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Author: Alistair Hicks
Publisher: National Geographic Books
ISBN: 0500239193
Category : Art
Languages : en
Pages : 0
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Book Description
A highly original, wide-ranging, and judiciously illustrated exploration of an increasingly global art scene In the past, writers and critics such as Goethe, Ruskin, and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Today, artists no longer have to follow one prevailing theory and the art world is less centralized in particular cities: New York, London, Paris, Berlin, and Beijing all offer rich environments to artists but none are designated as the exclusive center of the art world. In Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic, or dealer should monopolize our view of what is happening in the art world today, but that by listening to the artists themselves, we can gradually make out an ever-evolving web of patterns, relationships, and themes. Organized by continent and including extracts from interviews with artists from around the world, the book offers a fresh view of the contemporary art world through artists from France, Albania, Slovakia, Russia, Mexico, Brazil, The United States, China, India, and beyond. The range of artists whose work is explored includes Laure Prouvost, Anri Sala, Roman Ondák , Gabriel Orozco, Sandra Gamarra , Cai Guo-Qiang, and Nandan Ghiya, among many others. The results of Hicks’s approach clearly show that the preoccupations of artists in the 21st century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that an awareness of the unprecedented complexity of our world is equaled by a rising skepticism of the systems that impose order on our lives; and that while art is seen by many as a commodity, it also has the power to be a regenerative tool.
Author: Alistair Hicks
Publisher: National Geographic Books
ISBN: 0500239193
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A highly original, wide-ranging, and judiciously illustrated exploration of an increasingly global art scene In the past, writers and critics such as Goethe, Ruskin, and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Today, artists no longer have to follow one prevailing theory and the art world is less centralized in particular cities: New York, London, Paris, Berlin, and Beijing all offer rich environments to artists but none are designated as the exclusive center of the art world. In Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic, or dealer should monopolize our view of what is happening in the art world today, but that by listening to the artists themselves, we can gradually make out an ever-evolving web of patterns, relationships, and themes. Organized by continent and including extracts from interviews with artists from around the world, the book offers a fresh view of the contemporary art world through artists from France, Albania, Slovakia, Russia, Mexico, Brazil, The United States, China, India, and beyond. The range of artists whose work is explored includes Laure Prouvost, Anri Sala, Roman Ondák , Gabriel Orozco, Sandra Gamarra , Cai Guo-Qiang, and Nandan Ghiya, among many others. The results of Hicks’s approach clearly show that the preoccupations of artists in the 21st century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that an awareness of the unprecedented complexity of our world is equaled by a rising skepticism of the systems that impose order on our lives; and that while art is seen by many as a commodity, it also has the power to be a regenerative tool.
Author: Christian Rattemeyer
Publisher: The Museum of Modern Art
ISBN: 9780870707452
Category : Art
Languages : en
Pages : 328
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Book Description
This collection of drawings was acquired by MOMA in 2005, and it as an extraordinary collection of over 2,500 works on paper. This exhibition presents over 300 of these works and includes a number of works that use collage, assemblage, appropriation and montage.
Author: Caroline A. Jones
Publisher: University of Chicago Press
ISBN: 022629188X
Category : Art
Languages : en
Pages : 380
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Book Description
Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that “globalism” was incubated in a century of international art contests and today constitutes an important tactic for artists. As world’s fairs brought millions of attendees into contact with foreign cultures, products, and processes, artworks became juxtaposed in a “theater of nations,” which challenged artists and critics to think outside their local academies. From Gustave Courbet’s rebel pavilion near the official art exhibit at the 1855 French World’s Fair to curator Beryl Madra’s choice of London-based Cypriot Hussein Chalayan for the off-site Turkish pavilion at the 2006 Venice Biennale, artists have used these exhibitions to reflect on contemporary art, speak to their own governments back home, and challenge the wider geopolitical realm—changing art and art history along the way. Ultimately, Caroline A. Jones argues, the modern appetite for experience and event structures, which were cultivated around the art at these earlier expositions, have now come to constitute contemporary art itself, producing encounters that transform the public and force us to reflect critically on the global condition.
