages : en
Pages : 346
Get Book Here
Book Description
The author has evolved an altogether new psychology of the artist and the art-work which accounts particularly for the development, significance, possibilities and limitations of modern abstract art.
Author: Anton Ehrenzweig
Publisher: Univ of California Press
ISBN: 9780520020504
Category : Art
Languages : en
Pages : 346
Get Book Here
Book Description
The author has evolved an altogether new psychology of the artist and the art-work which accounts particularly for the development, significance, possibilities and limitations of modern abstract art.
Author: Anton Ehrenzweig
Publisher: Univ of California Press
ISBN: 0520341457
Category : Psychology
Languages : en
Pages : 346
Get Book Here
Book Description
From the Preface: The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms. A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition. There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971. From the Preface: The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 352
Get Book Here
Book Description
Author: Marie MacDonnell Roberts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Brad Thor
Publisher: Simon and Schuster
ISBN: 1476717117
Category : Fiction
Languages : en
Pages : 368
Get Book Here
Book Description
#1 New York Times and #1 Wall Street Journal bestselling author Brad Thor returns with his hottest and most action-packed thriller yet! The most secretive organization in America operates without accountability to the American people. Hiding in the shadows, pretending to be part of the United States Government, its power is beyond measure. Control of this organization has just been lost and the future of the nation has been thrust into peril. When the five candidates being considered to head this mysterious agency suddenly go missing, covert counter-terrorism operative, Scot Harvath is summoned to Washington and set loose on the most dangerous chase ever to play out on American soil. But as the candidates begin turning up murdered, the chase becomes an all-too-public spectacle with every indicator suggesting that the plot has its roots in a shadowy American cabal founded in the 1700s. With the United States on the verge of collapse, Harvath must untangle a web of conspiracy centuries in the making and head off the greatest threat America has ever seen. This is thriller writing at its absolute best where the stakes have never been higher, nor the line between good and evil so hard to discern.
Author: Julian Spalding
Publisher: Rough Guides UK
ISBN: 140538655X
Category : Art
Languages : en
Pages : 290
Get Book Here
Book Description
Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. The Best Art You've Never Seen is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, The Best Art You've Never Seen restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, The Best Art You've Never Seen takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.
Author: Oscar Louis Forel
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 136
Get Book Here
Book Description
Author: Leah Chana Rubabshi
Publisher:
ISBN: 9781929628742
Category : God (Judaism)
Languages : en
Pages : 28
Get Book Here
Book Description
Join a young child's quest to discover the Artist responsible for the world's exquisite splendor and variety.
Author: Richard J. Williams
Publisher: Manchester University Press
ISBN: 9780719056512
Category : Art
Languages : en
Pages : 196
Get Book Here
Book Description
Stars are central to the cinema experience, and this collection offers a variety of fresh and informed perspectives on this important but sometimes neglected area of film studies.This book takes as its focus film stars from the past and present, from Hollywood, its margins and beyond and analyses them through a close consideration of their films and the variety of contexts in which they worked.The book spreads the net wide, looking at past stars from Rosalind Russell and Charlton Heston to present day stars including Sandra Bullock, Jackie Chan and Jim Carrey, as well as those figures who have earnt themselves a certain film star cachet such as Prince, and the martial artist Cynthia Rothrock.The collection will be essential reading for students and lecturers of film studies, as well as to those with a general interest in the cinema.
Author: Caroline Case
Publisher: Routledge
ISBN: 1136819673
Category : Art
Languages : en
Pages : 321
Get Book Here
Book Description
It provides a comprehensive introduction to the field of art therapy in a variety of different settings.
