The Great War and the Language of Modernism PDF Download
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Author: Vincent B. Sherry
Publisher: Oxford University Press, USA
ISBN: 0195178181
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
Vincent Sherry reopens long unanswered questions regarding the influence of the 1914 war on the verbal experiments of modernist poetry and fiction. He recovers the political discourses of the British campaign, offering new readings of Woolf, Eliot and Pound.
Author: Vincent B. Sherry
Publisher: Oxford University Press, USA
ISBN: 0195178181
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
Vincent Sherry reopens long unanswered questions regarding the influence of the 1914 war on the verbal experiments of modernist poetry and fiction. He recovers the political discourses of the British campaign, offering new readings of Woolf, Eliot and Pound.
Author: Modris Eksteins
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395937587
Category : History
Languages : en
Pages : 420
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Book Description
Looks at the origins and impact of World War I, discusses the premiere of Stravinsky's ballet, and analyzes public opinion of the period.
Author: M. Larabee
Publisher: Springer
ISBN: 0230118259
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
This book shows how British authors used landscape description to shape the meaning of the First World War. Using a broad range of critically neglected archival materials, it reexamines modernist and traditional writing to reveal how various modes of topographical representation allowed authors to construct healing responses to the war.
Author: Trudi Tate
Publisher: Humanities-Ebooks
ISBN: 1847602401
Category : History
Languages : en
Pages : 204
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Book Description
Drawing upon medical journals, newspapers, propaganda, military histories, and other writings of the day, 'Modernism, History and the First World War' reads such writers as Woolf, HD, Ford, Faulkner, Kipling, and Lawrence alongside fiction and memoirs of soldiers and nurses who served in the war. This ground breaking blend of cultural history and close readings shows how modernism after 1914 emerges as a strange but important form of war writing, and was profoundly engaged with its own troubled history.
Author: Aviel Roshwald
Publisher: Cambridge University Press
ISBN: 9780521013246
Category : History
Languages : en
Pages : 446
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Book Description
A comparative study of European cultural and social history during the First World War.
Author: Sara Haslam
Publisher: Manchester University Press
ISBN: 9780719060557
Category : Literary Criticism & Collections
Languages : en
Pages : 262
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Book Description
As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.
Author: Allyson Booth
Publisher: Oxford University Press, USA
ISBN: 0195102118
Category : English literature
Languages : en
Pages : 199
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Book Description
She links, for example, the modernist representation of an unstable self to soldiers' familiarity with corpses, the modernist mistrust for fact to the competing nationalist discourses of August 1914, and the modernist description of buildings as having shaken off the past to a desire to forget the war. Booth argues that the dislocations of war often figure centrally in modernist forms even when the war itself seems peripheral to modernist content.
Author: Benjamin Balthaser
Publisher: University of Michigan Press
ISBN: 0472902555
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression. The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the pre-war “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anti-colonial networks of North/South solidarity. Chapters examine farmworker photographers in California’s central valley, a Nez Perce intellectual traveling to the Soviet Union, imaginations of the Haitian Revolution, the memory of the U.S.–Mexico War, and U.S. radical writers traveling to Cuba. The last chapter examines how the Cold War foreclosed these movements within a nationalist framework, when activists and intellectuals had to suppress the transnational nature of their movements, often rewriting the cultural past to conform to a patriotic narrative of national belonging.
Author: Randall Stevenson
Publisher: Oxford Textual Perspectives
ISBN: 0199596441
Category : History
Languages : en
Pages : 281
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Book Description
Literature and the Great War offers a fresh, challenging interpretation of the literature of the period, reappraising the settled assumptions through which war writing has come to be read in recent years.
Author: Pearl James
Publisher: University of Virginia Press
ISBN: 9780813934099
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Adopting the term "new death," which was used to describe the unprecedented and horrific scale of death caused by the First World War, Pearl James uncovers several touchstones of American modernism that refer to and narrate traumatic death. The sense of paradox was pervasive: death was both sanctified and denied; notions of heroism were both essential and far-fetched; and civilians had opportunities to hear about the ugliness of death at the front but often preferred not to. By historicizing and analyzing the work of such writers as Willa Cather, Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner, the author shows how their novels reveal, conceal, refigure, and aestheticize the violent death of young men in the aftermath of the war. These writers, James argues, have much to say about how the First World War changed death's cultural meaning.
