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Author: Evdokia Belova
Publisher: Parkstone International
ISBN: 1646999630
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Author: Evdokia Belova
Publisher: Parkstone International
ISBN: 1646999630
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Author: E. I︠A︡ Surit︠s︡
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 216
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Book Description
"The first distinctly Russian choreography was performed by Tsar Alexis Mikhailovich, and thus began the Tsar's passion for ballet. In 1738, the first professional school of dance opened in St. Petersburg. During the 18th century, the Russian Ballet became known for its tragic and comic ballets. The Russian ballet reached its apogee during the 19th century with the arrival of new masters, such as [Ivan] Valberg, [Charles] Didelot and [Adam] Glushkovsky, who choreographed works by Pushkin and Jokovsky. The second half of the century was marked by the collaboration of [Marius] Petipa, the French choreographer, with the Russian composer Tchaikovsky. In the early 20th century, Diaghilev delighted audiences in the West by presenting the Ballet Russe with supremely talented choreographers, dancers, conmposers and set designers."--Jacket.
Author: Simon Morrison
Publisher: Liveright Publishing
ISBN: 0871408309
Category : Performing Arts
Languages : en
Pages : 512
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Book Description
In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.
Author: Serge Lifar
Publisher: London : Hutchinson
ISBN:
Category : Ballet
Languages : en
Pages : 370
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Book Description
Author: Alfred Edwin Johnson
Publisher: London : Constable & Company
ISBN:
Category : Ballet
Languages : en
Pages : 276
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Book Description
Author: Agrippina Vaganova
Publisher: Courier Corporation
ISBN: 0486121054
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Discusses all basic principles of ballet, grouping movement by fundamental types. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. 118 illustrations.
Author: Cyril William Beaumont
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 224
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Book Description
Author: Jennifer Homans
Publisher: Granta Books
ISBN: 1847084540
Category : Performing Arts
Languages : en
Pages : 672
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Book Description
Apollo's Angels is a major new history of classical ballet. It begins in the courts of Europe, where ballet was an aspect of aristocratic etiquette and a political event as much as it was an art. The story takes the reader from the sixteenth century through to our own time, from Italy and France to Britain, Denmark, Russia and contemporary America. The reader learns how ballet reflected political and cultural upheavals, how dance and dancers were influenced by the Renaissance and French Classicism, by Revolution and Romanticism, by Expressionism and Bolshevism, Modernism and the Cold War. Homans shows how and why 'the steps' were never just the steps: they were a set of beliefs and a way of life. She takes the reader into the lives of dancers and traces the formal evolution of technique, choreography and performance. Her book ends by looking at the contemporary crisis in ballet now that 'the masters are dead and gone' and offers a passionate plea for the centrality of classical dance in our civilization. Apollo's Angels is a book with broad popular appeal: beautifully written and illustrated, it is essential reading for anyone interested in history, culture and art.
Author: Anne Searcy
Publisher: Oxford University Press, USA
ISBN: 0190945109
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--
Author: Christina Ezrahi
Publisher: University of Pittsburgh Pre
ISBN: 0822978075
Category : History
Languages : en
Pages : 338
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Book Description
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi’s groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia’s two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet’s worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.