Author: Caroline A. Jones
Publisher: University of Chicago Press
ISBN: 022629174X
Category : Art
Languages : en
Pages : 380
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Book Description
The first major history of the glamorous art biennial. Biennials have proliferated across the globe since the end of the Cold War and have now stabilized at about 200 a year. While this quintessentially contemporary form has significant roots in the world expositions of the 19th century, Jones argues that the biennial is also the platform for an important new aesthetic shift. Moving away from a focus on visual looking in the mid 20th century, the art world today embraces experience: art fairs give the feel of closeness and spaciousness, crowds, and they engage all our senses, even taste. Jones argues that the dominance of installation art and the simultaneous rise of biennialsor recurring art fairsneed to be examined as joint phenomenamutually reinforcing and linked to specific geo-political and aesthetic conditions. From the rise of tourism to the flows of art commerce, Jones hatches a new way to track the development of international art fairs in nearly every corner of the globe: from the early world fairs of London, Paris, Chicago, and New York to art fairs proper in Venice, Sao Paulo, Havana, Berlin, Lyon, and Beijing, as well as Kassel s Documenta, Whitney Biennial, and moreall explained through a rapidly evolving aesthetics of experience that has never, until now, been addressed in such a substantial way."
Author: Audrey Flack
Publisher: Penguin
ISBN: 0140193472
Category : Art
Languages : en
Pages : 161
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Book Description
One of our foremost female artists conducts us on a visionary journey into the heart of the creative process At a time when the art world is dominated by trendy egotists and art itself is marketed like toothpaste, Audrey Flack is both an anachronism and a revolutionary: a photorealist painter and sculptor who eschews glamour and who clings to a vision of art as a form of shamanism—a means of self-transcendence whose ultimate aim is the healing of the planet. In this provocative book, Flack shows how the transcendence occurs, in the art of looking as well as in the moment of creation. With its wonderfully acute critiques of artists from Tintoretto to Jackson Pollock and its insistence on reforging the links between the artist and larger world, Art and Soul is a brave, nourishing book that will inspire not only visual artists but anyone who has chosen the creative path.
Author: Sidney Perkowitz
Publisher: Joseph Henry Press
ISBN: 9780309065566
Category : Science
Languages : en
Pages : 248
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Book Description
In Empire of Light, Sidney Perkowitz combines the expertise of a physicist with the vision of an art connoisseur and the skill of an accomplished writer to offer a unique view of the most fundamental feature of the universe: light. Empire of Light discusses the nature of light, how the eye sees, and how our understanding of these phenomena have emerged over the ages, including the role of light in the development of quantum physics. The author examines the making of electrical light and its integration into commerce, telecommunications, entertainment, medicine, warfare, and every other aspect of our daily lives. And he presents the role of light in the search for the beginning and the end of the universe, as astronomers with their instruments penetrate ever deeper into the sky. Visible light spans the spectrum between infrared and ultraviolet, but this book reaches across many other spectra as well--from the cave paintings at Lascaux to Mark Rothko's stark blocks of color in today's art museums, from Plato's speculation that the eye sends out rays to Ramon y Cajal's discovery that vision actually works in the opposite way, from Tycho Brahe's elegant antetelescope measurements of planet positions to the Hubble telescope's exquisite sensitivity to light from billions of light years away. What are the biological and neurological processes of perceiving visible light? How does a person typically scan a scene? Do you see red or blue the same way I do? What are our physiological reactions and emotional responses to light? Perkowitz explores these and many other fascinating questions, drawing together the experiences, achievements, and perspectives of a diverse cast of characters, including Galileo, Einstein, Newton, Van Gogh, and Edison. Empire of Light is written so that lay readers will readily grasp the scientific principles and science professionals will readily appreciate the human experience. It will impart new wonder to the daily experience of light in our world. Sidney Perkowitz is the Charles Howard Candler Professor of Physics at Emory University. His work has appeared in national publications such as The Sciences, The Washington Post, The Los Angeles Times, The American Prospect, and Technology Review.
