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Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588392058
Category : Art, Scythian
Languages : en
Pages : 257
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Book Description
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588392058
Category : Art, Scythian
Languages : en
Pages : 257
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Book Description
Author: Joan Aruz
Publisher:
ISBN:
Category : Goldwork, Sarmatian
Languages : en
Pages : 0
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN: 9780870999604
Category : Art
Languages : en
Pages : 303
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Book Description
Author: Barry Cunliffe
Publisher: Oxford University Press
ISBN: 0192551876
Category : History
Languages : en
Pages : 352
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Book Description
Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigour and splendour for the first time in over two millennia.
Author: Emma C. Bunker
Publisher: Metropolitan Museum of Art
ISBN: 0300096887
Category : Art
Languages : en
Pages : 249
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Book Description
This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
Author: Lars Krutak
Publisher: University of Washington Press
ISBN: 0295742844
Category : Art
Languages : en
Pages : 391
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Book Description
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1789253950
Category : History
Languages : en
Pages : 400
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Book Description
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.
Author: Theodore Levin
Publisher: Indiana University Press
ISBN: 0253045037
Category : Music
Languages : en
Pages : 328
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Book Description
Theodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.
Author: Paula L.W. Sabloff
Publisher: University of Pennsylvania Press
ISBN: 1934536318
Category : Social Science
Languages : en
Pages : 300
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Book Description
With its small population and low GDP, Mongolia is frequently deemed "unique" or tacked onto various area studies programs: Inner Asia, Central Asia, Northeast Asia, or Eurasia. This volume is a response to the concern that countries such as Mongolia are marginalized when academia and international diplomacy reconfigure area studies borders in the postsocialist era. Would marginalized countries such as Mongolia benefit from a reconfiguration of area studies programs or even from another way of thinking about grouping nations? This book uses Mongolia as a case study to critique the area studies methodology and test the efficacy of another grouping methodology, the "-scapes" method proposed by Arjun Appadurai. Could the application of this approach for tracing individuals' social networks by theme (finance, ethnicity, ideology, media, and technology) be applied to nation-states or peoples? Could it then prevent Mongolia from slipping through the cracks of academia and international diplomacy? Experts from ecology, genetics, archaeology, history, anthropology, and international diplomacy contemplate these issues in their chapters on Mongolia through the ages. Their work includes over 30 maps to help situate Mongolia in its geologic, geographic, economic, and cultural matrix. By comparing maps of different time periods and intellectual orientations, readers can consider for themselves the place of Mongolia in the world community and the relative benefits of these and other grouping methodologies. Content of this book's DVD-ROM may be found online at this location: http://core.tdar.org/project/376589.
Author: Esther Jacobson-Tepfer
Publisher: Oxford University Press
ISBN: 019027283X
Category : Art
Languages : en
Pages : 448
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Book Description
The ancient landscape of North Asia gave rise to a mythic narrative of birth, death, and transformation that reflected the hardship of life for ancient nomadic hunters and herders. Of the central protagonists, we tend to privilege the hero hunter of the Bronze Age and his re-incarnation as a warrior in the Iron Age. But before him and, in a sense, behind him was a female power, half animal, half human. From her came permission to hunt the animals of the taiga, and by her they were replenished. She was, in other words, the source of the hunter's success. The stag was a latecomer to this tale, a complex symbol of death and transformation embedded in what ultimately became a struggle for priority between animal mother and hero hunter. From this region there are no written texts to illuminate prehistory, and the hundreds of burials across the steppe reveal little relating to myth and belief before the late Bronze Age. What they do tell us is that peoples and cultures came and went, leaving behind huge stone mounds, altars, and standing stones as well as thousands of petroglyphic images. With The Hunter, the Stag, and the Mother of Animals, Esther Jacobson-Tepfer uses that material to reconstruct the prehistory of myth and belief in ancient North Asia. Her narrative places monuments and imagery within the context of the physical landscape and by considering all three elements as reflections of the archaeology of belief. Within that process, paleoenvironmental forces, economic innovations, and changing social order served as pivots of mythic transformation. With this vividly illustrated study, Jacobson-Tepfer brings together for this first time in any language Russian and Mongolian archaeology with prehistoric representational traditions of South Siberia and Mongolia in order to explore the non-material aspects of these fascinating prehistoric cultures.
