The Great War, The Waste Land and the Modernist Long Poem PDF Download
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Author: Oliver Tearle
Publisher: Bloomsbury Publishing
ISBN: 1350027030
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre in comparison with lesser known long poems, such as Hope Mirrlees's Paris: A Poem, Richard Aldington's A Fool I' the Forest and Nancy Cunard's Parallax. As well as presenting a new history of this neglected genre, the book examines the ways in which the modernist long poem represented the seminal literary form for grappling with the crises of European modernity in the wake of World War I.
Author: Oliver Tearle
Publisher: Bloomsbury Publishing
ISBN: 1350027030
Category : Literary Criticism
Languages : en
Pages : 208
Get Book Here
Book Description
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre in comparison with lesser known long poems, such as Hope Mirrlees's Paris: A Poem, Richard Aldington's A Fool I' the Forest and Nancy Cunard's Parallax. As well as presenting a new history of this neglected genre, the book examines the ways in which the modernist long poem represented the seminal literary form for grappling with the crises of European modernity in the wake of World War I.
Author: Oliver Tearle
Publisher: Bloomsbury Publishing
ISBN: 1350027022
Category : Literary Criticism
Languages : en
Pages : 208
Get Book Here
Book Description
The Great War, The Waste Land and the Modernist Long Poem explores how cultural responses to the trauma of the First World War found expression in the form of the modernist long poem. Beginning with T.S. Eliot's The Waste Land, Oliver Tearle reads that most famous example of the genre in comparison with lesser known long poems, such as Hope Mirrlees's Paris: A Poem, Richard Aldington's A Fool I' the Forest and Nancy Cunard's Parallax. As well as presenting a new history of this neglected genre, the book examines the ways in which the modernist long poem represented the seminal literary form for grappling with the crises of European modernity in the wake of World War I.
Author: Hope Mirrlees
Publisher: Faber & Faber
ISBN: 0571359949
Category : Poetry
Languages : en
Pages : 74
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Book Description
Paris: A Poem is a daring, experimental, psychogeographic long poem written by the British writer Hope Mirrlees. Offering a snapshot of post-war Paris, it describes a journey through the city from day to night by means of innovative and playful typography, collage and fragmentation. This would be a centenary edition, reproducing the original design and setting of the very first, published by Leonard and Virginia Woolf at the Hogarth Press in 1920.
Author: Richard Aldington
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 72
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Book Description
Author: T. S. Eliot
Publisher: Yale University Press
ISBN: 0300133561
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Newly revised and in paperback for the first time, this definitive, annotated edition of T. S. Eliot's "The Waste Land "includes as a bonus""all the essays Eliot wrote as he was composing his masterpiece. Enriched with period photographs, a London map of cited locations, groundbreaking information on the origins of the work, and full annotations, the volume is itself a landmark in literary history. "More than any previous editor, Rainey provides the reader with every resource that might help explain the genesis and significance of the poem. . . . The most imaginative and useful edition of "The Waste Land" ever published."--Adam Kirsch, "New Criterion ""For the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition."--"Publishers Weekly"
Author: Calvin Bedient
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Line-by-line analysis of T. S. Eliot's The Wasteland--Cover.
Author: Gabrielle McIntire
Publisher: Cambridge University Press
ISBN: 1107050677
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
This Companion offers fresh critical perspectives on T. S. Eliot's The Waste Land that will be invaluable to scholars, students, and general readers.
Author: A. Booth
Publisher: Springer
ISBN: 1137482842
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
A guidebook to the allusions of T.S. Eliot's notorious poem, The Waste Land , Reading The Waste Land from the Bottom Up utilizes the footnotes as a starting point, opening up the poem in unexpected ways. Organized according to Eliot's line numbers and designed for both scholars and students, chapters are free-standing and can be read in any order.
Author: Kevin Jackson
Publisher: Macmillan + ORM
ISBN: 0374710333
Category : History
Languages : en
Pages : 419
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Book Description
Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.
Author: Mark Storey
Publisher: Oxford University Press
ISBN: 019264498X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This is a book about two empires—America and Rome—and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state—both to justify and perpetuate it, and to resist and critique it. The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire—republicanism and slavery—to the popular genres that have reimagined America's and Rome's sometimes strange orbit: Christian fiction, travel writing, and science fiction. Through this conjunction of literary history, classical reception studies, and the philosophy of history, however, Time and Antiquity in American Empire builds a more fundamental inquiry: about how we imagine both our politics and ourselves within historical time. It outlines a new relationship between text and context, and between history and culture; one built on the oscillating, dialectical logic of the analogy, and on a spatialising of historical temporality through the metaphors of constellations and networks. Offering a fresh reckoning with the historicist protocols of literary study, this book suggests that recognizing the shape of history we step into when we analogize with the past is also a way of thinking about how we have read—and how we might yet read.