Author: Olav Velthuis
Publisher: OUP Oxford
ISBN: 0191027545
Category : Art
Languages : en
Pages : 314
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Book Description
Since the late 1990s, contemporary art markets have emerged rapidly outside of Europe and the United States. China is r s1the world's second largest art market. In counties as diverse as Brazil, Turkey and India, modern and contemporary art has been recognized as a source of status, or a potential investment tool among the new middle classes. At art auctions in the US, London and Hong Kong, new buyers from emerging economies have driven up prices to record levels. The result of these changes has been an increase in complexity, interconnectedness, stratification and differentiation of contemporary art markets. Our understanding of them is still in its early stages and empirical research in the field of globalization of high arts is still scarce. This book brings together recent, multidisciplinary, cutting edge research on the globalization of art markets. Focusing on different regions, including China, Russia, India and Japan, as well as different institutions and organizations, the chapters in this volume study the extent to which art markets indeed become global. They show the various barriers to, and the effects of, globalization on the art market's organizational dynamics and the everyday narratives of people working within the art industry. In doing so, they recognize the coexistence of various ecologies of contemporary art exchange, and sketch the presence of resilient local networks of actors and organizations. Some chapters show Europe and the US continue to dominate, especially when taking art market rankings and the most powerful events such as Art Basel into account. However, other chapters argue that things such as art fairs are truly global events and that the 'architecture of the art market' which has originally been developed in Europe and the US from the 19th century onwards, is increasingly adopted across the world.
Author: Paolo Gallo
Publisher: Bloomsbury Business
ISBN: 147298403X
Category : Business & Economics
Languages : en
Pages : 313
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Book Description
Paolo Gallo offers a unique pathway toward identifying the right career, finding the ideal job and developing a moral compass. With a creative and engaging mix of coaching practice, management theories, case studies and personal story-telling, this book helps readers to identify both their own compass – which relates to integrity, passion and internal value systems – and radar – which helps them to understand organizational complexity and 'read' workplace dynamics and situations. The Compass and the Radar is founded on a series of searching questions that will enable anyone to find their compass and radar to achieve personal success: · How can I find out what my real strengths and talents are? · Do I love what I do? · How can I find a job with a company that truly reflects my values? · What is the price I am willing to pay for a meaningful and rewarding career? · How should I define a successful career? Key chapters offer practical tools, as well as insights on the trade-offs and difficult choices that everyone will need to make at some point in their career – all of which will underline the importance of having the most robust moral compass. In the midst of a volatile and uncertain world, one in which technology, AI and digital resources are transforming working environments, The Compass and the Radar allows readers to pause, reflect, and consider who they are, what they stand for, and how to remain free.
Author: Renate Dohmen
Publisher: Bloomsbury Publishing
ISBN: 1786720256
Category : Art
Languages : en
Pages : 297
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Book Description
Encounters Beyond the Gallery challenges the terms of their exclusion, looking to relational art, Deleuze-Guattarean aesthetics and notions of perception, as well as anthropological theory for ways to create connections between seemingly disparate worlds. Embracing a unique and experimental format, the book imagines encounters between the art works and art worlds of Rirkrit Tiravanija, Tamil women, the Shipibo-Conibo of Eastern Peru and a fictional female contemporary artist named Rikki T, in order to rethink normative aesthetic and cultural categories. Its method reflects the message of the book, and embraces a plurality of voices and perspectives to steer critical attention towards the complexity of artistic life beyond the gallery.
Author: Ruth E Iskin
Publisher: Taylor & Francis
ISBN: 1317275047
Category : Art
Languages : en
Pages : 311
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Book Description
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.
