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Author: Igor Kipnis
Publisher: Psychology Press
ISBN: 9780415937658
Category : Music
Languages : en
Pages : 548
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Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Igor Kipnis
Publisher: Psychology Press
ISBN: 9780415937658
Category : Music
Languages : en
Pages : 548
Get Book Here
Book Description
The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.
Author: Raymond Russell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Bernard Brauchli
Publisher: Cambridge University Press
ISBN: 9780521630672
Category : Music
Languages : en
Pages : 410
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Book Description
This is a richly illustrated history of the clavichord, the forerunner of the modern piano.
Author: Richard Troeger
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 280
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Book Description
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
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Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author: Joan Benson
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
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Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: Raymond Russell
Publisher: London : Faber and Faber
ISBN:
Category : Clavichord
Languages : en
Pages : 326
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Book Description
Author: Donald Howard Boalch
Publisher: Oxford : Clarendon Press
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Igor Kipnis
Publisher: Routledge
ISBN: 9780824034207
Category :
Languages : en
Pages : 600
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Book Description
Author: Louis Oesterle
Publisher: Forgotten Books
ISBN: 9780331558470
Category : Music
Languages : en
Pages : 216
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Book Description
Excerpt from Early Keyboard Music, Vol. 2: A Collection of Pieces Written for the Virginal, Spinet, Harpsichord, and Clavichord Besides dances, composers of this period occupied themselves with Fantasias, Preludes, Toccatas, and Variations. The Toccata was one of the earliest specifically instrumental forms. It had no well-defined requirements; but one of its obvious features was a flowing movement, often regularly recurring figures, frequently of rapid running passages, with little decided melodic character; thus, like the Fantasia and Prelude, it was in the nature of a brilliant improvisation. In the Variation was soon found a medium for the development and display of the composer's ingenuity and the executant's technical facility; and it was considered appropriate to many of the dances just described. When composers came to perceive the value of the artistic balance and contrast to be obtained by grouping together dances of different tempos, rhythms and character, grave and gay, the Suite came into being. There was no definite rule, even in the latest and lightest development of the Suite, establishing the kind and order of the movements to be used; and in the earliest examples we find an infinite variety. However, the Suite was always in the same key throughout. By the beginning of the seventeenth century some general principles of choice and arrangement were cur rently accepted; with or without a Prelude, the Suite was often constituted of an Allemande, a Courante, a Sarabande and a Gigue, in the above order; but sometimes other movements were employed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
