Author: Beth Fowkes Tobin
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324
Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
Picturing Imperial Power
Author: Beth Fowkes Tobin
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324
Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324
Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
Painting by Numbers
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
A Century of British Painters
Author: Richard Redgrave
Publisher: Cornell University Press
ISBN: 9780801492174
Category : Painters
Languages : en
Pages : 628
Book Description
In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.
Publisher: Cornell University Press
ISBN: 9780801492174
Category : Painters
Languages : en
Pages : 628
Book Description
In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.
Reflective Landscapes of the Anglophone Countries
Author: Pascale Guibert
Publisher: Rodopi
ISBN: 9042032626
Category : Art
Languages : en
Pages : 295
Book Description
Too many landscapes have been reduced to silent commodities by being put into golden frames on top of our fireplaces. Too many landscapes have been reified by being considered as objects holding forth referents to an omnipotent looker-on, with his/her language ever ready to seize and transcribe. The articles gathered here, prolonging an international conference held at the University of Caen Basse-Normandie (France), 14-16 June 2007, set the landscapes loose again by engaging with their essentially relational quality. What makes this volume particularly stimulating and critically innovative is this initial acknowledgement of a landscape's reflectiveness - that is the fact that it contains unthought thought, and thus presents itself to us both passively and actively. This straightaway appraisal of the lines of flight in the seemingly static, tranquil images facing us, has opened the way to deeply critical readings bent on questioning old tracks, testing new itineraries, denying the closure of the subject. At the same time, and by way of consequence, it leads us to encounter the force in landscape. A force like an energy, an impetus, which makes it possible - if not advisable - to still compose, read and enjoy landscapes in the XXIst century.
Publisher: Rodopi
ISBN: 9042032626
Category : Art
Languages : en
Pages : 295
Book Description
Too many landscapes have been reduced to silent commodities by being put into golden frames on top of our fireplaces. Too many landscapes have been reified by being considered as objects holding forth referents to an omnipotent looker-on, with his/her language ever ready to seize and transcribe. The articles gathered here, prolonging an international conference held at the University of Caen Basse-Normandie (France), 14-16 June 2007, set the landscapes loose again by engaging with their essentially relational quality. What makes this volume particularly stimulating and critically innovative is this initial acknowledgement of a landscape's reflectiveness - that is the fact that it contains unthought thought, and thus presents itself to us both passively and actively. This straightaway appraisal of the lines of flight in the seemingly static, tranquil images facing us, has opened the way to deeply critical readings bent on questioning old tracks, testing new itineraries, denying the closure of the subject. At the same time, and by way of consequence, it leads us to encounter the force in landscape. A force like an energy, an impetus, which makes it possible - if not advisable - to still compose, read and enjoy landscapes in the XXIst century.
Harry S. Truman Home
Author: Sarah Olson
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 402
Book Description
British Painters
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 345
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 345
Book Description
Sport and the Making of Britain
Author: Derek Birley
Publisher: Manchester University Press
ISBN: 9780719037597
Category : History
Languages : en
Pages : 372
Book Description
This lively and stimulating book looks at some of the myths and realities surrounding Britain's legendary enthusiasm for sport; and aims to chronicle how sporting traditions were shaped and how they, in turn, contributed to the shaping of British social conventions and attitudes.
Publisher: Manchester University Press
ISBN: 9780719037597
Category : History
Languages : en
Pages : 372
Book Description
This lively and stimulating book looks at some of the myths and realities surrounding Britain's legendary enthusiasm for sport; and aims to chronicle how sporting traditions were shaped and how they, in turn, contributed to the shaping of British social conventions and attitudes.
Staying Power
Author: Peter Fryer
Publisher: University of Alberta
ISBN: 9780861047499
Category : History
Languages : en
Pages : 652
Book Description
‘For this retrieval of the lost histories of black Britain Mr Fryer has my deep gratitude. An invaluable book.’ --Salman Rushdie
Publisher: University of Alberta
ISBN: 9780861047499
Category : History
Languages : en
Pages : 652
Book Description
‘For this retrieval of the lost histories of black Britain Mr Fryer has my deep gratitude. An invaluable book.’ --Salman Rushdie
Landmarks in Nineteenth-century Painting
Author: Clive Bell
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 284
Book Description
The Nineteenth Century: The British Isles 1815-1901
Author:
Publisher: OUP Oxford
ISBN: 0198731442
Category : History
Languages : en
Pages : 358
Book Description
The complete Short Oxford History of The British Isles (series editor: Professor Paul Langford) will cover the history of the British Isles from the Roman Era to the present in eleven volumes. In each, experts write to their strengths tackling the key issues including society, economy, religion, politics, and culture head-on in chapters that will be at once wide-ranging surveys and searching analyses. Each book is specifically designed with the non-specialist reader in mind; but the authority of the contributors and the vigour of the interpretations will make them necessary and challenging reading for fellow academics across a range of disciplines. The nineteenth century was Britain's moment as a world power, not only in the narrow political sense, but with respect to a vast range of activities and achievements. This book sets out to describe the force and complexity of that experience, and to cover, in an interdisciplinary way, the political, economic, and cultural history of the British Isles between 1815 and 1901. It looks at the Victorian economy, that transforming great engine of change, as well as Victorian public life as a cultural and political narrative by including chapters on women and domesticity, the remarkable interplay of religion, intellect and science, art, architecture and the city, as well as literature, and the theatre and music of the time. This collection of works by eminent historians brilliantly depicts the nations of the British Isles at the height of Britain's world power.
Publisher: OUP Oxford
ISBN: 0198731442
Category : History
Languages : en
Pages : 358
Book Description
The complete Short Oxford History of The British Isles (series editor: Professor Paul Langford) will cover the history of the British Isles from the Roman Era to the present in eleven volumes. In each, experts write to their strengths tackling the key issues including society, economy, religion, politics, and culture head-on in chapters that will be at once wide-ranging surveys and searching analyses. Each book is specifically designed with the non-specialist reader in mind; but the authority of the contributors and the vigour of the interpretations will make them necessary and challenging reading for fellow academics across a range of disciplines. The nineteenth century was Britain's moment as a world power, not only in the narrow political sense, but with respect to a vast range of activities and achievements. This book sets out to describe the force and complexity of that experience, and to cover, in an interdisciplinary way, the political, economic, and cultural history of the British Isles between 1815 and 1901. It looks at the Victorian economy, that transforming great engine of change, as well as Victorian public life as a cultural and political narrative by including chapters on women and domesticity, the remarkable interplay of religion, intellect and science, art, architecture and the city, as well as literature, and the theatre and music of the time. This collection of works by eminent historians brilliantly depicts the nations of the British Isles at the height of Britain's world power.