Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Hesychasm and Art
Sacred Shock: Framing Visual Experience in Byzantium
Author: Glenn Peers
Publisher: Penn State Press
ISBN: 9780271047485
Category :
Languages : en
Pages : 216
Book Description
Sacred Shock attempts to lay bare the inner workings of Byzantine art by looking closely at the marginal or subsidiary areas in works of art.
Publisher: Penn State Press
ISBN: 9780271047485
Category :
Languages : en
Pages : 216
Book Description
Sacred Shock attempts to lay bare the inner workings of Byzantine art by looking closely at the marginal or subsidiary areas in works of art.
Icon and Devotion
Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428
Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Icons
Author: Nikodim Pavlovich Kondakov
Publisher: Parkstone International
ISBN: 1780429258
Category : Art
Languages : en
Pages : 256
Book Description
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Publisher: Parkstone International
ISBN: 1780429258
Category : Art
Languages : en
Pages : 256
Book Description
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
Greece
Author: Roderick Beaton
Publisher: University of Chicago Press
ISBN: 022680979X
Category : History
Languages : en
Pages : 505
Book Description
For many, “Greece” is synonymous with “ancient Greece,” the civilization that gave us much that defines Western culture today. But, how did Greece come to be so powerfully attached to the legacy of the ancients in the first place and then define an identity for itself that is at once Greek and modern? This book reveals the remarkable achievement, during the last three hundred years, of building a modern nation on the ruins of a vanished civilization—sometimes literally so. This is the story of the Greek nation-state but also, and more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics; it is also a history of culture, of the arts, of people, and of ideas. Opening with the birth of the Greek nation-state, which emerged from encounters between Christian Europe and the Ottoman Empire, Roderick Beaton carries his story into the present moment and Greece’s contentious post-recession relationship with the rest of the European Union. Through close examination of how Greeks have understood their shared identity, Beaton reveals a centuries-old tension over the Greek sense of self. How does Greece illuminate the difference between a geographically bounded state and the shared history and culture that make up a nation? A magisterial look at the development of a national identity through history, Greece: Biography of a Modern Nation is singular in its approach. By treating modern Greece as a biographical subject, a living entity in its own right, Beaton encourages us to take a fresh look at a people and culture long celebrated for their past, even as they strive to build a future as part of the modern West.
Publisher: University of Chicago Press
ISBN: 022680979X
Category : History
Languages : en
Pages : 505
Book Description
For many, “Greece” is synonymous with “ancient Greece,” the civilization that gave us much that defines Western culture today. But, how did Greece come to be so powerfully attached to the legacy of the ancients in the first place and then define an identity for itself that is at once Greek and modern? This book reveals the remarkable achievement, during the last three hundred years, of building a modern nation on the ruins of a vanished civilization—sometimes literally so. This is the story of the Greek nation-state but also, and more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics; it is also a history of culture, of the arts, of people, and of ideas. Opening with the birth of the Greek nation-state, which emerged from encounters between Christian Europe and the Ottoman Empire, Roderick Beaton carries his story into the present moment and Greece’s contentious post-recession relationship with the rest of the European Union. Through close examination of how Greeks have understood their shared identity, Beaton reveals a centuries-old tension over the Greek sense of self. How does Greece illuminate the difference between a geographically bounded state and the shared history and culture that make up a nation? A magisterial look at the development of a national identity through history, Greece: Biography of a Modern Nation is singular in its approach. By treating modern Greece as a biographical subject, a living entity in its own right, Beaton encourages us to take a fresh look at a people and culture long celebrated for their past, even as they strive to build a future as part of the modern West.
Beyond Vision
Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Performing the Gospels in Byzantium
Author: Roland Betancourt
Publisher: Cambridge University Press
ISBN: 1108870872
Category : History
Languages : en
Pages : 356
Book Description
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
Publisher: Cambridge University Press
ISBN: 1108870872
Category : History
Languages : en
Pages : 356
Book Description
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
Studies on Old Kingdom Reliefs and Sculpture in the Hermitage
Author: Andrey O. Bolshakov
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447051842
Category : Art
Languages : en
Pages : 340
Book Description
The book is the first complete publication of a relatively small but interesting collection of Old Kingdom monuments in the State Hermitage Museum, St. Petersburg. Twenty-two pieces are reproduced as black-and-white photographs and line drawings. Among them are two statues, fourteen reliefs and relief fragments, five offering stones and a fragment of an ointment tablet; several objects in museums of Cairo, Copenhagen, and Cambridge belonging to the same people are published as well. Most of these monuments were never published or are known only through books and periodicals in Russian that usually are not available in Egyptological libraries. Although the Hermitage pieces were acquired at antiquities dealers without any documentation, their modern history is traced and in a half of cases either their provenance is reconstructed or related monuments are found. A limited number of monuments allowed the author to discuss them to a much greater extent than it is common in museum publications and, thus, the book in spite of its structure of a catalogue virtually is a detailed study of various problems of Old Kingdom history and ideology.
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447051842
Category : Art
Languages : en
Pages : 340
Book Description
The book is the first complete publication of a relatively small but interesting collection of Old Kingdom monuments in the State Hermitage Museum, St. Petersburg. Twenty-two pieces are reproduced as black-and-white photographs and line drawings. Among them are two statues, fourteen reliefs and relief fragments, five offering stones and a fragment of an ointment tablet; several objects in museums of Cairo, Copenhagen, and Cambridge belonging to the same people are published as well. Most of these monuments were never published or are known only through books and periodicals in Russian that usually are not available in Egyptological libraries. Although the Hermitage pieces were acquired at antiquities dealers without any documentation, their modern history is traced and in a half of cases either their provenance is reconstructed or related monuments are found. A limited number of monuments allowed the author to discuss them to a much greater extent than it is common in museum publications and, thus, the book in spite of its structure of a catalogue virtually is a detailed study of various problems of Old Kingdom history and ideology.
The Russian Primary Chronicle
Author: Nestor
Publisher:
ISBN:
Category : Kievan Rus
Languages : en
Pages : 342
Book Description
Chronicle covers the years 852-1116 of Russian history.
Publisher:
ISBN:
Category : Kievan Rus
Languages : en
Pages : 342
Book Description
Chronicle covers the years 852-1116 of Russian history.
Arabic Christianity between the Ottoman Levant and Eastern Europe
Author:
Publisher: BRILL
ISBN: 9004465839
Category : Religion
Languages : en
Pages : 383
Book Description
This volume focuses on the connections of Arabic-speaking Christians with Eastern-European Christians in Ottoman times, it discusses the circulation of literature, models, iconography, and knowhow between the Middle East and Eastern Europe, and presents new research devoted to them.
Publisher: BRILL
ISBN: 9004465839
Category : Religion
Languages : en
Pages : 383
Book Description
This volume focuses on the connections of Arabic-speaking Christians with Eastern-European Christians in Ottoman times, it discusses the circulation of literature, models, iconography, and knowhow between the Middle East and Eastern Europe, and presents new research devoted to them.